Beverly Washburn Movies
Amid the all-too-common stories of child performers who never made a happy transition to adult lives and careers, Beverly Washburn's career stands as one of the great success stories. Born in Los Angeles on Thanksgiving Day 1943, she made her uncredited screen debut in 1950, at age six, as the first victim of a plague-carrier in the thriller The Killer That Stalked New York. Even at that early age, she had a screen magnetism that shone through to audiences (and makes the death of her character, midway through the movie, a highly emotional moment for the viewer, despite taking place off-screen). The following year, she turned up (once more uncredited) playing the little girl who unknowingly entertains two visitors from the center of the earth in the feature film Superman and the Mole Men (1951), which introduced George Reeves in the role of Superman, and which was later re-edited into the two-part Adventures of Superman episode The Unknown People. She also had one great scene with James Stewart in Cecil B. DeMille's The Greatest Show on Earth (1952), and appeared in small, uncredited roles in George Stevens' Shane (1953) and Edward Dmytryk's The Juggler (1953), starring Kirk Douglas, which was notable as the first Hollywood film shot in Israel. The mid-'50s saw a sharp downturn in film production and mass layoffs at most of the studios, and for the next five years, Washburn primarily worked in television, on series as different as Dragnet and The Loretta Young Show -- where the young actress was part of the stock company for both series -- and The Jack Benny Show. Apart from being a very quick study and an appealing child, Washburn was also popular with producers and directors for her ability to cry on cue, which eliminated the need for many a retake. Her range and ability to memorize lines -- and not just her own, but those of the performers around her -- allowed her to take roles on numerous anthology shows and guest spots on series such as Father Knows Best, Fury, and Leave It to Beaver, and she was also one of the regular cast members on an earlier Barbara Billingsley series called Professional Father. In 1957, she returned to feature films by way of Walt Disney in the movie Old Yeller, playing Lisbeth Searcy, but a lot of her work remained confined to television, across a whole range of series, including anthology series, comedies, westerns, dramas, and crime thrillers, plus appearing as a sketch player in The Hollywood Palace, one of the live variety shows of the early/middle '60s.Washburn was unable to professionally break stride as she reached her early twenties, owing to her family's financial situation. Her father contracted a serious illness in the early '60s, and in addition to being unable to work, he required expensive medical treatments. Washburn actually went to court -- successfully -- to get the trust fund money her parents had started to put aside for her from age six released, in order to pay for her father's treatments. She remained busy throughout the 1960s, and among the many series in which she turned up was the original Star Trek. Fans will likely remember Washburn as Lieutenant Galway, the luckless crewmember who succumbs to the old-age-like radiation sickness encountered on planet Gamma Hydra 2 in the episode "The Deadly Years" -- though it must be conceded that the 20-second century hairdo she was forced to wear in that episode did not become her (making her look like a young Alice Ghostley) She also appeared in episodes of The Streets of San Francisco and Scarecrow and Mrs. King and was in the 2003 pilot to Las Vegas. Washburn was still working in 2009, and, indeed, in that decade had found herself participating in cult celebrations of one of the stranger feature films in which she ever appeared, Jack Hill's Spider Baby (1964). ~ Bruce Eder, All Movie Guide
- 1977
SFPD homicide inspector Robbins (Richard Hatch) falls in love with attractive public defender Susan Harper (Linda Kelsey). Unfortunately, the course of romance proves to be a bumpy one when Susan champions the cause of a murder suspect whom has been charged on the basis of prima facie evidence. Ultimately, Susan manages to spring the suspect, resulting in plenty of trouble for herself and Robbins. Prominent in the supporting case is character actor William Benedict, perennial Western Union delivery boy in many an A- and B-picture of the 1930s and 1940s. ~ Hal Erickson, All Movie Guide
- 1975
As is customary, Stone (Karl Malden) and Keller (Michael Douglas) are faced with a baffling mystery which they must unravel in the episode's alotted sixty minutes. The game is afoot the moment that the skeleton of a former convict is found during an excavation on Alcatraz Island. There's only one problem: this particular convict was supposed to have escaped from "The Rock" in the 1950s--and in fact, is still purportedly sending letters to his family! Featured in the cast are two seasoned veterans of radio's Golden Age: Paul Stewart and Virginia Gregg. ~ Hal Erickson, All Movie Guide
- 1973
Stone (Karl Malden) and Keller (Michael Douglas) are obliged to track down a perpetrator who under normal circumstances might have been the heroine of the story. Refusing to believe that her baby was stillborn, young mother Barbara Talmadge (Kity Winn) goes on a desperate search for her child, who has been spirited away by a crooked adoption agency. By the time the hapless Barbara catches up with the unwitting couple who have adopted her baby, she has already committed murder--and is willing to kill again if necessary! ~ Hal Erickson, All Movie Guide
- 1971
In this film, the Southern small-town life of two attractive twin sisters becomes much more interesting after they meet up with a traveling stranger. ~ Iotis Erlewine, All Movie Guide
This routine stockcar racing feature finds Grant Willard (Brian Donlevy) as the head of a racing team who desires to be first at any cost. He helps rookie driver Rick Bowman (Dick Davalos) break into the racing circuit. Their efforts are impeded by the villainous driver Hawk Sidney (Sid Haig), who battles the team at every turn on and off the track. Distaff interest is provided by Beverly Washburn and Ellen McRae, with professional driver George Washburn on hand to give the picture an authentic angle. ~ Dan Pavlides, All Movie Guide
- Starring:
- Brian Donlevy, Dick Davalos, (more)
- 1966
A comedy (?) of errors ensues when Gidget (Sally Field) agrees to accompany her friend Shirley (Beverly Washburn) when the latter heads out to pick up her first car. Thanks to unforeseen circumstances, Gidget ends up being driven around town in her pajamas by Shrley's parents. And thanks to a series typical sitcom misunderstandings, Gidget's dad Russ (Don Porter)--who had made her promise to tell him where she was at all times--jumps to the conclusion that his daughter has been kidnapped. Seen as Shirley's mom and dad are Jeff Donnell, who'd played the title character's mother in the 1961 theatrical feature Gidget Goes Hawaiian, and Paul Lynde, who would later show up as "The Gidge"'s father in the made-for-TV Gidget Gets Married. ~ Hal Erickson, All Movie Guide
- 1965
In this lighthearted variation on the "Lysistrata" theme, Gidget (Sally Field) and her female friends are of the opinion that men in their lives are taking them for granted. At Gidge's institigation, the girls stage a "date boycott" , which will remain in effect until the boys learn some proper manners. Originally scheduled to air on November 10, 1965, this episode features early appearance by future stars Barbara Hershey and Bonnie Franklin. ~ Hal Erickson, All Movie Guide
Exploitation titan Jack Hill, who went on to make such cult favorites as Switchblade Sisters, The Swinging Cheerleaders, and Foxy Brown, made his solo directorial debut with this fascinating, offbeat shocker. The three surviving children of Titus W. Merrye, who represent the end of his family's line, live in a dilapidated mansion where patient servant Bruno (Lon Chaney, Jr.) watches over the increasingly eccentric Virginia (Jill Banner), Ralph (Sid Haig), and Elizabeth (Beverly Washburn). All three Merrye siblings suffer from the same rare disease that felled their father and the other members of his family -- "Merrye Syndrome," a neurological ailment that begins to manifest itself at the age of ten, causing the brain to slowly decay and sending its victims into an alternately violent and infantile state. Bald, inarticulate Ralph is supposed to be a vegetarian, but "can eat anything he can catch," while Virginia, who seems to be in a perpetual dream state, imagines herself as a human spider and catches people in her "web" (a large net) and then kills them. While it might seem best to let nature to take its course and allow the family's sad legacy to die out, the Merrye siblings have two distant cousins, Emily Howe (Carol Ohmart) and Peter Howe (Quinn K. Redeker), who are interested in laying claim to the family mansion and any money remaining in the Merrye Estate. But not long after they pay a visit to Bruno, they start to have serious regrets about their decision to see the family. Shot in 1964, Spider Baby sat on the shelf until 1968, when it was briefly released as the second half of a horror double-bill on the drive-in circuit. But after it appeared on home video in the early '80s and was the subject of an enthusiastic essay in the book RE/Search: Incredibly Strange Films, the film began to develop a potent cult following and is now regarded as a minor classic of '60s horror. The film has also appeared under the misleading titles Cannibal Orgy and The Liver Eaters, as well as Spider Baby, or the Maddest Story Ever Told. ~ Mark Deming, All Movie Guide
- 1959
A few days before her wedding, wealthy Lisa Garrick (Pamela Lincoln) insists that her father move the ceremony out of the family's massive ballroom. It seems that, as a child, Lisa had a recurring dream in which, while standing in the middle of the ballroom, she was killed by a falling chandelier. Ultimately, and despite everyone's precautions, Lisa's premonitions come true--but not in the way that she imagined. This episode marks one of the first TV appearances by prolific character actress Julie Payne, daughter of film star John Payne)--as well as a guest spot by movie veteran Thomas B. Henry, perennial "general" in many a 1950s sci-fi/fantasy epic. ~ Hal Erickson, All Movie Guide
- 1959
Season three of Leave It to Beaver finds the Cleaver family living in a new house, the result of the series' production company moving out of Republic Studios and into their new stamping grounds at Universal. In the season opener, Wally (Tony Dow) is appointed chairman of his high school's blind date committee. Beaver (Jerry Mathers) gives Wally the business, insisting that the committee has been formed only to find boyfriends for girls who can't get them otherwise. Wally pooh-poohs this theory, but soon has cause to regret accepting the chairmanship when he is unable to match up anyone with Jill Bartlett (Beverly Washburn), the new girl in school. ~ Hal Erickson, All Movie Guide
- Starring:
- Beverly Washburn, Rusty Stevens, (more)
- 1958
Summer Love is a sequel to 1957's Rock Pretty Baby, with John Saxon repeating his role as aspiring musician Jim Daley. When his band is hired to perform at a summer resort, Jim falls in love with two girls: sweet Joan Wright (Judy Meredith) and not-so-sweet Erica Landis (Jill St. John). Meanwhile, Jim's buddy Mike (John Wilder) woos the band's pert vocalist Alice (Molly Bee). Also returning from Rock Pretty Baby are Edward C. Platt and Fay Wray as Jim's bewildered parents, Shelley Fabares as the appropriately yclept Twinkie Daley, and the inimitable Rod McKuen as funky band member Ox Bentley. Oh, and Troy Donahue also shows up, just in case there was any doubt as to when this film was made. ~ Hal Erickson, All Movie Guide
- Starring:
- John Saxon, Molly Bee, (more)
Based on the novel by Fred Gipson, Old Yeller is set in Texas in 1869. While his father is away on a cattle drive, 15-year-old Travis Coates (Tommy Kirk) takes over management of the family farm. Adopting a "strictly business" policy, Travis is irritated when younger brother, Arliss (Kevin Corcoran), adopts a frisky stray dog. But soon Travis is as fond of the dog as everyone else in the family; moreover, "Old Yeller" is an excellent watchdog. But while fighting off a mad wolf, Yeller is infected with rabies. Though Yeller seems unaffected at first, he eventually behaves so viciously that the disheartened Travis has no choice but to shoot the dog. A heart-to-heart talk between Travis and his returning father (Fess Parker), coupled with the adoption of a new pup, paves the way to an emotional but reasonably happy ending. Earning eight million dolalrs domestically on its first release, Old Yeller convinced Walt Disney to devote more and more time to live-action films and less time to animation -- which at the time was a sagacious business move. In 1963, Disney released a lesser sequel to Old Yeller titled Savage Sam. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy McGuire, Fess Parker, (more)
The Lone Ranger was the first of two Technicolor theatrical features based on the popular TV series of the same name. Clayton Moore and Jay Silverheels, stars of the video version, essay the roles of the Masked Rider of the Plains and his faithful Indian companion Tonto. This time around, our heroes take on evil rancher Reece Kilgore (Lyle Bettger), who hopes to become an all-poweful land baron by fomenting an Indian war. It is up to the Lone Ranger to keep the peace and to find out why Kilgore is up to what he's up to. To expedite this, the Ranger adopts a couple of clever disguises (though we never see his full face au naturel). Among the more novel aspects of the film is little Beverly Washburn as Lila Kilgore, the sweet, innocent daughter of the double-dyed villain. The nominal leading lady is played by Bonita Granville, who co-produced the film with her husband Jack Wrather. The Lone Ranger proved successful enough to warrant a sequel, The Lone Ranger and the Lost City of Gold (also 1956). ~ Hal Erickson, All Movie Guide
- Starring:
- Clayton Moore, Jay Silverheels, (more)
- 1954
In a scenario that could as easily be set in the early 21st century as in the mid-20th century, a married couple driving a moving van has been robbing the houses of vacationing homeowners, pretending to have been hired by the occupants to remove the furniture in their absence. Checking out several second-hand furniture dealers, Friday (Jack Webb) and Smith (Ben Alexander) gather enough evidence to set a trap for the clever thieves. This episode was adapted from the Dragnet radio broadcast of September 21, 1950. ~ Hal Erickson, All Movie Guide
The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no-frills tale with the outer trappings of an epic, forever framing the action in relation to the unspoiled land surrounding it. A.B. Guthrie Jr.'s screenplay, adapted from the Jack Schaefer novel, avoids the standard good guy/bad guy clichés: both homesteaders and cattlemen are shown as three-dimensional human beings, flaws and all, and even ostensible villain Emile Meyer comes off reasonable and logical when elucidating his dislike of the "newcomers" who threaten to divest him of his wide open spaces. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Jean Arthur, (more)
- 1953
A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide
- Starring:
- Kirk Douglas, Milly Vitale, (more)
Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Betty Hutton, Cornel Wilde, (more)
- 1951
Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Jane Wyman, (more)
- 1951
Superman, the comic-book "Man of Steel" created in 1938 by Jerry Siegel and Joe Shuster, made his feature-film debut in Lippert's Superman and the Mole Men. The story takes place in the small town of Silsby, where the local oil company is drilling what will become the world's deepest well. When the drillers reach the six-mile point, the results are astonishing: four subterranean Mole Men (Jack Banbury, Billy Curtis, Jerry Marvin and Tony Barvis) emerge from the well. Though basically harmless, the Mole Men are regarded as a threat by the citizens of Silsby, especially lynch-happy Luke Benson (Jeff Corey). Reporters Clark Kent (George Reeves) and Lois Lane (Phyllis Coates) arrive in town to do a story on the well. When Kent realizes that the Mole Men are in danger of falling victim to mob violence, he tears off his glasses and street clothes to become Superman. In this guise, he endeavors to rescue the Mole Men and to convince the townsfolk that blind prejudice is both stupid and dangerous. Rather mild by today's standards (the audience never gets to see Superman fly), Superman and the Mole Men served its primary purpose: to act as a theatrical pilot for the very popular Superman TV series, which also starred Reeves and (for the first season, at least) Coates. The feature film was later edited into two half-hour installments of the Superman series, and retitled "The Unknown People." ~ Hal Erickson, All Movie Guide
- Starring:
- George Reeves, Phyllis Coates, (more)
- 1950
A married team of diamond smugglers enter New York to fence their purloined gems unaware that the wife is carrying the highly contagious, deadly smallpox virus. The crooks ensconce themselves in a hotel without realizing that the wife's every move is being monitored by a Treasury agent. The husband directs her to stay put while he goes off on business. Actually he is going out to tryst with his conniving sister-in-law. Back in the room, the wife feels ill and so creeps out to see a doctor. The T-man loses her trail. The doctor doesn't recognize the dread disease until much later and so the woman is free to travel about leaving a trail of death behind her. Once again she is followed, but the agents have a hard time keeping up with her. Eventually she finds her husband and learns the truth. Not only has he been unfaithful, he and her sister are planning to abscond with the jewels. A struggle between man and wife ensues culminating in the husband's death. Afterward the woman goes to authorities and before succumbing to the disease, provides them with a badly needed list of those she contacted. ~ Sandra Brennan, All Movie Guide
- Starring:
- Evelyn Keyes, Charles Korvin, (more)
