Caven Watson Movies

Project M7 is the American title for the British The Net. Based on a novel by John Pudney, the film is set in an aviation research station. At the moment, the researchers are working on a revolutionary new aircraft, and competition to be first with the results is fierce. There's little love lost amongst the scientists, but no one expect the personal animosities to result in murder. The killing in question was committed by an enemy spy...but which one of the scientists is the guilty party? ~ Hal Erickson, All Movie Guide

Anne Fielding (Dulcie Gray), a shop clerk, meets Jack Williams (Derek Farr), a bus conductor, on the London Underground. She's delayed by the train for a meeting with her friend Victor Colebrooke (Eric Portman) at Hampstead Heath; the two of them take a liking to each other while she's trying to find Victor. She finally locates him and they leave at virtually the same moment that a young woman is found strangled -- the latest in a series of six stranglings in London. The police investigate anyone who might have been with the victim -- that includes Jack, who was seen leaving in a fury late in the evening, and Victor, whose handkerchief was found in the vicinity of the body by a derelict. In a neatly Hitchcockian twist, however, the police soon get on to the right man, but between the ineptitude of one officer and sheer bad luck, Scotland Yard is unable to make an arrest or even secure a search warrant. A bizarre cat-and-mouse game ensues as Inspector Conway (Roland Culver) tries to pressure the killer into tipping his hand, which puts Anne in deadly danger. It all comes down to a race against time through London as all of the threads draw together, but around whose neck? ~ Bruce Eder, All Movie Guide

A couple's wartime separation provides an unexpected tonic for their romance in this drama. Robert and Catherine Wilson (Robert Donat and Deborah Kerr) are a married couple whose relationship has hit a dry patch; neither of them have much enthusiasm for each other, and when Robert is drafted into the Royal Navy during the war, they almost welcome the separation. Life in the Navy gives Robert a more easygoing outlook on life, especially after he has a brief fling with Elena (Anne Todd), a nurse who recently lost her husband. On the home front, Catherine makes friends with Dizzy (Glynis Johns), a free spirit who encourages her to smoke, wear makeup, and enjoy a dalliance of her own with a man named Richard (Roland Culver). After the end of the war, Robert and Catherine both dread their reunion, but each find that they're pleasantly surprised with the changes that time has brought to their mate. Perfect Strangers was also released under the highly appropriate title Vacation from Marriage. ~ Mark Deming, All Movie Guide

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide