Pierre Watkin Movies

Warren Douglas plays an average Joe who bears a striking resemblance to a famous gangster. A group of rival hoods beat up the innocent lookalike, which gives the police an idea. They set Douglas up as the real crook in hopes of forcing his gang out in the open. An outsized (but economically staged) gunfight brings this tense little tale to its conclusion. Incident is one of the slicker directorial accomplishments of B-picture maestro William "One Take" Beaudine. ~ Hal Erickson, All Movie Guide

Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret Weldon, the wife of advertising executive William Weldon (Franchot Tone). Though Weldon is successful, Margaret can't help but feel that he'd be more successful if she were to take an active part in his business affairs. The fun really begins when Margaret tries to help Weldon promote a crackpot inventor (Mikhail Rasumny) who's come up with a revolutionary new embalming fluid. As in the previous year's The Hucksters, Madison Avenue and Big Business are targetted for a great deal of derisive ribbing. If only Her Husband's Affairs were as funny as everyone involved seems to think it is. ~ Hal Erickson, All Movie Guide

Under the aegis of veteran program-feature producer Bryan Foy, the fledgling Eagle-Lion company made great strides during its first year of existence. Filmed in Cinecolor, The Red Stallion is on the surface a standard yarn about a ranch boy and his beloved horse, replete with a mortgage-on-the-ranch plot wrinkle. With Ted Donaldson as the boy and Jane Darwell as his down-to-earth Grandmother, however, the film is far better acted than many of its ilk. As Joel Curtis (Donaldson) tries to raise his pet foal into a race horse, he faces innumerable obstacles, both financial and natural. In the latter category, there's a particularly suspenseful throughlne involving the enmity between the horse and a wild bear. Though the outcome of The Red Stallion is predictable, what leads up to that outcome is well worth the price of admisison. ~ Hal Erickson, All Movie Guide

James Thurber wasn't too happy with the Sam Goldwyn film adaptation of his 1939 short story The Secret Life of Walter Mitty, but the Technicolor musical comedy proved to be a cash cow at the box office. Danny Kaye stars as Walter, a milquetoast proofreader for a magazine publishing firm. Walter is constitutionally incapable of standing up for himself, which is why his mother (Fay Bainter) has been able to arrange a frightful marriage between her son and the beautiful but overbearing Gertrude Griswold (Ann Rutherford). As he muses over the lurid covers of the magazines put out by his firm, Walter retreats into his fantasy world, where he is heroic, poised, self-assured, and the master of his fate. Glancing at the cover of a western periodical, Walter fancies himself the two-gun "Perth Amboy Kid"; a war magazine prompts Walter to envision himself as a fearless RAF pilot; and so on. Throughout all his imaginary adventures, a gorgeous mystery woman weaves in an out of the proceedings. Imagine Walter's surprise when his dream girl shows up in the flesh in the person of Rosalind van Horn (Virginia Mayo). The girl is being pursued by a gang of jewel thieves headed by Dr. Hugo Hollingshead (Boris Karloff), a clever psychiatrist who manages to convince Walter that he's simply imagining things again, and that Rosalind never existed. At long last, Walter vows to live his life in the "now" rather than in the recesses of his mind: he rescues Rosalind from the gang's clutches, tells his mother and Gertrude where to get off, and fast-talks his way into a better position with the publishing firm. Substituting the usual Danny Kaye zaniness for James Thurber's whimsy, Secret Life of Walter Mitty works best during the production numbers, especially Kaye's signature tune "Anatole of Paris." ~ Hal Erickson, All Movie Guide

Fans of William "Wild Bill" Elliot vastly prefer his B westerns to his big-budget Republic "specials", though the latter films have their adherents. In The Fabulous Texan, Elliot emulates his idol William S. Hart in the role of ex-Confederate officer Jim McWade. Returning to Texas to find his home turf under the jurisdiction of corrupt, despotic carpetbaggers, McWade shoots it out with the authorities after his father is slain. Forced to flee to the mountains with his war buddy John Wesley Barker (John Carroll), McWade vows revenge on those bluecoated thugs who've ravaged his beloved Texas. Eventually, McWade realizes that he'd be better off cooperating with the Federal government to rid his state of its plunderers, but Barker comes to enjoy the life of an outlaw, and refuses to surrender his independence. Thus it comes to pass that McWade is obliged to hunt down his old friend, thereby restoring Law and Order to Texas. Catherine McLeod costars as Alice Sharp, the woman who will become McWade's wife-- and, in old age, the torchbearer of his memory. ~ Hal Erickson, All Movie Guide

With a title like Violence, the audience knew what it was in for from the get-go. Nancy Coleman plays Ann Mason, troubleshooting journalist for an illustrated newsmagazine. Going undercover, Ann infiltrates the United Defenders, a so-called patriotic organization comprised of thugs and extortionists. Preying on disillusioned war veterans, the United Defenders are able to spread their own brand of bigoted propaganda on a wide scale. In the midst of her investigation, Ann is injured in an auto accident, and as a result loses her memory. It's up to government investigator Steve Fuller (Michael O'Shea) to apprise Ann of her true identity, and to rescue her from the clutches of the villains (including such powerhouse "heavies" as Sheldon Leonard and Peter Whitney). Violence would seem to be inspired by the final sequence in RKO Radio's Till the End of Time, wherein a trio of ex-GIs dukes it out with a small band of hate-spouting "patriots". ~ Hal Erickson, All Movie Guide

Bob Regan (Edmond O'Brien) -- a small-time attorney from the wrong side of the tracks who nonetheless has a lot of dedication -- is representing a vegetable pushcart owner (Tito Vuolo) in a damage suit against multi-millionaire Andrew Colby (Vincent Price). It seems Colby's car wrecked the man's cart, and he and his attorneys have been too busy running the world (or Colby's world) to deal with the case, so Regan barges right into the millionaire's office. Professing to be impressed with Regan's tenacity on behalf of his client, Colby offers to hire him, for a lot more money than he is making or ever stood to make, but not as an attorney -- rather, as a bodyguard/troubleshooter. It seems that Colby's been receiving threats lately, and he likes the way Regan looks after his clients. To aid him in his new job, Colby also secures a gun and permit for his new employee. Regan is so surprised at this whole turn of events in his life that he accepts the offer for the chance to finally get in on some the big money he sees around him. He's given entrée to Colby's upper-crust world, including his huge New York townhouse and all that goes with it, never smelling a rat. This is mostly because, apart from the money he's suddenly earning and traveling in the midst of, he's distracted by the presence of Colby's personal secretary, Noel Faraday (Ella Raines) -- about as pretty, intelligent, and seductive a female as Regan has ever seen, and who seems mutually intrigued by his rather earthy and plain-spoken presence in the Colby organization. Regan is a fresh dose of working-class honesty amid the elegance, affectation, and duplicity that oozes out of Colby's world, and on Regan's side of it he can hardly keep his hands off of her.

However, during Regan's first night on the job, a shot rings out from upstairs and he finds Colby in a struggle with an intruder carrying a gun -- and Regan shoots the man dead. The stranger turns out to be Leopold Kroner (Fritz Leiber), Colby's one-time business associate, who just finished a ten-year stretch for embezzlement of a million dollars. The threats seemed to come from Kroner, and there was a gun in his hand when Regan shot him, but that's not good enough for Lieutenant Damico of the NYPD; it's all a little too convenient that Colby's one-time partner gets himself killed that way, at the hands of some lawyer playing detective whose gun permit barely has the ink dry. Damico makes no secret of his doubts to Regan, or of the fact that he would like nothing more than to pull his friend in on a murder rap just for being a prize chump, mostly because he doesn't like murder and can't really see Regan as being as stupid as he seems. It turns out that he is just about that stupid, and is always a step behind Colby in trying to unravel the mystery of what really happened and how Kroner came to be in the house. Even Noel, for all of her intelligence and education, can't keep ahead of her employer's machinations; even as they dig deeper, more and more evidence gets planted implicating them both in a conspiracy, and before they can spring their trap, Damico is there ready to put the cuffs on both of them. But that's when matters get really interesting, as Damico begins to prove that if Regan isn't half as bright as he ought to be, the police lieutenant is a lot smarter than he looks or his job description calls for. ~ Bruce Eder, All Movie Guide

Crooked newspaper columnist Jeff Mann (James Cardwell), who apparently was blackmailing half the criminal gangs in the city, is murdered in his own office, and a police officer is killed the same night in the alley outside the newspaper's building -- and the prime suspect is the Shadow, the mysterious masked adventurer with the ability to cloud men's minds so they can't see him. The Shadow is, in reality, millionaire playboy and dilettante criminologist Lamont Cranston (Kane Richmond), who is about to get married to Margo Lane (Barbara Read); he's vowed to give up being the Shadow, but now he has to investigate this case to clear himself, much to Margo's dismay. Police Inspector Cardona (Joseph Crehan) wants to prove the Shadow committed the murders, and Mann's editor Brad Thomas (Robert Shayne) is calling for the Shadow's blood in his newspaper's editorial pages. This leaves Cranston with his hands full, especially after Margo -- anxious to get him to the altar -- tries to solve the case herself, at one point even masquerading as the Shadow. Between keeping her out of his way and staying ahead of the real culprit, the police, and the gangs that Mann was blackmailing, Cranston and his valet Shrevie (George Chandler) just about get themselves killed a couple of times, amid a string of comedic and mysterious twists that lead right back to the murder scene for the identity of the killer. ~ Bruce Eder, All Movie Guide

In this thriller, psychiatrist Dr. Cross (Vincent Price) kills his wife and expects to get away with murder, until he discovers that the slaying was observed by a next-door neighbor, Janet Stewart (Anabel Shaw). As Janet attempts to convince her husband (Frank Latimore) of the doctor's dastardly deed, Cross shows up to advise him that Janet is in dire need of some in-depth counseling. ~ Iotis Erlewine, All Movie Guide

Set at a major newspaper, this crime drama centers on a fellow who returns to newspaper reporting after he bombs as a playwright. Believing his grown son is in danger of marrying a gold digger, the paper's publisher assigns his new reporter to expose her. In order to do so, he cons the gal's maid into letting him into her apartment. There he hides a camera. Later that night, the gold digger is murdered there. Fortunately, the reporter's camera caught the killer in the act. ~ Sandra Brennan, All Movie Guide

In this crime drama, a sorority girl is photographed hanging around with known criminals in illicit gambling dens. The resulting pictures are then used to blackmail her father, a district attorney. Later, the crooks try to make the girl believe that she ran over and killed someone with her car. Fortunately, her father helps her prove that the charges are false. Together they help capture the real crooks and justice is served. ~ Sandra Brennan, All Movie Guide

In his first film after four-years of military duty, Gene Autry returns to a familiar setting: a modern western musical-comedy with accent on music and comedy. Crooning Jimmie Hodges' lilting "Someday You'll Want Me to Want You", cattle rancher Gene Autry is discovered by Hollywood talent scouts Sue Warner (Lynne Roberts) and Nelson "Nellie" Bly (Sterling Holloway), who convince him to give up ranching in favor of movie stardom. But unbeknownst to Gene only his voice is needed -- to flesh out cartoon character Ding Dong Donkey -- and the results prove highly embarrassing. Ashamed of her own part in the deception, Sue quits her job and obtains a position as Gene's ranch cook. Back at Paragon Pictures, a surreptitiously produced screen-test brings Autry's unquestionable talents to the attention of studio boss G.W. Rhodes (Pierre Watkin), who assigns former cartoon producer Jefferson Lang (Richard Lane) to lure the cattle rancher back to Hollywood. Desperate to get out of the animated movie business, Lang forms an alliance with Gene's sworn enemy, Big Gulliver (Ralph Sanford), but the resulting near-disaster is prevented in the nick of time by Sue and the ranch hands. Nearly wiped out, Gene signs a contract with Paragon and becomes a huge success as Hollywood's newest singing cowboy. Backed by the Cass County Boys, Autry performs Dick Thomas & Ray Freedman's title tune; "Oklahoma Hills" by Leon Guthrie; "Riding Double" by John Rox; and "Yours" by Gonzalo Roig and Jack Sherr. In accordance with a then new Republic Pictures policy, the latter is sung in both English and Spanish. A restored version of Sioux City Sue was released in 2001 by Gene Autry Entertainment. ~ Hans J. Wollstein, All Movie Guide