Pierre Watkin Movies

Actor Pierre Watkin looked as though he was born to a family of Chase Manhattan executives. Tall, imposing, imbued with a corporate demeanor and adorned with well-trimmed white mustache, Watkin appeared to be a walking Brooks Brothers ad as he strolled through his many film assignments as bankers, lawyers, judges, generals and doctors. When director Frank Capra cast the actors playing US senators in Mr Smith Goes to Washington (1939) using as criteria the average weight, height and age of genuine senators, Watkin fit the physical bill perfectly. Occasionally Watkin could utilize his established screen character for satirical comedy: in W.C. Fields' The Bank Dick, he portrayed Lompoc banker Mr. Skinner, who extended to Fields the coldest and least congenial "hearty handclasp" in movie history. Serial fans know Pierre Watkin as the actor who originated the role of bombastic Daily Planet editor Perry White in Columbia's two Superman chapter plays of the late '40s. ~ Hal Erickson, All Movie Guide
1941  
 
Bucolic lawyer John Wayne takes on big-city corruption in A Man Betrayed. He sets out to prove that an above-suspicion politician (Edward Ellis) is actually a crook. The price of integrity is sweet in this instance, since Wayne happens to be in love with the politician's daughter (Frances Dee). Man Betrayed can be viewed from the vantage point of the 1990s as an attempt by Republic Pictures to broaden the range of its biggest star, John Wayne. That it doesn't quite work is forgotten as the audience luxuriates in the sheer professionalism of the whole endeavor--and besides, the Duke does get to put up his dukes on more than one occasion. Man Betrayed has been released under two alternate titles: Wheel of Fortune for American television, and Citadel of Crime (coincidentally the title of a like-vintage Republic "B" picture) for British audiences. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneFrances Dee, (more)
1948  
 
Hot on the heels of Columbia's The Fuller Brush Man, MGM released another Red Skelton gagfest, A Southern Yankee. Set during the Civil War, the film casts Skelton as bumbling bellboy Aubrey Filmore. Yearning to help the Northern cause by becoming an undercover spy, Aubrey succeeds beyond his wildest dreams when circumstances force him to pose as notorious Southern secret agent Major Drumman (George Coulouris), aka "The Grey Spider". Infiltrating rebel territory, our hero does his best (which is none too good) to intercept the Grey Spider's messages and smuggle them to the North. Along the way, he falls in love with pert Southern belle Sallyann Weatherby (Arlene Dahl). Many of the side-splitting gag routines were devised by Buster Keaton, notably the now-famous scene in which Aubrey gingerly walks across the battlefield between Northern and Southern lines carrying a two-sided flag -- the Northern Stars and Stripes on one side, the Southern Stars and Bars on the other -- a strategy that works until the wind suddenly changes! Though Edward Sedgwick is credited with the direction, Red Skelton later revealed that A Southern Yankee was actually directed by S. Sylvan Simon. ~ Hal Erickson, All Movie Guide

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Starring:
Red SkeltonBrian Donlevy, (more)
1943  
 
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All but forgotten today, A Stranger in Town serves as an excellent showcase for the dramatic talents of Frank Morgan. The star plays Supreme Court justice John Josephus Grant, who decides to take a break from his hectic schedule by going on a hunting vacation. Travelling incognito, Grant stops over in a small town that turns out to be a hotbed of political corruption. Taking a liking to honest young mayoral candidate Bill Adams (Richard Carlson), Grant uses his legal know-how to help thwart Adams' crooked opponents. Jean Rogers, best-known to film buffs as Dale Arden in the first two "Flash Gordon" serials, is decorative as Grant's secretary, who (of course!) falls in love with the clean-cut Bill Adams. ~ Hal Erickson, All Movie Guide

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Starring:
Frank MorganRichard Carlson, (more)
1952  
 
Vietnam, Laos and Cambodia were still referred to as Indo-China when this Sam Katzman-produced adventure quickie was filmed. John Archer (the father of actress Anne Archer) stars as the titular "yank," a devil-may-care pilot named Mulvaney. Together with his partner Clint Marshall (Douglas Dick), Mulvaney runs a profitable air-freight line in Indo-China. After antagonizing a band of Red Chinese, Mulvaney and Clint attempt to rescue two American women (Jean Willes and Ellen Murphy) who'd foolishly allied themselves with the bad guys. Shamelessly jingoistic, A Yank in Indo-China is a fascinating artifact from an era in which America thought of Southeast Asia in terms of Black and White. ~ Hal Erickson, All Movie Guide

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Starring:
John ArcherDouglas Dick, (more)
1954  
 
Shirley Booth followed up her Oscar-winning performance in Come Back Little Sheba with the high-gloss soap opera About Mrs. Leslie. Based on a novel by Vina Delmar, the film casts Booth as a philosophical boarding house keeper who recalls her life and loves in a long, long flashback. Born on the wrong side of the tracks, Vivien (Booth) escapes her surroundings by becoming a cabaret singer. She meets and falls in love with handsome, secretive George Leslie (Robert Ryan), then becomes his mistress, assuming his last name in the interests of propriety. Upon Leslie's death, Vivien discovers that her lover was actually a fabulously wealthy industrialist. Her experiences are placed in context with the present-day travails of her boarders, notably young sweethearts Nadine (Marjie Millar) and Ian (Alex Nicol). ~ Hal Erickson, All Movie Guide

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Starring:
Shirley BoothRobert Ryan, (more)
1945  
 
A middle-aged Clark Gable returned from active duty in World War II to star in this MGM release that was heavily advertised as his big comeback. Gable is Harry Patterson, the bosun mate on a merchant marine vessel, a tough sailor and fighter with the proverbial girl in every port. But while in a San Francisco library, looking up a book on the human soul for his sidekick Mudgin (Thomas Mitchell), who thinks his soul has departed his body, Harry meets librarian Emily Sears (Greer Garson), whom he woos, marries, and leaves to sail off on another freighter. When he returns, Emily has retreated to an old farm to await the birth of their child. Harry continues to resent staying in one place, but he ultimately changes his tune when his baby's life hangs in the balance. Garson and Joan Blondell, playing her outspoken best friend, are both terrific, and Gable gives a less heroic performance that's a thoughtful change for him, although critics at the time were less than charitable. ~ Don Kaye, All Movie Guide

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Starring:
Clark GableGreer Garson, (more)
1941  
 
A minor heart-tugger filmed on leftover Mr. Smith Goes to Washington sets, this Columbia production stars the very British Herbert Marshall as US senator John Coleridge. Befriending young Marty Driscoll (Gene Reynolds), a tough kid from the proverbial wrong side of the tracks, Senator Coleridge tries to put Marty on the right track by installing him as a Senate page boy. When Marty sells top-secret information to the press, Coleridge refuses to punish the boy himself: instead, Marty is tried before a jury of his peers-the rest of the pages, who've been anxious to show what they've learned while observing the senators at work. Virginia Bruce does what she can with the thankless role of a DC newspaper sob sister. The link between Adventure in Washington and Frank Capra's Mr. Smith Goes to Washington is strengthened by the presence in the cast of Dickie Jones and Pierre Watkin, both of whom had appeared in similar roles in the Capra film. ~ Hal Erickson, All Movie Guide

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Starring:
Herbert MarshallVirginia Bruce, (more)
1949  
 
Dauntless Navy intelligence officer Richard Travis is dispatched to the Frozen North to smash a spy ring. By a fortuitous circumstance, Travis is the exact lookalike of a recently deceased enemy agent. This plot contrivance is given surface credibility by the film's semi-documentary style. Onetime child actress Helen Westcott is second-billed in a cast busting to the seams with familiar faces, ranging from saturnine James Griffith to dignified Jason Robards Sr. Alaska Patrol was released by Film Classics, a reissue firm of the late 1940s that dabbled in production from time to time. ~ Hal Erickson, All Movie Guide

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Starring:
Richard TravisHelen Westcott, (more)
1956  
 
"I waited there with a dead head sitting on a dead spine waiting for the crack of doom." This is how young businessman Mason Bridges (Robert Horton) describes his predicament when he is forced to participate in a high-stakes poker game with wealthy client Sam Klinker (Robert Middleton). Though Bridges had intended to play only a few hands, Klinker bullies him into staying in the game, raising the stakes all along the way. Ultimately, the fate of Bridges' business -- and indeed, his future career -- rests in a single poker hand. "Crack of Doom" is based on a story by journalist Don Marquis, best known for his whimsical "Archy and Mehitabel" pieces. ~ Hal Erickson, All Movie Guide

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1948  
 
An Innocent Affair was the original release title for the tame marital comedy Don't Trust Your Husband. Making her first film appearance in six years, Madeleine Carroll plays Paula Doane, the wife of ad executive Vincent Doane (Fred MacMurray). For business reasons, Vincent is obliged to entertain lovely widow Margot Fraser (Louise Allbritton). Misunderstanding the situation, Paula vows to "get even" with Vincent by dallying with wealthy tobacco magnate Claude Kimball (Charles "Buddy" Rogers, who like Carroll was returning to films after a six-year absence). It doesn't take a rocket scientist to figure out what happens next. At the very least, it was nice to see Fred MacMurray and Madeleine Carroll working together on-screen for the fifth (and as turned out, the last) time. Much of An Innocent Affair is a thinly disguised advertisement for "Prince" Michael Romanoff's Hollywood eatery. ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayMadeleine Carroll, (more)
1945  
 
PRC's Apology for Murder is aptly named: the production values in this 67-minute quickie are pretty sorry. If you're willing to look past the mildewed sets and murky lighting, however, this well-paced film noir is pretty enjoyable. Hugh Beaumont (yes, that Hugh Beaumont) plays a tough reporter whose honesty is compromised by scheming Anne Savage. Unable to unwrap himself from Savage's little finger, Beaumont agrees to go in on her plan to murder her husband Russell Hicks. They then contrive to frame an innocent man for their perfidy. You've seen this before as Double Indemnity and The Postman Always Rings Twice, but the actors are energetic and the direction by the overworked Sam Newfield is better than usual. ~ Hal Erickson, All Movie Guide

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Starring:
Ann SavageHugh Beaumont, (more)
1938  
 
This follow-up to MGM's 1932 John Barrymore vehicle Arsene Lupin stars the ineluctable Melvyn Douglas. Reported to be dead, suave gentleman jewel thief Arsene Lupin (Douglas) resurfaces under the assumed name of Rene Farrand. Intending to follow the straight and narrow path, Lupin/Farrand reverts to his old larcenous ways when the opportunity to pilfer $250,000 in gems presents itself. Slowing down our hero somewhat is the presence of hotshot American private eye Steve Emerson (Warren William) and glamorous adventuress Lorraine de Grissac (Virginia Bruce). Ironically, both Melvyn Douglas and Warren William also played thief-turned-sleuth Michael Lanyard, aka "The Lone Wolf", over at Columbia. ~ Hal Erickson, All Movie Guide

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Starring:
Melvyn DouglasVirginia Bruce, (more)
1944  
 
Definitely no relation to the 1980 Louis Malle film of the same name, 1944's Atlantic City is a tuneful Republic musical, not quite an "A" picture but certainly not a "B". Brad Taylor (who formerly acted at Columbia under the name of Stanley Brown) stars as Brad, an early-20th-century entrepreneur who decides to transform the sleepy oceanside community of Atlantic City, New Jersey into a mecca for vacationers and thrill-seekers. One of Taylor's visionary notions is the creation of a bathing-beauty contest, and that's where prim-and-proper heroine Marilyn Whitaker (Constance Moore) comes in. The plot is essentially an excuse to trot out several venerable entertainers doing their tried-and-true specialties. Guest stars include Belle Baker, Paul Whiteman, Louis Armstrong, Buck & Bubbles, and Joe Frisco, not to mention Al Shean (of Gallegher and Shean) and Gus Van (of Van and Schenck). Also adding to the general frivolity are Jerry "Ahhh, Yes!" Colonna and up-and-coming Dorothy Dandridge. Atlantic City demonstrated that Republic could make a 20th Century-Fox style musical even without Betty Grable. ~ Hal Erickson, All Movie Guide

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Starring:
Constance MooreBrad Taylor, (more)
1950  
 
The second of Columbia's Superman serials, the 15-episode Atom Man Vs. Superman stars Kirk Alyn in the dual role of Clark Kent and the "Man of Steel." This time, Kent/Superman is pitted against bald-pated Lex Luthor (Lyle Talbot), who, disguised as Atom Man, threatens to devastate Metropolis with any number of devilish devices-the deadliest of which is a disintegration machine. Luthor tumbles onto Superman's Achilles' heel: Kryptonite. Once our hero has been exposed to this fatal ore, Metropolis becomes a wide-open town for criminals of all varieties. But Superman regains his full powers in time to stop Luthor from laying waste to Metropolis with his latest demon machine, a sonic vibrator. Also appearing in Atom Man vs. Superman are Noel Neill as Lois Lane, Tommy Bond (the onetime "Butch" of The Little Rascals) as Jimmy Olson, and Pierre Watkin as Perry White. The serial is energetic enough, but the flying scenes (crudely conveyed via animation) are rather laughable. ~ Hal Erickson, All Movie Guide

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Starring:
Kirk Alyn
1948  
 
Barbara Stanwyck plays Polly Fulton, rebellious daughter of a wealthy industrialist (Charles Coburn). Polly marries a conservative economist professor (Richard Hart), but she chafes at his values and leaves him for socialist professor Van Heflin. Polly nearly ruins both her father's reputation and her own by embracing Heflin's radicalism. Based on a novel by J. P. Marquand, B.F.'s Daughter emerges as an unsubtle swipe at the policies of the late president Franklin Roosevelt; perhaps this was at the behest of MGM's arch-Republican head man Louis B. Mayer. In England, where the letters "B. F." comprise a euphemism for "bloody fool", the film was retitled Polly Fulton. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara StanwyckVan Heflin, (more)
1957  
 
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Produced by Bert I. Gordon, The Beginning of the End a menacing onslaught of giant-sized grasshoppers. Department of Agriculture functionary Peter Graves and photojournalist Peggie Castle discover that the huge grasshoppers are the product of a gone-awry experiment in radioactivity. Before the Army can neutralize the green monstrosities, Chicago has been besieged by the ravenous insects. Beginning of the End was one of two horror films produced by American Broadcasting-Paramount Theatres; the other was The Unearthly (1957). ~ Hal Erickson, All Movie Guide

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Starring:
Peter GravesPeggie Castle, (more)
1946  
 
Crooked newspaper columnist Jeff Mann (James Cardwell), who apparently was blackmailing half the criminal gangs in the city, is murdered in his own office, and a police officer is killed the same night in the alley outside the newspaper's building -- and the prime suspect is the Shadow, the mysterious masked adventurer with the ability to cloud men's minds so they can't see him. The Shadow is, in reality, millionaire playboy and dilettante criminologist Lamont Cranston (Kane Richmond), who is about to get married to Margo Lane (Barbara Read); he's vowed to give up being the Shadow, but now he has to investigate this case to clear himself, much to Margo's dismay. Police Inspector Cardona (Joseph Crehan) wants to prove the Shadow committed the murders, and Mann's editor Brad Thomas (Robert Shayne) is calling for the Shadow's blood in his newspaper's editorial pages. This leaves Cranston with his hands full, especially after Margo -- anxious to get him to the altar -- tries to solve the case herself, at one point even masquerading as the Shadow. Between keeping her out of his way and staying ahead of the real culprit, the police, and the gangs that Mann was blackmailing, Cranston and his valet Shrevie (George Chandler) just about get themselves killed a couple of times, amid a string of comedic and mysterious twists that lead right back to the murder scene for the identity of the killer. ~ Bruce Eder, All Movie Guide

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Starring:
Kane RichmondGeorge Chandler, (more)
1944  
 
This 20th Century-Fox programmer stars Preston Foster as breezy detective Steve Carromond. When a man dies of a suspicious heart attack, the victim's niece, Constance Martin (Ann Rutherford), hires Steve to investigate. The solution to the mystery lies in a tontine-like arrangement, wherein six WW1 vets have pooled their savings for a joint insurance policy, to be collected by the surviving veteran. Props essential to the action include a package of poisoned cigarettes. ~ Hal Erickson, All Movie Guide

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Starring:
Preston S. FosterAnn Rutherford, (more)
1937  
 
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Tons Walker (Grant Withers) is the man in charge of the steel mill built from the ground up by the late William Reardon (Pierre Watkin). The fact that Tons is barely capable of putting his shoes on properly is unimportant: he will inherit Reardon's business on the proviso that he straighten out his late employer's wastrel son Bill (Ranny Weeks). Making Tons' job tougher is the fact that Bill has designs on our hero's sweetheart Susan (Beatrice Roberts); on the other hand, Bill isn't too keen on the fact that Tons has fallen for his sweetie Elaine (Judith Allen). By and by, however, both Bill and Tons begin taking their business responsibilities seriously, emerging as inseparable pals by film's end. ~ Hal Erickson, All Movie Guide

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Starring:
Grant WithersBeatrice Roberts, (more)
1950  
 
As indicated by its title, Blue Grass of Kentucky is a horse-racing opus. Bill Williams plays Lin McIvor, the owner of a horse named Blue Grass. He doesn't know it, but the horse was sired by a Kentucky Derby winner, owned by Armistead (Russell Hicks). The aristocratic Armistead had previously refused to mate his prize horse with McIvor's best mare, but the union was orchestrated in secret by Armistead's sympathetic daughter Pat (Jane Nigh). Highlighted by actual scenes from the annual Derby at Churchill Downs, Blue Grass of Kentucky was pleasingly lensed in Cinecolor. The film is ample proof that prolific "B"-flick director William "One Take" Beaudine was capable of turning out first-rate work. ~ Hal Erickson, All Movie Guide

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Starring:
Bill WilliamsJane Nigh, (more)
1938  
 
Once a staple of summer stock and community theatres, Bella and Samuel Spewack's Broadway farce Boy Meets Girl dates rather badly when seen today. The 1938 movie version is also a bit mildewed, though it is saved by the dynamo-like energy of James Cagney and Pat O'Brien. The stars are cast as Robert Law and J.C. Benson, a pair of iconoclastic Hollywood screenwriters based upon Ben Hecht and Charlie McArthur. Cynically declaring that every film can be boiled down to "Boy meets girl, boy loses girl, boy gets girl", Law and Benson drive their studio-executive bosses crazy with their zany irreverence. Their pet target is bigwig C. Elliot Friday (Ralph Bellamy), a delicious take-off of 20th Century-Fox prexy Darryl F. Zanuck. Friday orders the boys to concoct a screenplay for cowboy star Larry Toms (Dick Foran), whose popularity is on the wane. Upon making the acquaintance of pregnant, unmaried waitress Susie (Marie Wilson), Law and Benson hit upon a brilliant scheme: they'll transform Susie's baby into a child star and team the kid with Toms in his latest epic ("based on an original story by William Shakespeare"). Complication piles upon complication, reaching a high point of hilarity when the baby gives Larry Toms the measles. Ronald Reagan appears briefly as a radio announcer covering the Hollywood premiere of Law and Bensen's newest masterpiece. Boy Meets Girl was originally conceived as a Marion Davies vehicle, with the comedy team of Olsen & Johnson playing the screenwriters, but things changed radically (and for the better) when Davies' sponsor William Randolph Hearst huffily pulled his Cosmopolitan Pictures unit off the Warner Bros. lot. ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyPat O'Brien, (more)
1937  
 
In this screwball comedy, Valentine Ransome (Barbara Stanwyck) is an heiress who falls for Jonathan Blair (Herbert Marshall), a carefree playboy who owns part of a large steamship line. However, Valentine doesn't especially like Jonathan's brassy fiancé, Carol Wallace (Glenda Farrell), and thinks he needs to start taking a more serious attitude about his money and his investments. To teach Jonathan a lesson (and get closer to him in the process), Valentine arranges to buy enough stock in the shipping company that she's the majority owner, and begins giving him orders about how things should be done. Jonathan isn't about to stand for that, and set off for a cruise on one of his ships, with Carol in tow and every intention of having the ship's captain marry them. But Jonathan's sidekick Butch (Eric Blore) doesn't like Carol any more than Valentine, and seizes every available opportunity to throw a spanner into the works. The same year that the versatile Barbara Stanwyck starred in this comic trifle, she received an Oscar nomination for her dramatic work in the movie Stella Dallas. ~ Mark Deming, All Movie Guide

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Starring:
Barbara StanwyckHerbert Marshall, (more)
1947  
 
Based on a popular comic strip, this 15 episode Columbia chapterplay produced by legendary cheapskate Sam Katzman (aka "Jungle Sam") heralded the beginning of the end of the American movie serial. Starring the otherwise watchable Kane Richmond in the title role, Brick Bradford had pretensions of becoming the next Flash Gordon, but Katzman's notorious reluctance to part with a dollar bill sealed its fate. Perhaps the cheapest producer releasing through a major company (Columbia) in the '40s, Katzman employed a generous dose of carelessly inserted stock footage in his serials, thus earning the epitaph as the typical cigar-chomping hack producer who is in the movie business merely to make a fast buck (actor Mike Starr eminently portrayed the prototype in Ed Wood, 1995). A Secret Service agent employed by the United States government to protect the Interceptor Ray, a newly invented missile, Brick Bradford gets involved with a mysterious scientist, whose "crystal door" transports him to the moon and back, to 18th century Central America, etc. All of this demanded inspiring sets and special effects and not Jungle Sam's tired potted plants and moth-eaten stock footage fauna. Comic strip hero Brick Bradford deserved better and so did his portrayer, Kane Richmond. ~ Hans J. Wollstein, All Movie Guide

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1936  
 
Owen Davis Jr. plays Bunker Bean, a meek and mild office worker who loves the boss' daughter (Louise Latimer) from afar. Bunker impulsively visits a mystic, who gazes into a crystal ball and determines that Mr. Bean is the reincarnation of such past leaders of men as Napoleon and an Egyptian Pharaoh. Armed with new confidence, Bunker charges back into his office, gives his boss (Robert McWade) a piece of his mind, and becomes a hotshot businessman. Several reverses later, Bunker Bean realizes that he doesn't need to rely on his imaginary "past lives" to make good and to win the girl. Based on the novel by Harry Leon Wilson (and its stage adaptation by Lee Wilson Dodd), Bunker Bean was the third film version of this enjoyable "worm turns" fable. ~ Hal Erickson, All Movie Guide

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Starring:
Owen Davis, Jr.Louise Latimer, (more)
1941  
 
A gangster and his mob buy a small-town in this warm comedy. They, tired of trying to make it as big city hoods, buy the town to use as a hideout. The leader of the gang begins to have a change of heart after he begins falling for a local girl. He decides to use the "protection money" his gang has been pocketing to benefit the townsfolk. This feels good to the tough and thug-like gangsters who begin embracing the ideals of good citizenship in favor of a life of crime. ~ Sandra Brennan, All Movie Guide

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Starring:
Lloyd NolanConstance Moore, (more)

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