Bobby Watson Movies

Based on Abel Kandel's 1931 play Hot Money, this delightfully daffy comedy from Warner Bros. is a typical example of that studio's turbo-charged dialogue and irreverent attitude. William Powell, at the top of his game here, plays Gar Evans, the "world's foremost promoter," hired by Jewish entrepreneur Ginsberg (George Sidney) to boost a new discovery that may turn sewage into artificial rubber. Unfortunately, after Evans and his minions have talked untold suckers into buying stocks in the dubious venture, the inventor (Harry Beresford) goes missing. The good professor turns up eventually but proves to be quite demented and the entire scheme is about to fall apart when Evans, more or less at the seat of his pants, manages to sweet-talk himself into an even better deal. William Powell is a marvel in this comedy, whether cheerleading a gaggle of would-be salesmen or attempting to persuade a disillusioned Francine (Evelyn Brent), his good luck charm, to stay onboard despite ever impending doom. Miss Brent, who usually had only one expression -- sullen hauteur -- is quite charming as Powell's long-suffering girlfriend; and Frank McHugh, whose comedy relief often proved more grating than funny, is more than tolerable this time around as Powell's rah-rah second lieutenant. And finally there is veteran dialectician George Sidney, whose worried entrepreneur offers some of High Pressure's best laughs. A French-language version, La Bluffeur, was produced later in 1932 featuring Andre Luget as the promoter and Danish comic Torben Meyer as Ginsberg. Warner Bros. remade the story under its original title, Hot Money, in 1936, this time featuring Ross Alexander and Joseph Cawthorn. ~ Hans J. Wollstein, All Movie Guide

Lensed at Paramount's Astoria studios, Follow the Leader is the film version of the 1927 Broadway musical Midnight Mary, with Ed Wynn making his talkie debut in his original stage role. The story has something to do with bombastic Broadway singer Helen King (Ethel Merman in her first feature-film appearance) and her understudy, winsome Mary Brennan (Ginger Rogers). To make certain that Rogers will be able to go on in Helen's place, comedy-relief character Crickets (who else but Wynn?) is hired to kidnap the latter. He makes precious little effort to hide his larcenous intentions, noisily stumbling into the lobby of Helen's hotel with the tools of his trade -- rope, sledgehammers, et. al. -- in full view of the assembled guests. Amazingly, he manages to bind Helen to a chair, only to wind up knocking himself out with a bottle of chloroform. Needless to say, Mary becomes a star, but the audience never sees Crickets or Helen again; for all anyone knows, they may still be locked up in that hotel room. Incredibly silly, Follow the Leader did little to advance the careers of any of its stars, though Ed Wynn and Ethel Merman continued packing 'em in on Broadway. If nothing else, the film offers modern audiences a chance to see several vaudeville headliners in action, including Lou Holtz, James C. Morton and Bobby Watson (here cast as Broadway impresario George White instead of his usual guise as Adolph Hitler). ~ Hal Erickson, All Movie Guide

Song and Dance Man was based on the play of the same name by George M. Cohan. Tom Moore plays vaudevillian Happy Farrell, who gives up show biz to take a "civilian" job. Finding success in the business world, Happy tries to go back on stage, only to find that it isn't quite so easy the second time around. Meanwhile, our hero's former vaude partner Leola Lane (Bessie Love), now a headliner at the Palace, gives it all up to become the bride of artist Joseph Murdock (played by the "original" Harrison Ford). Though he's always been in love with Leola, Happy gives her marriage his blessing, knowing that she's now way out of his league. Song and Dance Man was remade as a talkie in 1936, with Paul Kelly and Claire Trevor. ~ Hal Erickson, All Movie Guide