Damon Wayans Movies

What's that wisecracking young black guy (Eddie Murphy) in that beat-up Chevy Nova doing in lily-white Beverly Hills? He's Axel Foley, a Detroit detective who's been sent on involuntary vacation because he refuses to drop his intention of avenging his friend's murder. Warned by Beverly Hills police chief Ronny Cox to stay out of trouble, Foley nonetheless dogs the trail of above-the-law Steven Berkoff, the British crime czar who was responsible for the murder of Foley's friend. With the help of sympathetic local cops Judge Reinhold and John Ashton and lady friend Lisa Eilbacher, Foley attempts to corner Berkoff in his mansion, which leads to a wild slapsticky shootout. ~ Hal Erickson, All Movie Guide

This satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers marked the writing, producing, and directing debut of Robert Townsend. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break despite his family's and co-workers' reservations about his chosen career path. While working a day job flipping burgers, Bobby heads out to insulting cattle calls where white casting agents pass judgement on whether he seems "black enough." Meanwhile, he imagines himself playing Sam Spade, Rambo, and other movie heroes rather than the stereotypical roles actually available to him. When Bobby actually does win one such pimp-daddy part, however, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact. Hollywood Shuffle's enormous supporting cast includes a wealth of black actors, from then-unknowns such as Damon Wayans to veterans such as 227 star Helen Martin. Self-financed and filmed on scraps of hand-me-down celluloid, the film helped establish actor Townsend as a director of note and also kick-started the career of co-screenwriter and co-star Keenen Ivory Wayans, who would cast Townsend in his own directorial debut the following year. ~ Brian J. Dillard, All Movie Guide

This modernization of Edmond Rostand's Cyrano de Bergerac casts Steve Martin as C. D. Bates, the fearless, quick-witted fire chief of a Washington State resort town. Bates' most trusted fireman is the handsome but tongue-tied Chris McDonell (Rick Rossovich). Both men are in love with the beautiful Roxanne Kowalski (Darryl Hannah), but Bates, adorned with a huge nose that makes Bob Hope look like Nanette Fabray, is convinced that he's too homely to win Roxanne's heart. Thus, in the self-sacrificing tradition of Cyrano de Bergerac, Bates courts Roxanne vicariously by feeding his rival Chris the proper romantic words and phrases. The inherent pathos in Roxanne is offset by moments of slapstick, notably the scene wherein C. D. Bates vanquishes a pair of hooligans with a tennis racket. Steve Martin himself is credited with the screenplay for Roxanne, though he generously cites Edmond Rostand as his inspiration. ~ Hal Erickson, All Movie Guide

Colors stars Robert Duvall and Sean Penn as partners on the LAPD's gang crime division. Duvall had hoped to spend more time with his family, but he's pulled back into active service because of a step-up in gang activity. He makes no secret of his contempt for his novice partner Penn, but eventually comes to rely on the younger man as a valuable street contact. The central crisis is the battle for supremacy between the "Crips" and the "Bloods", with every effort to call a truce stymied by the gang members themselves and by undue police intervention. ~ Hal Erickson, All Movie Guide

In this madcap comedy, Geena Davis plays Valerie, a manicurist living in the valley with her cold fiancé, Dr. Ted Gallagher (Charles Rocket). At the Curl Up and Dye beauty salon where she works, Valerie enlists the help of her boss, Candy Pink (Julie Brown), for some style advice to try and win back Ted's affections. After undergoing a brand-new hairstyle, Valerie learns that Ted is having an affair and she kicks him out of the house. Soon, while lounging around in her bikini, a spaceship from the planet Jhazzalan crash-lands in her swimming pool. Curious, Valerie befriends the ship's inhabitants -- three horny aliens covered in fur named Mac (Jeff Goldblum), Whiploc (Jim Carrey), and Zeebo (Damon Wayans). Introducing her new friends to Candy, the aliens get a shave and a total makeover transformation into hot, available dates. They all go out dancing at L.A. nightclubs and party. ~ Andrea LeVasseur, All Movie Guide

The brainchild of comic actor Keenen Ivory Wayans, the Fox comedy variety series In Living Color has been described variously as the "black Laugh-In" and the "black Saturday Night Live." Whatever the case, the series garnered big laughs and bigger ratings by applying a hip, cutting-edge, Afrocentric slant on modern American culture, with freewheeling spoofs and satires of popular films, TV shows, commercials and music -- especially music. During In Living Color's first years on the air, the proceedings were dominated by Keenen Ivory Wayans and his multi-talented brothers, Damon Wayans, Kim Wayans, Shawn Wayans and (beginning with season four) Marlon Wayans. Also featured in the series' rotating repertory company were such brilliant black entertainers as David Alan Grier, T'Keyah "Crystal" Kehmah, Jamie Foxx, and Chris Rock, along with the show's "token white guy" Jim Carrey. Music was provided by some of the top R&B and rap artists in the country (Queen Latifah, Flavor Flav, and Heavy D to name but three of the many) with backup provided by the scantily-clad "Fly Girls" (one of whom was a young Jennifer Lopez). Merrily exploiting and skewering a variety of ethnic stereotypes, the series' recurring sketches and characters included "Men on Film," featuring a pair of flamboyantly gay movie critics, Blaine and Antoine ("Two snaps up"); Homey D. Clown, a dour urban kiddie entertainer ("Homey don't play that!"); SW-1 and Twist (Shawn Wayans, Leroy Casey), the show's exuberant veejays; "The Home Boys," a couple of streetwise scam artists named Wiz and Ice ("Mo' money!"), "Hey Mon," the ongoing saga of a West Indian family named the Hedleys; "The Buttmans," who looked exactly as you would expect them to look; Handi-Man, a multiple-handicapped superhero; Fire Marshall Bill (Jim Carrey), a hideously disfigured safety expert; and Wanda Wayne (played by Jamie Foxx), the ugliest, horniest gal in the 'hood. Also represented via impersonation and caricature were a number of A-list celebrities both black and white: Arsenio Hall, Oprah Winfrey, Andrew Dice Clay, Sam Kinison, Della Reese, Ray Charles, and many others. By the time In Living Color had entered its fifth season, all but one of the Wayans Brothers had left the show, following the lead of Keenen Ivory Wayans, who was unhappy with Fox's policy of censoring certain sketches and of overexposing existing episodes, thereby hurting their future profitability in syndication. Debuting April 15, 1990, In Living Color ran until August 25, 1994. ~ Hal Erickson, All Movie Guide

Actor, director, writer, and producer Robert Townsend presents this second volume of his classic HBO variety show Robert Townsend: Partners in Crime. Originally aired in 1991, the show helped launch the careers of comedians Shawn Wayans and Marlon Wayans. This collection of comedy sketches features his Western parody "How the West Was Won" and his soap-opera parody "The Bold, the Black, and the Beautiful." Also stars Sinbad, David Allen Grier, John Witherspoon, and Paul Mooney. ~ Andrea LeVasseur, All Movie Guide

Producer Joel Silver, director Tony Scott, and screenwriters Shane Black and Greg Hicks team up for this gridiron-set action thriller. Bruce Willis stars as Joe Hallenbeck, who was once a top-of-the-line Secret Service agent but has since become an alcoholic, flea-bag detective. While performing the chores of a two-bit shamus, he discovers his wife Sarah (Chelsea Field) is having an affair with his best friend. Joe is hired to protect Cory (Halle Berry), a stripper who has been getting death threats; Joe begins to sober up when Cory is blown to smithereens. Cory's boyfriend, Jimmy Dix (Damon Wayans), was at one time a NFL football quarterback, but was thrown out of the game for gambling and addiction to Demerol. Smelling something fishy, Joe and Jimmy begin to investigate further and discover layers of corruption in professional football circles, leading up to Sheldon Marcone (Noble Willingham), a corrupt team owner who wants to pay off legislators to legalize gambling on pro football games. ~ Paul Brenner, All Movie Guide

Small-time crook Johnny Stewart (Damon Wayans) decides to go straight to win a beautiful girl (Stacey Dash), and to prove it, he joins the mailroom of the credit-card firm for which she works. Needing money to impress her, Johnny steals a credit card, goes on a shopping spree and wins the girl. The story isn't over though, because a security guard who caught his theft on videotape is blackmailing Stewart to join his own credit-card ring. ~ John Bush, All Movie Guide

Are you ready for a new kind of superhero -- a thirty-something virgin in long underwear? Darryl Walker (Damon Wayans) is a bright but socially inept man with a gift for inventing things but little skill for functioning in the real world. His brother Kevin (David Alan Grier) works on a low-class tabloid news show featuring beautiful anchorwoman Kimberley Jonz (Robin Givens), whom he secretly loves. The Walkers live in Metro City, Illinois, a city that's been hit with a massive crime wave after the mayor is kidnapped by gangsters. After his grandmother is killed, Darryl builds a collection of crime-fighting robots from household junk, invents bullet-proof long underwear (made from his grandmother's old housecoat), and becomes Metro City's newest crime fighter, Blankman. Blankman's escapades put fear into the heart of mob boss Michael Minelli (Jon Polito), and when Kevin turns out to have an inside track on Blankman's activities, it brings him closer to Kimberley. But how long can a superhero with no superpowers last against the forces of organized crime? Damon Wayans wrote the original story for Blankman as well as co-writing the screenplay and playing the title role, which was based in part on his "Handi-Man" character from the TV comedy series In Living Color. ~ Mark Deming, All Movie Guide

Hawk-like Marine Corps officer Benson Payne (Damon Wayans) attempts to whip into shape the usual assortment of misfit JROTC kids in this minor remake of The Private War of Major Benson. Of course, both the major and his pint-sized recruits have something to teach one another. Payne teaches them the value of self-discipline and instills self-confidence in them, and the recruits teach him to stop and smell the roses (not to mention the fact that kids sometimes need coddling rather than screaming). And, of course, there is the annual JROTC statewide competition, which the kids are obligated to win before the movie can end. While there are some funny moments (the major's exhibition in full-dress whites at a school dance, for example), the script seems too color-by-numbers to be interesting to anyone other than undiscriminating younger viewers. ~ Jeremy Beday, All Movie Guide

This post-modern comic variation on The Defiant Ones concerns Keats (Damon Wayans), an undercover police detective trying to get the goods on crime kingpin Frank Colton (James Caan). Keats poses as a crook to make friends with one of Colton's underlings, a drug dealer and car thief named Archie Moses (Adam Sandler). Keats is using Archie as part of a sting operation to put Colton away; however, Archie doesn't care for this, and when he finds out Keats's true plan and actual identity, it leads to an altercation that ends with Archie shooting Keats in the head. Several months later, Keats emerges from the hospital with a metal plate in his skull, and he has to bring Archie in. However, now Archie and Keats are both on Colton's enemies list, and the two find themselves on the run in Arizona, trying to outwit Colton's team of assassins, but having Archie on hand doesn't do much good in the outwitting department. Bulletproof was directed by Ernest Dickerson, who got his start as a cinematographer for Spike Lee. ~ Mark Deming, All Movie Guide