Delmar Watson Movies

A remake of his 1921 film of the same name, Tod Browning's Outside the Law offers Edward G. Robinson in an incisive, pre-Little Caesar gangster portrayal. Robinson, however, is not the star of the picture: that honor goes to Owen Moore, cast as enterprising bank robber Fingers O'Dell. As part of his plan to knock over the City National Bank, Fingers poses as an advertising mannequin in the bank's window, allowing himself to case the joint while in full view of the police and public. Gangster boss Cobra Collins (Robinson) gets wind of Fingers' scheme and demands a 50-percent piece of the action. Fingers' girlfriend Connie (Mary Nolan) tries to throw Collins off the track by giving him the wrong date of the scheduled heist, but this plan falls through at the last minute. After blowing the bank's safe, Fingers hides out in an apartment which happens to be next door to a flat owned by a policeman. Thus it is that when Collins shows up, demanding his share of the dough, the cops are ready for him. Browning's directorial technique and Robinson's energetic performance help to obscure the plot idiocies in this outlandish cops-and-robbers yarn. ~ Hal Erickson, All Movie Guide

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

Previously filmed in 1923, Zane Grey's To the Last Man manages to pack plenty of A-level production values into what was essentially a B-picture budget. In the years following the Civil War, Kentucky man Lynn Hayden (Randolph Scott) moves his family to Nevada, partly to start life anew, but mostly to leave behind the bloody family feud between the Haydens and the Colbys. This, alas, is not to be: once in Nevada, Hayden lands in the middle of a war between cattlemen and sheepherders -- a war involving the same two families. The film's title is grimly accurate: virtually no one is left standing at the end of the film. The superb supporting cast includes Esther Ralston as heroine Ellen Colby (seen to excellent advantage in a semi-nude swimming sequence!), Jack LaRue and Noah Beery Sr. as the slimy villains, and Shirley Temple in a small part. In addition to its many other plusses, To the Last Man introduces a novel method of billing the actors: each player is introduced by name as he or she appears on-screen. ~ Hal Erickson, All Movie Guide

Like the previous "Mama's Little Pirate," "Shrimps for a Day" was a rare "Our Gang" foray into pure fantasy. In this one, the Our Gang kids are cast as the inmates of the Happy Home Orphanage, a inaptly-named organization run by the nasty and dishonest Mr. and Mrs. Crutch (Clarence Wilson and Rosa Gore). Invited to a garden party at the home of wealthy Mr. Wade, the children enjoy a good time and are showered with gifts, though they know full well that their new clothes and toys will be appropriated and sold by the Crutches once they return to the orphanage. Meanwhile, Mr. Wade's daughter Mary (Doris McMahan) and her boyfriend Dick (Joe Young) stumble upon a magic lamp, which grants them their wish --- to be children again. Now played by midget actors George and Olive Brasno, Dick and Mary are summarily rounded up by the Crutches and bundled off to the orphanage, where they manage to get the goods on the underhanded operation. The closing gag is a gem, with little Spanky McFarland getting sweet revenge against a decidedly "reduced" Mr. Crutch. "Shrimps for a Day" was originally released on December 8, 1934. ~ Hal Erickson, All Movie Guide

This highly fictionalized biopic of legendary sharpshooter Annie Oakley stars Barbara Stanwyck as "Little Sure Shot" Annie. Coming down from the hills of Ohio, Annie rises to fame with Buffalo Bill's (Moroni Olsen) Wild West Show. Her success as a performer is counterpointed by her stormy romance with fellow performer Toby Foster (Preston S. Foster), whose reputation as the World's Great Marksman is shot to holes by Annie's accomplishments. Walking out on Annie and the show, Toby loses himself in the streets of New York but is discovered and dragged back by Annie's faithful Indian friend Sitting Bull (Chief Thunderbird, whose performance is far from politically correct but undeniably amusing). Melvyn Douglas co-stars as Annie's manager and would-be boyfriend Jeff Hogarth, while an uncredited Dick Elliot delivers a hearty performance as press agent Ned Buntline; others in the cast include such 2-reel comedy favorites as Charlie Hall and Harry Bernard, who like director George Stevens were alumni of the Hal Roach fun factory. The much-later musical version of the Annie Oakley story, Irving Berlin's Annie Get Your Gun, bears traces of this 1935 film, but not so much as to constitute plagiarism (Coincidentally, Herbert Fields, one of the writers of Annie Oakley, collaborated with his sister Dorothy on the libretto of Annie Get Your Gun). ~ Hal Erickson, All Movie Guide

Hoping to win a 50-dollar prize, the Our Gang kids enter a radio talent contest. Despite the scene-stealing efforts of Carl "Alfalfa" Switzer, leader George "Spanky" McFarland selects four-year-old vocalist Darla Hood to represent the gang with her stirring rendition of "I'm in the Mood for Love." But come the day of the broadcast, Darla is nowhere to be found. While Spanky searches for the missing singer, a nervous Alfalfa walks up to the microphone in her place, and it is his squeaky, interminable rendition of "I'm in the Mood for Love" that miraculously saves the day. A genial spoof of the radio series Major Bowes' Original Amateur Hour, The Pinch Singer was originally released on January 4, 1936. ~ Hal Erickson, All Movie Guide

In this action film, a rebellious cop doesn't hesitate to bend the rules when it comes to roughing up prisoners and bringing in deadly gangsters. His insistence on working alone and on using excessive violence causes conflict with his superiors. They change their minds when he engages in a great shoot-out with a notorious gun-toting gang leader and brings him to justice. ~ Sandra Brennan, All Movie Guide

Even allowing for the fact that it's only a one-reeler, the "Our Gang" comedy "The Pigskin Palooka" goes by so rapidly that the viewer will be gasping for breath! Having written of his football heroics in military school, Carl "Alfalfa" Switzer returns home to a hero's welcome. No sooner has he stepped off the train than his old pal Spanky McFarland, manager of the gang's football team, informs Alfalfa that he's been slated to be star player in an upcoming gridiron battle --- which is to be staged within the next few hours. Only one problem: Alfalfa has been exagerrating his athletic prowess, and in fact has never played football in his life. Will Alfie survive this dilemma, or will he be blitzed into the next county? "The Pigskin Palooka" was released just in time for football season on October 23, 1937. ~ Hal Erickson, All Movie Guide

Two members of the Russian monarchy pose as French servants while hiding the Czar's fortune. This unlikely plot is at the core of this successful 1937 Hollywood comedy-drama starring the French-born Charles Boyer as Prince Mikail Alexandrovitch Ouratieff. The prince and his wife, Grand Duchess Tatiana Petrovna (Claudette Colbert), are entrusted with a huge fortune by the Czar, which they take with them while fleeing the Bolshevik Revolution. They arrive in Paris and put all the money in a bank, not wanting to take any for themselves. To fend off poverty, they take a job as servants in the home of wealthy businessman Charles Dupont (Melville Cooper) and his wife Fernande (Isabel Jeans). At a dinner party, their secret is exposed by one of the invited guests, a top Soviet official named Gorotchenko (Basil Rathbone), who had tortured and interrogated Ouratieff before the prince left Russia. Gorotchenko now asks for the fortune to help Russia, which is in economic trouble. ~ Michael Betzold, All Movie Guide

The blue grass of Kentucky was seen in three-strip Technicolor for the first time in this rambling racetrack drama. Sally Goodwin (Loretta Young) falls in love with Jack Dillon (Richard Greene), but the arrangement is complicated by a decades-old feud. Sally's uncle Peter (Walter Brennan, who won his second Academy Award for this appearance) has hated Jack's family ever since sides were chosen up in the Civil War. Jack secretly trains Peter's horse for the Kentucky Derby, causing the old man to nearly withdraw from the event out of pique. All is forgiven when the horse wins, but Brennan dies of the excitement, and his eulogy is read by a member of the family with whom he'd been feuding for nearly 70 years. ~ Hal Erickson, All Movie Guide

Gloria Stuart plays Carol Murdock, a champion golfer whose businessman husband Anthony (Michael Whalen) cares nothing for the game. Only when Carol teams up with handsome golf pro Philip Reeves (Lyle Talbot) does Anthony experience the "change of heart" of the title. As Carol and Philip win tournament after tournament, Anthony, partly out of jealous and partly out of self-preservation, takes to the golf links himself. Soon he's as adept at the game as Carol, who has her own change of heart and returns to her husband. A typical 20th Century-Fox programmer, Change of Heart has the advantages of slickness and professionalism, not to mention the amusing performance of 12-year-old Delmar Watson as a wise-cracking caddy. ~ Hal Erickson, All Movie Guide

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide