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Sigourney Weaver Movies

Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters.

After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977.

Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984).

In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl.

After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.

Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.

In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.

Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater. ~ Sandra Brennan, Rovi
1988  
PG13  
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Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Iain Cuthbertson) to devote her life to the study of primates. Traveling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, Rovi

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Starring:
Sigourney WeaverBryan Brown, (more)
 
1988  
R  
Add Working Girl to Queue Add Working Girl to top of Queue  
Unhappy with her job and her loser boyfriend, Melanie Griffith takes a secretarial post at a major Wall Street firm. Her boss is Sigourney Weaver, an outwardly affable yuppie whose grinning visage hides a wicked and larcenous propensity for exploiting the ideas of her employees. While Weaver is incapacitated, Griffith is compelled by circumstances to pose as her boss. Her inborn business acumen and common sense enable Griffith to rise to the top of New York's financial circles, and along the way she wins the love of executive (Harrison Ford). Things threaten to take a sorry turn when Weaver returns, but it is she who suffers from the consequences of her own past duplicity. Working Girl was Melanie Griffith's breakthrough film, proving than she was more than just the off-and-on "significant other" of Don Johnson. The film was later adapted into a brief TV series, starring a pre-Speed Sandra Bullock. ~ Hal Erickson, Rovi

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Starring:
Melanie GriffithHarrison Ford, (more)
 
1986  
R  
Add Half Moon Street to Queue Add Half Moon Street to top of Queue  
Based on Paul Theroux's Doctor Slaughter, Half Moon Street is motivated by the moneymaking schemes of the heroine, Ph.D. researcher Laura Slaughter (Sigourney Weaver). Stuck in a low-paying government job in London, Laura decides to increase her bank account by working for what is euphemistically termed an "escort service." It is understood that her duties go above and beyond mere hand-holding, and Laura has no problem with this. Michael Caine enters the scene as Lord Bulbeck, a high-ranking British diplomat with whom Laura forms a "special" bond. Little does she know that she is being set up in a power-grabbing scheme masterminded by oil-rich sheik Karim Hatami (Nadim Sawalha). ~ Hal Erickson, Rovi

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Starring:
Sigourney WeaverMichael Caine, (more)
 
1986  
R  
Add Aliens to Queue Add Aliens to top of Queue  
Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been a by-the-numbers sci-fi sequel into both a blockbuster and a seven-time Oscar nominee. Sigourney Weaver returns as Ellen Ripley, the last surviving crew member of a corporate spaceship destroyed after an attack by a vicious, virtually unbeatable alien life form. Adrift in space for half a century, Ripley grapples with depression until she's informed by her company's representative, Carter Burke (Paul Reiser) that the planet where her crew discovered the alien has since been settled by colonists. Contact with the colony has suddenly been lost, and a detachment of colonial marines is being sent to investigate. Invited along as an advisor, Ripley predicts disaster, and sure enough, the aliens have infested the colony, leaving a sole survivor, the young girl Newt (Carrie Henn). With the soldiers picked off one by one, a final all-female showdown brews between the alien queen and Ripley, who's become a surrogate mother to Newt. Several future stars made early career appearances in Aliens (1986), including Lance Henriksen, Bill Paxton, and Reiser. ~ Karl Williams, Rovi

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Starring:
Sigourney WeaverCarrie Henn, (more)
 
1986  
 
This 1986 episode of Saturday Night Live is hosted by Sigourney Weaver and features musical guest Buster Poindexter. ~ Skyler Miller, Rovi

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Starring:
Sigourney WeaverBuster Poindexter, (more)
 
1985  
PG13  
Basically an updated take on "Bringing Up Baby," this screwy French comedy centers on the travails of a paleontologist (Gerard Depardieu) whose delight at finding the skeleton of the first French woman is dampened by the presence of an aggressive advertising executive (Sigourney Weaver) who is determined to exploit the find to sell her perfume. Both of the rivals also compete to earn a generous grant from an aging philanthropist (Dr.Ruth Westheimer). ~ Sandra Brennan, Rovi

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Starring:
Gérard DepardieuSigourney Weaver, (more)
 
1985  
 
Often trailers and coming attractions are of as much or more interest to viewers than the actual movie. Included here are some of the trailers and coming attractions seen in movies like Airport 77, Futureworld, Alien and Doc Savage. ~ Tana Hobart, Rovi

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1984  
PG  
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Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, Rovi

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Starring:
Bill MurrayDan Aykroyd, (more)
 
1983  
PG  
Add Deal of the Century to Queue Add Deal of the Century to top of Queue  
The humor in this Chevy Chase comedy lies solely in the eyes of the beholder. The comic plays Eddie Muntz, an arms dealer looking to make a big sale of war planes to a South American dictator. In order to do so, his girlfriend (Sigourney Weaver) has to sleep with the dictator and his friend (Gregory Hines) has to be convinced to do one more killing. Eddie's archenemy is Stryker (Vince Edwards) who wants to make that deal himself and will stop at nothing to obtain his ends. ~ Eleanor Mannikka, Rovi

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Starring:
Chevy ChaseSigourney Weaver, (more)
 
1982  
PG  
Add The Year of Living Dangerously to Queue Add The Year of Living Dangerously to top of Queue  
Mel Gibson stars in this period political thriller directed by Peter Weir. Set in Indonesia during the 1965 coup against President Sukarno, the film stars Gibson as Guy Hamilton, an Australian wire-service reporter covering the scene. Whenever Hamilton becomes too glib or indifferent for his own good, he is brought back to earth by his "conscience," photographer Billy Kwan (played in male drag by diminutive actress Linda Hunt, who won an Academy Award for her performance). As all of Jakarta sinks into disarray, Hamilton pursues a romance with British attaché Jill Bryant (Sigourney Weaver). Filmed on location in the Philippines and Australia, the film was financed by MGM, in the first such American-Australian financial collaboration. ~ Hal Erickson, Rovi

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Starring:
Mel GibsonSigourney Weaver, (more)
 
1982  
 
An animated version of the tale by Hans Christian Andersen, tells of a girl who must rescue her friend that is held in the icy palace of the Snow Queen. ~ Rovi

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Starring:
Sigourney Weaver
 
1981  
R  
Add Eyewitness to Queue Add Eyewitness to top of Queue  
Fresh off the success of Breaking Away(1979), writer Steve Tesich and director Peter Yates re-team on a thriller starring a young William Hurt as a janitor infatuated with television reporter Sigourney Weaver. When she arrives at his building to interview the tenants about a murder that's occurred on the premises, the janitor, having discovered the body, implies that he knows more than he's saying in order to keep the newswoman interested. Although he reveals nothing more, she does become interested in him, and when her nefarious aristocratic boyfriend (Christopher Plummer) learns from the unwitting woman that there's someone with knowledge of the murder, he's more concerned about what Hurt might know than about her relationship with him. Meanwhile, his paranoid, loose cannon of a friend James Woods has managed to get himself incriminated, although he had no involvement in the case. Hurt and Weaver continue to investigate the murder together, and as they become more closely entwined, both of their lives are put in jeopardy. ~ Michael Costello, Rovi

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Starring:
William HurtSigourney Weaver, (more)
 
1979  
R  
A Soviet Jew defects to the Israeli Army so he can get even with the hated Russians in this 1979 film, the first big role for Sigourney Weaver (released the same year as her break in Alien). ~ John Bush, Rovi

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1979  
 
Add Sorrows of Gin to Queue Add Sorrows of Gin to top of Queue  
Based on a short story by John Cheever, this is a movie about an eight-year-old girl in a dysfunctional family situation which leads to her becoming a runaway. ~ Tana Hobart, Rovi

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1979  
R  
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"In space, no one can hear you scream." A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott's sci-fi horror classic. On the way home from a mission for the Company, the Nostromo's crew is woken up from hibernation by the ship's Mother computer to answer a distress signal from a nearby planet. Capt. Dallas's (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane's stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company. ~ Lucia Bozzola, Rovi

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Starring:
Tom SkerrittSigourney Weaver, (more)
 
1977  
PG  
Add Annie Hall to Queue Add Annie Hall to top of Queue  
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, Rovi

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Starring:
Woody AllenDiane Keaton, (more)
 
 
PG  
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Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

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