Eugene Borden Movies

The romantic duo (both onscreen and in real life) of Francis X. Bushman and Beverly Bayne play for comedy here -- a far cry from their Romeo and Juliet two years before. Cyrus Higgins (Bushman) is a traveling minister who arrives in Yellville with his servant, Jonathan Moses Chi Wu Lung (Charles Fang). No preacher has made his mark in this wanton town, and the villagers aren't about to let this one stick around -- that is, until Higgins thrashes Jasper Stone (John Prescott), a dishonest deputy sheriff. He beat Stone up to save Sally Phillips (Bayne), who now seeks refuge in his home. Sally's presence in the minister's house causes a scandal, so he sends her off to his sister, Mary (Helen Dunbar), to get an education. Stone is bent on revenge, but his attempts to harm Higgins are all unsuccessful. A little waif (Ivy Ward) is left on Higgins' doorstep, so when Sally returns, he is compelled to tell her that she will have to share his love with another woman. Sally doesn't mind when she sees the tot, and the couple are united. ~ Janiss Garza, All Movie Guide

The present unavailability of 1928's Gentlemen Prefer Blondes is especially frustrating for those who'd like to compare this first version of the classic Anita Loos comic novel to the 1953 Marilyn Monroe-Jane Russell remake. The blonde in question is Miss Lorelei Lee, a dumb-like-a-fox golddigger on the prowl for a rich husband. With her best friend Dorothy Shaw (Alice White), Lorelei takes a trip to Gay Paree, where among other adventures she gets mixed up with roguish old millionaire Sir Francis Beekman (Mack Swain). Eventually she finds that true love doesn't come with a price tag, or does it? Ford Sterling and Holmes Herbert co-star as Lorelei and Dorothy's middle-aged swains. Lorelei herself is played by Ruth Taylor, a onetime Mack Sennett bathing beauty who retired from films upon her marriage to a Manhattan stockbroker (life imitates art!) Incidentally, Taylor was the mother of humorist Buck Henry. ~ Hal Erickson, All Movie Guide

In this crime drama, a policeman marries a nightclub hostess. Together, they move into a cramped, ramshackle apartment. There the woman begins feeling suffocated and decides to return to her old life. She also takes up with a gangster. Soon she is entangled in a murder and this forces her lover to look for a way to get rid of her. Fortunately, her husband rescues her before it's too late. They reconcile and marital bliss ensues. ~ Sandra Brennan, All Movie Guide

Magazine publisher Clark Gable is happily married to Myrna Loy. Clark's devoted, super-efficient secretary Jean Harlow may have once harbored a secret desire for her boss, but she's perfectly content with boyfriend James Stewart. Accompanying Gable on a crucial business trip, Jean answers the phone in her boss' suite. Myrna, on the other end of the line, misunderstands, thereby setting the stage for a series of subsequent misunderstandings. As one can see, nothing much really happens in Wife vs. Secretary. The film is a vehicle in every sense of the word, totally reliant on the appeal of its stars. But it works beautifully, and remains as entertaining now as it did sixty years ago. One film historian has wondered what Wife vs. Secretary would have looked like had it been made before the imposition of the production code: would Jean have really had an affair with Clark, thereby giving Myrna something to really worry about? No matter; while it may have been racier, it's not likely the film could have been any more entertaining than it already is. ~ Hal Erickson, All Movie Guide

This romantic tearjerker was the second film based on the popular 1922 stage play. James Stewart stars as Chico, a lowly Paris sewer worker who has abandoned his faith in God and any hope for a brighter future or romance when his prayers go unanswered. Chico meets Diane (Simone Simon), a prostitute who lives under the thumb of her cruel sister, Nana (Gale Sondergaard). When Nana kicks Diane out on the street, Chico rescues her from the authorities and gives his new friend shelter in his run-down, seventh floor slum apartment. Although Diane begins to develop feelings for him, the cynical Chico feels nothing in return until Father Chevillon (Jean Hersholt), a local priest, intervenes to get him a better job. Now working as a street cleaner, Chico's self-respect improves, and he considers marrying Diane. WWI intervenes, however, and Chico is sent off to fight, though he and Diane vow to think of each other every night at eleven o'clock. ~ Karl Williams, All Movie Guide

After a year-long period of starring in such heavy fare as Maid of Salem, Claudette Colbert returned to comedy with I Met Him in Paris. Colbert plays a successful American fashion designer, squired by three suitors: playwright Melvyn Douglas, playboy Robert Young and hometown lad Lee Bowman. Bowman is fourth-billed, so that lets him out. Young is already married: Strike Two. That leaves Melvyn Douglas, who is indeed the winner of this three-way race. Most of the film takes place at a vacation resort in Switzerland (actually Sun Valley, Idaho), where several minutes of humor is extracted from the three suitors' clumsiness on skis. I Met Him in Paris charmed the critics in 1937; today it seems like just another pleasant diversion, served up by experts in the comedy field. ~ Hal Erickson, All Movie Guide

In New York to attend a police testimonial in his honor, Honolulu detective Charlie Chan runs smack dab into another murder. The victim is a blackmailing nightclub singer who had listed the names of all known criminals in Manhattan in her diary. The diary disappears, and Charlie joins a glib newspaper reporter (Donald Woods) and a photojournalist (Joan Marsh) in hunting down the killer. Several false leads and red herrings later, Charlie puts the pieces together and fingers the killer--who true to form is the least likely suspect (especially for a "typical" New York murder case). Charlie Chan on Broadway represented the 15th appearance by Warner Oland as the aphorism-spouting Oriental sleuth. ~ Hal Erickson, All Movie Guide

The notorious Orient Express provides the setting for this romance involving two rival reporters in pursuit of a munitions baron. The two rivals eventually fall in love, but not before they are implicated and subsequently cleared of a plot to kill the arms maker. The munitions man also falls in love and decides to use his skills for making more peaceful products. ~ Sandra Brennan, All Movie Guide

Former doctor Jim Howard (Herbert Marshall) helps desperate Margot Weston (Barbara Stanwyck), pregnant and unmarried; when her son is born, Jim helps her place the baby with Phil Marshall (Ian Hunter) and his wife, on the condition that neither the Marshalls nor the child ever know Margot is his mother. Five years later, Margot is now a well-paid buyer for the store owned by Harriet Martin (Binnie Barnes); she meets Jim again, and a romance begins to blossom, but she's off to Paris on Harriet's behalf. There, Margot is wooed by the charming but carefree Count Giovanni Corini (Cesar Romero) and she happens to meet her son Roddy (Johnnie Russell), traveling with his aunt, as Mrs. Marshall has died. On the trip back to America, Margot and Roddy become very close, while Corini, on the same ship, continues to pursue Margot. At home, she becomes convinced that Jessica (Lynn Bari), Phil's new fiancee, doesn't love him, and will be a bad mother to Roddy, so she decides to break up the engagement, but Jim, beginning a career as a scientist, reminds her of her earlier promise not to interfere in the boy's life. ~ Bill Warren, All Movie Guide

20th Century Fox's Christmas gift to moviegoers in 1939, this fanciful comedy-drama features the studio's darling of the ice, Sonja Henie. She plays the daughter of a Nobel Peace Prize-winner feared murdered by the German Gestapo. A couple of rival American newspaper reporters, Ray Milland and Robert Cummings, discover that the legendary Professor Norden (Maurice Moscovich) is still very much alive and living under an assumed name in Switzerland. The heroes, however, completely forget their critical assignment after spotting the professor's lovely daughter, Louise (Henie), and their preoccupation with the girl nearly leads to disaster. Fox borrowed Ray Milland from Paramount for this Henie vehicle, which was partially filmed at Sun Valley, ID. ~ Hans J. Wollstein, All Movie Guide

In this episode of the popular detective series, Chan attends a WW I reunion in Paris. While catching up with his buddies, he gets entangled in the investigation of the murder of a munitions maker who sent arms to the other side. The film was created in response to the Munich crisis of 1938. At the film's end Charlie delivers a stern warning about bargaining at conference tables. ~ Sandra Brennan, All Movie Guide

The last of RKO's Fred Astaire-Ginger Rogers vehicles, The Story of Vernon and Irene Castle is also the least typical. At their best playing carefree characters in gossamer-thin musical comedy plotlines, Fred and Ginger seem slightly ill at ease cast as the real-life dancing team of Vernon and Irene Castle. The stripped-to-essentials storyline boils down to novice dancer Irene (Rogers) convincing vaudeville comic Vernon (Astaire) to give up slapstick in favor of "classy" ballroom dancing. With the help of agent Edna May Oliver, the Castles hit their peak of fame and fortune in the immediate pre-World War I years. When Vernon is called to arms, Irene stays behind in the US, making patriotic movie serials to aid the war effort. Vernon is killed in a training accident, leaving a tearful Irene to carry on alone. To soften the shock of Astaire's on-screen death (it still packs a jolt when seen today), RKO inserted a closing "dream" dancing sequence, with a spectral Vernon and Irene waltzing off into the heavens. The film's production was hampered by the on-set presence of the real Irene Castle, whose insistence upon accuracy at all costs drove everyone to distraction--especially Ginger Rogers, who felt as though she was being treated like a marionette rather than an actress. In one respect, Mrs. Castle had good reason to be so autocratic. Walter, the "severest critic servant" character played by Walter Brennan, was in reality a black man. RKO was nervous about depicting a strong, equal-footing friendship between the white Castles and their black retainer, so a Caucasian actor was hired for the role. Mrs. Castle was understandably incensed by this alteration, and for the rest of her days chastised RKO for its cowardice. As it turned out, it probably wouldn't have mattered if Walter had been black, white, Chicano or Siamese; The Story of Vernon and Irene Castle was a financial bust, losing $50,000 at the box office. Perhaps as a result, Fred Astaire and Ginger Rogers would not team up again for another ten years. ~ Hal Erickson, All Movie Guide