Marjorie Weaver Movies

A video about our changing concepts of romantic love and beauty. Through art, we trace the changes from the beginnings of courtly love to love in a time of equality. The tape is from the "Eye to Eye" series. ~ All Movie Guide

After a two-year layoff, Columbia revived its moneymaking "Blondie" series with 1945's Leave It to Blondie. Older but no wiser, Blondie and Dagwood Bumstead (Penny Singleton, Arthur Lake) enter a songwriting contest. It's all part of a plan to cover charity checks that they've signed separately but can't cover. Along the way, Blondie's blood boils when Dagwood gets innocently mixed up with beautiful music teacher Rita Rogers (Marjorie Weaver). The best scenes involve Dagwood's misguided efforts to cure a cold, leading to several motheaten but still reliable slapstick setpieces. Leave it to Blondie proved that the series hadn't lost its humor as Dagwood is arrested for murder, obliging our heroine to solve the case herself. Former bandleader Kirby Grant registers well as the nominal hero, while Milburn Stone scores as an imitation Walter Winchell (named "Winchester", no less!) ~ Hal Erickson, All Movie Guide

This youthful musical follows the romantic travails of a group of talented high school students and their charismatic high school bandleader. ~ Sandra Brennan, All Movie Guide

In this WW II musical, a group of lovely college co-eds, realizing that there is a shortage of single young men, decide to begin rationing their dates so that all of them can have some fun. This is beneficial for the campus wimp who suddenly finds himself the hottest property on campus. Romantic and musical mayhem ensues. Songs include: "Love Is This" (Jerry Seelen, Lester Lee, sung by Johnston, Lee), "Ooh-Ah-Oh," "Look What You Did to Me" (Seelen, Lee), "How Did It Happen?" (Seelen, Lee) and "Louise" (Leo Robin, Richard A. Whiting). ~ Sandra Brennan, All Movie Guide

Let's Face It is adapted from the Broadway musical of the same name, which in turn was based on the old Norma Mitchell/Russell G. Medcraft stage chestnut The Cradle Snatchers. The basic story of three neglected wives who hire a trio of young men as professional companions is updated for the World War II era: The three young men are now lonely GIs. Bob Hope is the funniest member of the threesome engaged by the wives in order to make their wandering hubbies jealous. He is paired off with vivacious Betty Hutton, both of whom fight a complex situation-comedy plotline in order to find time for their expected specialties. Hope's best moment is a parody of the cigarette-lighting bit from Now, Voyager, in which he winds up with six burning cigarettes in his mouth. The stage version of Let's Face It was essentially a vehicle for Danny Kaye, who of course played the role essayed in the film by Bob Hope. ~ Hal Erickson, All Movie Guide

20th Century-Fox's The Man Who Wouldn't Die is based on No Coffin for the Corpse, a "Merlini the Great" mystery penned by Clayton Rawson. Alas, magician-sleuth Merlini has been reduced to an expository bit role, and the property has been converted into a "Michael Shayne" series entry. In the first scene, three men-industrialist Dudley Wolff (Paul Harvey), Wolff's secretary Dunning (Robert Emmet Keane) and research scientist Dr. Haggard (Henry Wilcoxon)-are shown disposing of a corpse in the dead of night. Shortly afterward, Wolff's daughter Catherine (Marjorie Weaver) shows up unexpectedly, with news of her recent marriage. Wolff and his confreres manage to keep their body-burying activities a secret from Catherine, but later that night her bedroom is invaded by a gun-wielding stranger-who happens to be the "body" buried in Scene One! Deducing that something is amiss, Catherine summons her old friend, detective Michael Shayne (Lloyd Nolan), to come to the Wolff mansion to investigate. So that Mike can move about without arousing suspicion, Catherine pretends that he's her new husband-which, of course, inevitably leads to chaos and confusion when the real hubby (Richard Derr) shows up. Before this happens, however, another murder takes place, apparently committed by that very active corpse, and it is this plus several randomly placed clues which prompts Mike to consult his magician pal Radini for advice. The suspect list includes Wolff's young wife Anne (Helene Reynolds) and Phillips the butler (Billy Bevan), while the "official" authorities are represented by bucolic Chief Meek (Olin Howlin) and dour coroner Larsen (Jeff Corey). More interesting for its supporting cast than its story, The Man Who Wouldn't Die is one of the lesser Michael Shayne mysteries, with Shayne seeming to be arbitrarily inserted in the proceedings. ~ Hal Erickson, All Movie Guide

Marjorie Weaver, frequently cast as the "Girl Friday" in 20th Century-Fox's Michael Shayne pictures, is permitted to solve a mystery on her own in Murder Among Friends. Weaver plays Mary Lou, an insurance agent who smells a rat when several elderly men, all beneficiaries to a "Tontine" insurance policy taken out by one of them years earlier, die under suspicious circumstances. Accompanied by her doctor boyfriend Tom Wilson (John Hubbard), she rushes from one policy holder to another in hopes of stemming the killing spree. Through the process of elimination-elimination of the beneficiaries, that is-Mary Lou finally figures out who's responsible for the skullduggery. Featured in the cast as Dr. Wilson's neglected fiancee is New York debutante Cobina Wright Jr., who'd later be cast as a murder victim herself in Fox's Charlie Chan in Rio. ~ Hal Erickson, All Movie Guide

Fresh from his contract-player duties at Warner Bros., future TV "Superman" George Reeves heads the cast of 20th Century-Fox's Man at Large. Reeves is cast as FBI agent Bob Grayson, working in collaboration with Max (Richard Derr), a British agent posing as a fugitive German aviator. Meanwhile, fearless girl reporter Dallas Dayle (Marjorie Weaver) is assigned by her editor to track down the enemy aviator and get an exclusive story. When she catches up with Grayson and Max, Dallas is under the impression that Grayson is a rival reporter and Max is the genuine fugitive, leading to the usual complications. All three protagonists ultimately pool their resources to expose a German spy ring operating in the United States. ~ Hal Erickson, All Movie Guide

Brett Halliday's flippant Irish-American private eye Michael Shayne was first brought to the screen by 20th Century-Fox in 1940, with Lloyd Nolan cast to perfection as Shayne. In dire financial straits as usual, Mike allows himself to be hired by his millionaire pal Brighton (Clarence Kolb) to keep the old man's chronic-gambler daughter Phyllis (Marjorie Weaver). This won't be easy, since Phyllis has been associating with such hardcase types as gambling boss Gordon (Douglas Dumbrille) and his handsome flunkey Harry Grange (George Meeker). To teach Phyllis a lesson, Mike knocks out Harry and makes it look as though the man was murdered. Unfortunately, Harry ends up murdered for real, and soon both Mike and Phyllis are high on the suspect list. Our hero manages to expose the real murderer with the assistance of Phyllis' maiden aunt Olivia (Elizabeth Patterson), an eccentric mystery-novel enthusiast. An expert blend of comedy and suspense, Michael Shayne, Private Detective (based on Halliday's novel Dividend for Death) bode well for the brief "Shayne" series that followed. ~ Hal Erickson, All Movie Guide

Though the 1931 Fox release Charlie Chan Carries On apparently no longer exists, modern viewers can get a general idea of the film's quality by taking a look at its 1940 remake, Charlie Chan's Murder Cruise. On the verge of revealing the identity of an international murderer, a Scotland Yard man is himself killed in the Honolulu offices of detective Charlie Chan (Sidney Toler). The only existing clues point to the fact that the murderer is one of several passengers on a ship bound for San Francisco. In time-honored movie-mystery tradition, the ship's manifest is chock full of such suspicious types as Dr. Sudermann (Lionel Atwill), Professor Gordon (Leo G. Carroll) and religious fanatic Mr. Walters (Charles Middleton). Another murder takes place before Chan is able to expose the perpetrator with the help of the supposedly blinded widow (Kay Linaker) of the original victim. Comedy relief is provided by Victor Sen Yung as Chan's eternally bumbling Number Two son and by Cora Witherspoon as man-chasing spinster Susie Watson (a character originally portrayed as a youthful gold-digger by Marjoire White in Charlie Chan Carries On). ~ Hal Erickson, All Movie Guide

In this episode of the popular western series, Cisco stops a claim-jumping killer from the mine. He then makes sure the mine's rightful heir, an orphaned infant is cared for by the local school marm. Cisco has a brief tryst with her, but she loves another. Cisco soon finds a different love, a dance-hall girl. She saves him from being caught. ~ Sandra Brennan, All Movie Guide

Based on a novel by Barry Benefield, Chicken Wagon Family affords nearly equal screen time to child star Jane Withers and veteran character actor Leo Carrillo. Tired of living in the boonies, itinerant merchant J. P. B. Fiffany (Carrillo) packs his family into his ramshackle wagon and sets out for New York. Alas, Fiffany has a fondness for poker, losing his hard-earned wages as quickly as he gets them. Fortunately, his enterprising daughter Addie (Jane Withers) is a human cornucopia of money-making schemes, and it is she who saves the day. Chicken Wagon Family was originally purchased by Fox as a Will Rogers vehicle, but was put on the back burner when Rogers died in 1935. Musical highlights include Jane Withers' boisterous rendition of "Daughter of Mademoiselle," originally performed by Louise Hovick (aka Gypsy Rose Lee) in The Battle of Broadway (1939). ~ Hal Erickson, All Movie Guide

Those zany Ritz Brothers are at it again--good news or bad, depending on one's feelings toward the team. This time they're a trio of Manhattan entertainers who can't get anywhere because hillbilly acts are "in" with radio and theatrical producers. Also left out in the cold by the new fad is singer Marjorie Weaver. Weaver and the Ritzes decide to pass themselves off as hillbillies, and to do this head for the Kentucky hills in order to be discovered. They land smack-dab in the middle of one of those mountain feuds so beloved of comedy filmmakers. Radio star Tony Martin, who has been sent southward to find genuine hayseed talent, spots the Ritzes and Weaver and brings them back to New York. The truth comes out at last, but the Ritz boys redeem themselves with a rib tickling "Snow White and the Seven Dwarfs" radio sketch--easily the highlight of this wildly uneven film. When reminiscing about Kentucky Moonshine in 1978, director David Butler remembered that team member Al Ritz refused to perform a barefoot hillbilly dance unless he was outfitted with rubber feet! The producers should have recreated that true-life bit in the film and gotten rid of the tiresome opening routine in which the Ritzes play poker using hospital progress charts. ~ Hal Erickson, All Movie Guide