Pierre Watkin Movies

The spectacle of the big top and flying trapeze artists provide a dramatic setting for this standard tale about an aerialist returned from Army service, looking to pick up where he left off. Rick Rias (Michael Callan) receives a double shock when he comes back from the Army: the woman he loved before he was called to duty is now married to someone else, and his father will not recommend him for an aerial act because he says he is not ready yet. Rick's broken heart starts to mend when he takes an interest in young Suzanne (Evy Norlund), the newest member of the "Flying Fontaines." The only drawback is that her heart is set on Bill (Rian Garrick) another trapeze artist. Rick's luck continues to deteriorate as one misfortune follows another. ~ Eleanor Mannikka, Rovi

Producer Albert Zugsmith serves up another all-star exposé with High School Confidential. Delivering a superb performance under the circumstances, Russ Tamblyn heads the cast as "typical" high schooler Tony Baker. Usually seen in the company of his voluptuous "aunt" Gwen Dulaine (the truly impressive Mamie Van Doren), Tony convinces one and all that he's looking for kicks of the controlled-substance kind. In truth, however, our hero is really an undercover narcotics agent named Mike Wilson, bound and determined to smash the operation of drug lord Mr. A. (Jackie Coogan). The once-in-a-lifetime cast includes such worthies as John Drew Barrymore (Drew Barrymore's daddy), Ray Anthony (then married to Mamie Van Doren), Charles Chaplin Jr., Michael Landon, and Jerry Lee Lewis as "himself." This updated Reefer Madness is not to be missed! ~ Hal Erickson, Rovi

Marjorie Morgenstern (Natalie Wood) is an 18-year-old, middle-class, Jewish girl from New York who wants nothing more than to be an actress, despite the hopes and wishes of her parents (Everett Sloane and Claire Trevor) that she graduate from college, marry, and settle down to have a family. At the urging of her more worldly friend Marsha Zelenko (Carolyn Jones), she takes a job at an upstate camp, and, one night when sneaking onto the grounds of a neighboring resort, meets and falls wildly in love with the entertainment director, Noel Airman (Gene Kelly). A Lothario with a gift of song as well as dance, Airman romances Marjorie and tries to teach her something of theater, suggesting that she change her name to Marjorie Morningstar, which she does. He intends to enjoy her company for the summer, until her aging uncle Samson (Ed Wynn), who is also working at the resort, tells him of the family's concerns for the girl. Noel and Marjorie end up linked romantically, despite their best efforts to stay away from each other. Marjorie gives up a potential romance with a slightly older, successful doctor (Martin Balsam) and resists the honest entreaties of Airman's assistant, Wally Wronken (Martin Milner), and tries to get Airman to straighten up and fly right; she can't get her own acting career off the ground, but she owns Airman's heart. Instead of biding his time at writing a musical that he's been working at for four years, and spending his summers working in the Catskills, Noel tries to work in the advertising world -- he also finds himself just as troubled by the stable family life and religious life that Marjorie comes from as he is attracted to her personally. He is also bitterly disturbed by the fact that his one-time assistant Wally Wronken is now a successful Broadway playwright, the darling of critics and audiences, with backers eager to sign checks to produce his work. Unable to pursue a life in business, or remain faithful to Marjorie, he reaches a crisis point from which only she can rescue him -- together they try to build a life and he tries to finish his long-gestating masterpiece, which proves a disaster when it gets to Broadway. Noel abandons Marjorie, and when she goes to find him, Wally warns her off, explaining that Noel has to return to a place where he can feel successful, like the Catskills resort where they met, where he can be the big fish in the tiny pond. Her marriage over and her girlish ideals behind her, she sees Noel back in his element, wowing young acting students with his skills, and finally turns to the one man who has loved her for precisely who she is all along, Wally. ~ Bruce Eder, Rovi

Produced by Bert I. Gordon, The Beginning of the End is a menacing onslaught of giant-sized grasshoppers. Department of Agriculture functionary Dr. Ed Wainwright (Peter Graves) and photojournalist Audrey Aimes (Peggie Castle) discover that the huge grasshoppers are the product of a experiment in radioactivity gone awry. Before the Army can neutralize the green monstrosities, Chicago has been besieged by the ravenous insects. Beginning of the End was one of two horror films produced by American Broadcasting-Paramount Theatres; the other was The Unearthly (1957). ~ Hal Erickson, Rovi

The John O'Hara/Richard Rodgers/Lorenz Hart Broadway musical Pal Joey created quite a stir during its original theatrical run in 1940. Here we had a heel of a hero who sleeps with a wealthy older woman in order to realize his dream of owning his own nightclub, and who breaks the heart of the girl who truly loves him when she impedes his plans to get ahead. Blossom Time it wasn't. Due to the seamy nature of the plot and the double- and single-entendre song lyrics (especially the original words for "Bewitched, Bothered and Bewildered", which you aren't likely to hear on most mainstream recordings of this tune), Pal Joey could not be faithfully filmed back in the 1940s. Even this 1957 version, made at a time when movie censorship was beginning to relax, was extensively sanitized for public consumption. Ambitious singer/dancer Joey (Frank Sinatra) is still something of a louse, but a redeemable one. The relationship between Joey and his older benefactress Vera Simpson (Rita Hayworth, who was actually a few years younger than Sinatra) is one of implication rather than overt statement. And Joey's true love, chorine Linda English (Kim Novak), is as pure as the driven snow, who vehemently expresses distaste at having to perform a striptease. The Rodgers and Hart songs ("I Could Write a Book" the aforementioned "Bewitched, Bothered and Bewildered") which seemed so cynical and ironic back in 1940, are given the typically lush, luxurious Hollywood treatment (many of the tunes, notably "There's a Small Hotel", were borrowed from other Rodgers and Hart shows, a not uncommon practice of the time). Pal Joey is nice to look at and consummately performed, but don't expect the bite of the original play, or the John O'Hara short stories which preceded them. ~ Hal Erickson, Rovi

Movie producer John Addison (Robert Ellenstein) ends up in deep trouble when he picks up an attractive female hitchhiker (Carol Leigh), who proceeds to shake him down for money. Addison turns to Perry Mason (Raymond Burr) for help when he is accused of murdering Edgar Ferrell (Paul Cavanaugh)--and the only witness to the crime happens to be the blackmailing girl. This episode is based on The Case of the Vagabond Virgin, a 1940 novel by Perry Mason creator Erle Stanley Gardner (the title was, of course, altered to satisfy the CBS censors!) In 1965, the same novel would be refilmed, with variations, as "The Case of the Golden Bears." ~ Hal Erickson, Rovi

Coming off of a hit New York gig, successful rock & roll crooner Arnie Haines (Alan Dale) realizes he and his bandmates are weary from the grind of two years of steady gigs. They tell their manager (DJ Alan Freed, playing himself) they're taking a break and return to the small town where they started, Mellonville (state unspecified, but it looks like central Pennsylvania). Upon arriving, however, Haines finds himself denounced by the mayor (Pierre Watkin) as a bad influence on the teenagers and banned from any public performances. That would suit him fine -- he and the boys wanted the summer off -- but their local teenage fans can't abide the repressive atmosphere, and then nationally syndicated columnist Arlene MacLaine (Fay Baker), visiting Mellonville, attacks Haines and rock & roll in her column, threatening the whole music business. Arlene's comely daughter, Francine (Patricia Hardy), urges Arnie to fight back and convince her mother that rock & roll is harmless fun. Toward that end, with help from the sympathetic mayor (George Cisar) of the next town, Arnie and Freed organize an all-star show that includes Little Richard, the Treniers, and Bill Haley & His Comets. Everything goes according to plan until one petty, jealous girl (Jana Lund) nearly starts a riot when Arnie rejects her advances. Then it's up to Francine and her acting troupe friends to help Arnie and Alan Freed make one last pitch for rock & roll. Though Don't Knock the Rock has more plot and characters than most movies of this type, and it did reflect an actual serious controversy that was growing at the time (and not just in the South), it is really just lighthearted fun. Its real appeal lay in the singing and dancing, not only by some top rock & roll talent of the day (Bill Haley is great, Little Richard and his band are amazing, and the Treniers are dazzling), but also by the dancers portraying ordinary teenagers having fun. Photographer Ben Kline gets all of his camera angles spot on, so that the movie, though no classic, is a visual and musical delight a half century later. And just to show where the film's heart really lies, producer Sam Katzman and director Fred Sears (who were old enough to be "squares") replace "The End" at the final frame with a more nonchalant (and topical) "Dig You Later." ~ Bruce Eder, Rovi

Having forsaken westerns for detective melodramas in Dial Red O, William "Wild Bill" Ellliot continues in this vein in Sudden Danger. Elliot is cast as detective lieutenant Doyle, who at present is investigating the alleged suicide of a clothing manufacturer. Doyle suspects that the victim was murdered, and that the perpetrator was the dead man's blind son, Curtis (Tom Drake). Hoping to clear himself, Curtis begins searching for clues on his own, and by fadeout time he and Doyle have cornered the actual killer. Though obviously made in a hurry, Sudden Danger is elevated by better-than-usual scripting and a well-chosen supporting cast. ~ Hal Erickson, Rovi

A gangster is killed by a big man who pays no attention to bullets, and who leaves glowing fingerprints. Police scientist Chet Walker (Richard Denning) discovers that the fingerprints are radioactive -- as well as those of a dead man. We soon learn that this walking corpse was created by Dr. Wilhelm Steigg (Gregory Gaye); he's allowing secretly-returned deported gangster Buchanan (Michael Granger) to get revenge on those who were responsible for his conviction. Steigg removes part of the brains of recently-dead men, and replaces them with a device that allows them to control the body from a distance, like a robot; they can even see through the creature's eyes via television. Another atomic zombie kills the district attorney who convicted Buchanan, which leads Chet and his homicide detective friend Dave Harris (S. John Launer) to deduce that the killings are connected to the Buchanan case. Warnings are issued to other possible targets, but they're unable to prevent another death. The last two go into hiding. The movie concludes with a headline: "Creatures with the Atomic Brains Destroyed." This entertaining but cheesy little movie is completely unpretentious. Broad, surprisingly gruesome and well-paced, it's obviously aimed straight at the juvenile market -- and it hits it, too. A sterling artifact of its time: brisk, efficient and entertaining, even if it is awfully silly. ~ Bill Warren, Rovi

W. Lee Wilder, the prolific but markedly less talented brother of Billy Wilder, both produced and directed The Big Bluff. Handsome but unscrupulous John Bromfield comes into the life of beautiful and wealthy Martha Vickers. Knowing that she has only a year to live, Bromfield marries her, then settles back to wait for his inheritence. But then she begins showing signs of recovery, forcing the caddish Bromfield to radically alter his plans. The Big Bluff was scripted by Fred Freiberger, who later served as producer of Star Trek. ~ Hal Erickson, Rovi

Lucy (Lucille Ball) takes it upon herself to write a novel titled "Real Gone With the Wind." Ricky (Desi Arnaz), Fred (William Frawley), and Ethel (Vivian Vance) are none too pleased to find that Lucy has based her main characters on them ("Nicky Nicardo," "Ethel Nurtz," etc.), and they try to burn the manuscript, to no avail. Then, much to everyone's amazement, a publisher evinces interest in Lucy's masterpiece -- or at least that's how it seems to the euphoric Lucy. However, as often happens on this show, things don't quite turn out as expected. ~ Rovi

Metropolis is held in the grip of terror by the mysterious "Wrecker", who has been engineering a variety of disasters involving plans, trains and automobiles. The only clue to the Wrecker's identity is the sound of a bell heard during his radio warnings to the populace. Superman (George Reeves) finally figures out that the Wrecker is not a political terrorist, but actually a very clever criminal who is masterminding a massive insurance fraud--and in time-honored fashion, the culprit turns out to be the proverbial Least Likely Suspect. ~ Hal Erickson, Rovi

In this comical sci-fi adventure, two brave heroes take on a mad scientist and his legion of wicked aliens from the planet Ergo. Thanks to the efforts of the two brave fighters, Earth is saved again. ~ Sandra Brennan, Rovi