Eugene Borden Movies
Many research sources arbitrarily begin the list of French actor Eugene Borden's films in 1936. In fact, Borden first showed up on screen as early as 1917. Seldom afforded billing, the actor was nonetheless instantly recognizable in his many appearances as headwaiters, porters, pursers and coachmen. Along with several other stalwart European character actors, Borden was cast in a sizeable role in the above-average Columbia "B" So Dark the Night (1946). Musical buffs will recall Eugene Borden as Gene Kelly and Oscar Levant's landlord in An American in Paris (1951). ~ Hal Erickson, All Movie Guide- 1946
This A-minus musical stars Evelyn Keyes in the uncharacteristically comic role of Vicki Dean, the divorce-bound wife of theatrical impresario Steve Farraugh (Keenan Wynn). While mounting a big musical spectacular in Brazil, Farraugh simultaneously campaigns to win back his wife. The couple encounters romantic interference from tap-dancer Linda Lorens (Ann Miller) and Latin American singing heartthrob Tito Guizar (as himself). Nothing new here, but the cast puts over the material with such enthusiasm that the film seems better than it is. The highlight is Ann Miller's energetic specialty number "Man is Brother to a Mule" (it makes sense in context!) ~ Hal Erickson, All Movie Guide
- Starring:
- Evelyn Keyes, Keenan Wynn, (more)
- 1946
The troublesome years "between the wars" provide the backdrop for the romantic drama The Searching Wind. Adapted by Lillian Hellman from her own stage play, the film stars Robert Young as Alex Hazen, an idealistic but incredibly naïve US ambassador who fails to heed the warning signals when Mussolini and then Hitler ascend to power in Europe. Feeding into Hazen's ingenuousness is his beautiful but shallow wife Emily (Ann Richards), who is far more preoccupied with tuxedos and dinner gowns than with brown shirts and Nazi armbands. Only journalist Cassie Bowman (Sylvia Sidney), a character obviously based on playwright Hellman, can foresee the impending horror-even when her judgment is occasionally clouded by her undying love for Hazen. Benefiting from the mistakes of his elders is the Hazens' son Sam (Douglas Dick), who represents the "Never Again" viewpoint of the post-WW2 years. The Searching Wind was the sort of politically supercharged fare that earned Hellman condemnation as a "premature anti-fascist" during the infamous Hollywood Blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Sylvia Sidney, (more)
According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- John Wayne, Vera Ralston, (more)
The Dolly Sisters is the heavily Hollywoodized biopic of Jennie and Rosie Dolly, Hungarian-born entertainers who took Broadway by storm in the early 1900s. Betty Grable plays Jennie and June Haver plays Rosie; their uncle is the inevitable "funny foreigner" S.Z. Sakall, who manages their career from childhood. Passing an important audition for Oscar Hammerstein, the Dolly girls become international stage headliners, but in so doing they find that their private life is strained. Jennie in particular is perplexed by the dilemma of devoting herself to a career while still finding time to romance handsome composer John Payne. The Dolly girls are separated permanently when Rosie is fatally injured in an auto accident, but Jennie finds lasting happiness with her composer. Despite the pre-World War I ambience of the film, both Grable and Haver show off a lot more skin than would have been permissible in earlier times. But Dolly Sisters producer George Jessel knew what he was doing, and the Technicolor film was a major hit in 1945. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, John Payne, (more)
- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
- 1944
The usual modus operandi for Hollywood "through the years" sagas was to gradually age its young actors in the course of the film. In Mrs. Parkington, 35-year-old Greer Garson appears in old-lady makeup for virtually the entire 124-minute running time, even though this filmization of Louis Bromfield's best-selling novel covers the years 1875 through 1938. Eightyish widow Mrs. Susie Parkington (Garson) gathers together all of her grown children in an effort to bail out son-in-law Amory Stilham (Edward Arnold), who's gotten in Dutch through crooked financial deals. As the children and grandchildren bicker over the "impossibility" of giving up any part of their inheritance, Mrs. Parkington's mind wanders back to her marriage to wealthy mine owner Maj. Augustus Parkington (Walter Pidgeon) and her own efforts, as an unlearned Nevada serving girl, to fit into proper Manhattan society. Augustus' ex-love Aspasia Conti (Agnes Moorehead, in a surprisingly sexy role) is engaged to teach Susie the in and outs of which fork to use and how low to curtsy. Shut out by the "400," Susie is avenged by her husband, who wheels and deals to ruin the snobs financially. Later on, he assuages his anger by conducting several extramarital affairs, before perishing in one of those convenient movie auto accidents. Just how all these incidents strengthen Mrs. Parkington's resolve to rescue her wastrel son-in-law is a mystery that even two viewings of this overlong soap opera may not solve. Incidentally, Greer Garson isn't the only one who is prematurely aged in Mrs. Parkington; keep an eye out for 27-year-old Hans Conried, convincingly playing a doddering musician. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1944
One of Hollywood's favorite film titles (next to Never a Dull Moment and The Man Who Dared) is given another go-round with 1944's Till We Meet Again. Ray Milland stars as an American combat pilot forced to crash-land in occupied France. He is sheltered by nun Barbara Britton, who finds herself attracted to the brash flyboy. Britton poses as Milland's wife when the twosome becomes involved with the activities of the French underground. This being a 1944 film, it wouldn't do for Britton to renounce her vows in favor of connubial bliss, so someone (guess who?) has to conveniently die before the climax of Till We Meet Again. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, Barbara Britton, (more)
Adapted from a Saturday Evening Post serial by Frank and Marian Cockrell, Dark Waters stars Merle Oberon as heiress Leslie Calvin, a woman with a neurotic aversion to water. This stems from the fact that in her childhood, Leslie was one of four survivors of a torpedoed steamship. Preying upon Leslie's fears, conniving Mr. Sydney (Thomas Mitchell), a guest at the Calvin family's Louisiana plantation, concocts a campaign of terror designed to drive the poor girl crazy so that he can claim her vast inheritance. Sydney and his cohorts also have the presence of mind to murder all of Leslie's closest relatives, leaving her utterly helpless. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Franchot Tone, (more)
- 1944
Our Hearts Were Young and Gay was based on the lighthearted joint autobiography of actress Cornelia Otis Skinner and humorist Emily Kimbrough. Gail Russell and Diana Lynn star respectively as Cornelia and Emily, two innocent but fun-loving young girls at loose in the Roaring 20s. The story concerns the girls' first trip abroad to London and Paris, and the various misadventures encountered therein. The more amusing moments involve a pair of rabbit-skin capes that begin shedding at the most inopportune moments, and a lengthy episode in which the girls are stranded atop Notre Dame Cathedral at midnight. And of course there's romance, in the form of handsome young doctor Tom Newhall (Bill Edwards) and college "Lothario" Avery Moore (James Brown). Also appearing are Charlie Ruggles as Cornelia's actor-father Otis Skinner and Dorothy Gish (whose talkie film appearances were sadly infrequent) as Mrs. Skinner. So well-received was Our Hearts Were Young and Gay that Paramount commissioned a 1946 sequel, Our Hearts Were Growing Up . ~ Hal Erickson, All Movie Guide
- Starring:
- Gail Russell, Diana Lynn, (more)
Humphrey Bogart plays Harry Morgan, owner-operator of charter boat in wartime Martinique. Morgan's right-hand man is Eddie (Walter Brennan), a garrulous alky whose pet question to anyone and everyone is "Ever get stung by a dead bee?" While in port, Harry is approached by Free French activist Gerard (Marcel Dalio), who wants to charter Harry's boat to smuggle in an important underground leader. Adopting his usual I-stick-my-neck-out-for-no-one stance, Morgan refuses. Later on, he starts up a dalliance with Marie Browning (screen newcomer Lauren Bacall), an attractive pickpocket. In order to help Marie return to America, Harry agrees to Gerard's smuggling terms. He uses his boat to bring resistance fighter De Bursac (Walter Molnar) and De Bursac's wife Helene (Dolores Moran) into Martinique. The Vichy police, suspecting that something's amiss, hold Morgan's pal Eddie hostage, tormenting the poor rummy by denying him liquor. Predictably, Morgan comes to Eddie's rescue and manages to escape Martinique, with the delectable Marie as cozy company. In the hands of director Howard Hawks and screenwriters Jules Furthman and William Faulkner, the end result bore only a passing relation to the original story by Ernest Hemingway: instead, it was a virtual rehash (but a good one!) of the recently released Casablanca, replete with several of that film's cast members. The film's enduring popularity is primarily -- if not solely -- due to the sexy chemistry between Bogart and Bacall, especially in the legendary "You know how to whistle, don't you?" scene. The most salutary result of To Have & Have Not was the subsequent Bogart-Bacall marriage, which endured until his death in 1957. It's widely believed that Lauren Bacall's singing voice was dubbed in by a pre-puberty Andy Williams; this is not true. For the record, a more faithful-to-the-source cinemadaptation of the Hemingway original was filmed in 1950 as The Breaking Point. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Walter Brennan, (more)
- 1943
This French Underground melodrama stars George Sanders as a seemingly apolitical Parisian doctor who is actually a resistance leader. Sanders' nurse (Brenda Marshall) is likewise a French patriot--less so the nurse's husband (Philip Dorn), who has become disillusioned after two years in a POW camp. The husband changes his mind and joins the Resistance, though he and several other freedom fighters lose their lives to German bullets. Worth noting in Paris After Dark is the fact that several of the personnel involved were actual French refugees, including director Leonide Moguy and husband-and-wife supporting actors Marcel Dalio and Madeleine LeBeau. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Philip Dorn, (more)
Its wartime setting notwithstanding, the fast-paced Warner Bros. B-picture Adventures in Iraq is a remake of the 1930 George Arliss vehicle The Green Goddess, with much of the original dialogue intact. Forced to making a landing in the Syrian desert, pilot Doug Everett (Warren Douglas) and his passengers George and Tess Torrence (John Loder, Ruth Ford), find themselves the unwilling guests of Sheik Ahmid Bel Nor (Paul Cavanagh, in the George Arliss role). The civilized but deadly Sheik intends to hold the threesome as hostages to prevent the execution of his three Nazi-spy brothers by the British. After several desperate escape attempts, the trio is prepared for human sacrifice by the ruthless Shiek. The ending is substantially the same as in The Green Goddess. ~ Hal Erickson, All Movie Guide
- Starring:
- John Loder, Ruth Ford, (more)
- 1943
More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Huston, Ann Harding, (more)
The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer Jones, Charles Bickford, (more)
- 1943
In her last 20th Century-Fox vehicle, skating star Sonja Henie plays, Nora, a Norwegian expatriate ice champion. Newly arrived in the U.S., Nora and her millionaire uncle Hjallmar (S. Z. Sakall) are sweet-talked into investing in a failing resort hotel, now a hostelry for showbiz folk. Unemployed musician Brad Barton (Cesar Romero) makes a play for Nora, but she winds up with hotel manager Freddy Austin (Cornel Wilde), leaving Freddy's girlfriend Flossie (Lynn Bari) literally in the cold. The film's finale is the standard fund-raising ice show, with Nora as the center of attention. It is typical of early-1940s musicals that poor Flossie, a likeable character throughout most of the film, turns into a venomous virago in the final reel to "justify" her breakup with Freddy. No matter: the film is redeemed by the sweet sounds of Woody Herman and His Orchestra. ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, Jack Oakie, (more)
- 1942
Judy Canova plays Bessie Cobb, a kitchen worker at a Miami hotel who happens to have a crackerjack singing voice. The bell captain, Chick Patterson, learns that band leader Danny Marlowe is looking for a new girl singer, and a contest will be held at the hotel to choose one. Chick sees this as a way to make some significant money, which would allow him to marry his sweetheart, and so he persuades Bessie to enter. Chick takes a recording of Bessie to Marlowe, only to discover that gangster Honest Joe Kincaid is ordering Marlowe to choose his moll, Sugar, instead. Marlowe doesn't want to do this, but he's in over his head with gambling debts. Chick plays Bessie's record, but tells Marlowe that the voice belongs to Sugar. When Sugar comes to town, Danny and his pals kidnap her and Bessie goes on, pretending to be her. Unfortunately, Sugar's former boy friend sends two hit men to take care of her -- and they abduct Bessie, assuming she is Sugar. Things get even more complicated before all identities are straightened out and Bessie emerges the winner of the contest. Songs include the title number and "Barrelhouse Bessie from Basin Street." ~ Craig Butler, All Movie Guide
- 1942
A remake of the 1927 horror melodrama The Wizard (which, alas, no longer exists), 20th Century-Fox's Dr. Renault's Secrets packs a real wallop in its brisk 58-minute running time. The scene is a remote French village, where the murder of drunken tourist Austin (Jack Norton) coincides with the arrival of young doctor Larry Forbes (John Sheppard, aka Sheppard Strudwick). It develops that Sheppard is the house guest of the outwardly benign Dr. Renault (George Zucco), who lives with his pretty niece Madeline (Lynne Roberts) and his bizarre manservant Noel (J. Carroll Naish), who possesses more than a few apelike tendencies. Several more murders occur, and the clues point in a number of directions. Upon learning Dr. Renault's secret -- which is something straight out of H. G. Well's The Island of Dr. Moreau -- the audience is able to discern the killer's identity. Alas, it may be too late for heroine Madeline, at present being kidnapped by a local hooligan (Mike Mazurki) and thus apparently at the mercy of the rampaging murderer. Dr. Renault's Secret was frequently shipped out on a double bill with Fox's other 1942 horror piece, The Undying Monster. ~ Hal Erickson, All Movie Guide
- Starring:
- J. Carrol Naish, John Shepperd, (more)
- 1942
Mitchell Leisen directed this romantic comedy with melodramatic overtones, starring Marlene Dietrich in a sympathetic role as famed stage star Elizabeth Madden. Elizabeth longs for motherhood but has no husband. Her desire appears to be fulfilled when she finds an abandoned baby, but she doesn't have a clue on how to raise it. She finds divorced pediatrician, Dr. Corey McBain (Fred MacMurray), to help her with the child. Elizabeth names the child after him and makes Corey an offer. Since she's single, she cannot adopt the child. But if Corey would marry her in name only, she could be the adopted mother and Corey could stay in a section of her apartment where she would support his research. Corey agrees to the deal, but it's not too long before Corey and Elizabeth fall in love. ~ Paul Brenner, All Movie Guide
- Starring:
- Marlene Dietrich, Fred MacMurray, (more)
- 1941
Made just before America's entry into World War II, Paris Calling is one of the earliest French Underground adventures. When the German march into Paris, a polyglot of French patriots organize to undermine the Nazi occupation troops (represented by Lee J. Cobb, who plays his character with a surprising amount of depth). Elizabeth Bergner plays a French aristocrat who learns that her ex-fiance (Basil Rathbone) is a collaborator; she agrees to help the Underground, even unto killing her former lover. Gale Sondergaard, normally a villain, is sympathetically cast as a blowsy waterfront entertainer whose waterfront dive serves as Resistance headquarters. And how do the neutral Americans figure into all of this? Yankee-doodle-dandy Randolph Scott parachutes into view as a pilot for the RAF. ~ Hal Erickson, All Movie Guide
- Starring:
- Elisabeth Bergner, Randolph Scott, (more)
- 1941
Charlie Chan in Rio is a remake of 1931's Black Camel, one of the few pre-1934 "Charlie Chan" entries still in existence. While the original film was set in Hawaii, the remake takes place in Brazil, but the basic intrigues remain the same. While vacation in Rio de Janeiro with his son Jimmy (Victor Sen Yung), Honolulu detective Charlie Chan (Sidney Toler) is asked by the local constabulary to help solve a double homicide. The motivation behind the two murders is apparently tied in with sinister psychologist Alfredo Marana (Victor Jory), who utilizes hypnotism as an adjunct to a clever blackmailing scheme. Cobina Wright Jr. shows up early on as one of the murder victims, alongside Jory, Mary Beth Hughes and the ubiquitous Harold Huber, cast as a foreign police official. Hamilton Macfadden, who directed the original Black Camel, shows up as one of the suspects in Charlie Chan in Rio. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Toler, Mary Beth Hughes, (more)
That Night in Rio is a musical remake of 1934's Folies Bergère. Don Ameche plays a dual role as a middle-aged Brazilian industrialist, and a young Rio de Janeiro cabaret performer who looks just like him. The highlight of the entertainer's act is an imitation of the industrialist, which impresses the latter's associates. When the industrialist is unable to attend an important business conference, his lieutenants persuade the entertainer to take his place. The entertainer falls in love with the industrialist's wife (Alice Faye), treating her so gallantly that when the real husband returns, he decides to be more attentive to and appreciative of his spouse. Carmen Miranda is supposed to be playing the entertainer's jealous girlfriend, but she's really around just to let loose with such below-the-Equator hits as "Chica, Chica, Boom Chic." The Rudolph Lothar/Hans Adler play on which That Night in Rio was based was given a third go round in 1951 as the Danny Kaye vehicle On the Riviera. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Don Ameche, (more)
- 1941
In this remake of the 1930 film of the same name, a bank robber suffers a war wound and undergoes plastic surgery. Upon his recovery, he discovers that he is the exact double of a banker (who is trapped in a German POW camp). Being an opportunist, the fellow then assumes the banker's identity and his wife while he plans another caper. Fortunately, an observant Yard inspector sees through the robber's masquerade. Later the robber goes straight after revealing the plans of a German spy ring to steal every penny from the bank. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nancy Kelly, Edmund Gwenn, (more)
- 1940
This cautionary pre-World War II drama stars Joan Bennett as an American girl who falls in love and marries a German (Francis Lederer) in 1938. At first he seems charming, but Joan discovers that her husband is slowly being seduced by the Nazi Party. Determined to leave, Bennett is forced to battle Lederer for custody of their child, whom the husband plans to raise as a budding Fascist. The Nazi is foiled by his father(Otto Kruger), who crushes Lederer's "iron will" by informing his son that his own mother was Jewish. At 77 minutes, The Man I Married cuts out all slack, and the result is a taut, exciting melodrama. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Bennett, Francis Lederer, (more)
This is perhaps the best of the many Zorro films as Tyrone Power gives an outstanding performance as the alternately swishing and swashbuckling son of a 19th century California aristocrat. As a champion of the oppressed, Zorro must face a wicked governor portrayed by J. Edward Bromberg, who, of course, has a beautiful niece whom our hero loves. Basil Rathbone is a delightfully evil assistant to the governor. Based on Johnston McCulley's novel The Curse of Capistrano, The Mark of Zorro was a remake of the 1921 silent film and by far superior to all the Zorro incarnations. Interspersed with humor and one-liners but still keeping up with the highest of swashbuckling traditions, it is an action-packed story of one man standing against a corrupt, oppressive government on behalf of those less able to bear their burdens. ~ Tana Hobart, All Movie Guide
- Starring:
- Tyrone Power, Linda Darnell, (more)
- 1940
This sweeping drama chronicles the foundation a Canadian institution: the Hudson's Bay Trading Company. Set in the 17th century when the fur trade was at its peak the story centers on Radisson, a far-sighted entrepreneurial fur trapper, and his sidekick who dream of establishing a major trading post on the title bay. Opportunity arises when they encounter an exiled British aristocrat and begin teaching him frontier ways. He in turn has them travel to England with him. There the determined Radisson, must first convince King Charles that the proposed post would be a lucrative venture. The king eventually agrees to fund the first post and Radisson, his partner and the aristocrat return to the Canadian frontier. The company gets off to a good start until the aristocrat's brother-in-law gets drunk and kills a native thereby nearly starting a war that Radisson averts by having the drunken killer killed. The nobleman is outraged and as soon as the three return to England to give a report to the King, he has the two trappers placed in prison. Fortunately, Radisson is able to appeal to the King's greed by telling him that the heretofore successful trading post will collapse without the two of them and they return to Canada to found a business empire that is still going strong today. ~ Sandra Brennan, All Movie Guide
- Starring:
- Paul Muni, Gene Tierney, (more)
