Rutanya Alda Movies

"It's OK with me...." Applying his deconstructive eye to the "film noir" tradition, Robert Altman updated Raymond Chandler in his 1973 version of Chandler's novel, The Long Goodbye. Smart-aleck, cat-loving private eye Philip Marlowe (Elliott Gould) is certain that his friend Terry Lennox (Jim Bouton) isn't a wife-killer, even after the cops throw Marlowe in jail for not cooperating with their investigation into Lennox's subsequent disappearance. Once he gets out of jail, Marlowe starts to conduct his own search when he discovers that mysterious blonde Eileen Wade (Nina Van Pallandt), who hired him to find her alcoholic novelist husband Roger (Sterling Hayden), lives on the same Malibu street as the absent Lennox and his deceased spouse. As numerous variations on the title song play in unexpected places, Marlowe encounters a shady doctor (Henry Gibson), a bottle-wielding gangster (director Mark Rydell), and a guard aping Barbara Stanwyck (among other stars), before heading to Mexico to stumble onto the truth once and for all. ~ Lucia Bozzola, All Movie Guide

A former friend betrays a legendary outlaw in Sam Peckinpah's final Western. Holed up in Fort Sumner with his gang between cattle rustlings, Billy the Kid (Kris Kristofferson) ignores the advice of comrade-turned-lawman Pat Garrett (James Coburn) to escape to Mexico, and he winds up in jail in Lincoln, New Mexico. After Billy theatrically escapes, inspiring enigmatic Lincoln resident Alias (Bob Dylan) to join him, the governor (Jason Robards Jr.) and cattle baron Chisum (Barry Sullivan) requisition Garrett to form a posse and hunt him down. Rather than flee to Mexico when he can, Billy heads back to Fort Sumner, meeting his final destiny at the hands of his friend Pat, who, two decades later, is forced to face the consequences of his own Faustian pact with progress. With a script by Rudolph Wurlitzer, Peckinpah uses the historical basis of Billy's death to eulogize the West dreamily yet violently as it is desecrated by corrupt capitalists. Both Pat and Billy know that their time is passing, as surely as Garrett's posse knows that they are participating in a legend. Using familiar Western players like Slim Pickens and Katy Jurado, Peckinpah underscores the West's existence as a media myth, and he even appears himself as a coffin maker. Just as the bloodletting of Peckinpah's earlier The Wild Bunch (1969) invoked the Vietnam War, the casting of Kristofferson and Dylan alluded to the chaotic late '60s/early '70s present; the counterculture has little place in a corporate future. Also like The Wild Bunch, Pat Garrett was truncated by its studio; the cuts did nothing to help its box office. Key scenes, particularly the framing story of Garrett's fate, have since been restored to the home-video version. In this director's cut, Pat Garrett and Billy the Kid stands as one of Peckinpah's most beautiful and complex films, killing the Western myth even as he salutes it. ~ Lucia Bozzola, All Movie Guide

An aspiring actor leaves his home in Brooklyn for adulthood in Manhattan in Paul Mazursky's loosely autobiographical comedy-drama. In 1953, would-be thesp Larry Lapinsky (Lenny Baker) flees his hysterically clinging mother (Shelley Winters) for a $25-a-month (!!) apartment in bohemian Greenwich Village. Between Method-like acting classes, a movie audition (where he meets a posturing actor played by Jeff Goldblum), and work at a juice bar, Larry hangs out with a circle of archetypal Village eccentrics, including suicidal Anita (Lois Smith), womanizing poet Robert (Christopher Walken), and flamboyantly un-closeted homosexual Bernstein (Antonio Fargas), as he negotiates the pitfalls of love and sex with liberated girlfriend Sarah (Ellen Greene). The fallout over the group's ill-fated love affairs, and the Lapinskys' inopportune surprise visits, finally lead Larry to make peace with his past as he contemplates his future in Hollywood. Mazursky looks back to the 1950s as in such other 1970s films as American Graffiti, Grease, and TV's Happy Days, but his Greenwich Village life is less a time of lost pre-'60s innocence than a precursor of things to come. Sex, Larry jokes, may be serious, but it is also an omnipresent fact of life rather than something to be feared or repressed; love is the real problem. Even as Larry's friends strike various poses, they are all out to do their own thing as best they can. Critical response to Mazursky's nostalgia trip was mixed when the film was released, but the performances, particularly Winters, were admired. ~ Lucia Bozzola, All Movie Guide

One of several 1978 films dealing with the Vietnam War (including Hal Ashby's Oscar-winning Coming Home), Michael Cimino's epic second feature The Deer Hunter was both renowned for its tough portrayal of the war's effect on American working class steel workers and notorious for its ahistorical use of Russian roulette in the Vietnam sequences. Structured in five sections contrasting home and war, the film opens in Clairton, PA, as Mike (Robert De Niro), Nick (Christopher Walken), and Stan (John Cazale, in his last film) celebrate the wedding of their friend Steve (John Savage) and go on a final deer hunt before the men leave for Vietnam. Mike treats hunting as a test of skill, lecturing Stan about the value of "one shot" deer slaying and brushing off Nick's urgings to appreciate nature's beauty. As Mike ruminates post-hunt, the film cuts to the horror of Vietnam, where the men are captured by Vietcong soldiers who force Mike and Nick to play Russian roulette for the V.C.'s amusement. Mike turns the game to his advantage so they can escape captivity, but the men are permanently scarred by the episode. Steve loses his legs; Nick vanishes in the Saigon Russian roulette parlors. Mike returns alone to Clairton a changed man, as he rejects the killing of the deer hunt and finds solace with Nick's old girlfriend Linda (Meryl Streep). Disgusted by the antics of his male cohorts at home, Mike decides to bring Steve back from a veterans' hospital, and he returns to Saigon to find Nick. As Saigon falls, Mike discovers how far gone Nick is; the survivors gather in Clairton for a funeral breakfast, singing an impromptu rendition of "God Bless America." ~ Lucia Bozzola, All Movie Guide

In this thriller, a baby-sitter is terrorized by an anonymous telephone caller who turns out to be a particularly persistent serial killer. When a stranger calls to ask, "Have you checked the children lately?" teenaged sitter Jill Johnson (Carol Kane) is understandably spooked. After a series of increasingly creepy calls culminates in a request for "your blood...all over me," Jill learns from the police operator that the man is calling from inside the house. One narrow escape and two dead children later, the police capture British maniac Curt Duncan (Tony Beckley). Several years later, the killer escapes from a mental institution and plagues Tracy (Colleen Dewhurst), a hard-drinking New Yorker. Foiled by John Clifford (Charles Durning), the same cop who investigated the original case, Duncan sets his sights back on his original victim, Jill Johnson, who, now married and out to dinner with her husband, has left her own young children at home -- with a baby-sitter. When a Stranger Calls helped inspire Drew Barrymore's famous opening scene in Wes Craven's Scream. Kane, Durning, and director Fred Walton would return for 1993's TV-movie sequel, When a Stranger Calls Back. Beckley died a year after the original film's release. ~ Brian J. Dillard, All Movie Guide

Delving into the horrific history of the infamous Long Island haunted house, this prequel to 1979's popular chiller The Amityville Horror is loosely based on the DeFeo murders but is at heart a straightforward horror-exploitation film with an Exorcist twist. When the violently dysfunctional Montelli family moves into the rustic abode (claimed to have been built on an Indian burial ground), the standard haunted-house clichés (bleeding walls, swarms of flies, bubbling black goop) give way to a more direct demonic attack on the eldest son -- who develops an unhealthy interest in his nubile younger sister, followed by a much more lethal attraction to dad's shotgun. In a desperate attempt to purge the evil, the local priest tries to perform an exorcism...with unexpected results. ~ Cavett Binion, All Movie Guide

The excessive violence in this action thriller makes New York City look like the site of a civil war -- or rather, a nauseatingly uncivil war fought between factory workers allied with neighborhood citizens against their enemies: drug pushers and other low-lifes. At first the worker Eddie Merino (Robert Forster) refuses to join a vigilante movement, but when his wife is stabbed and his son killed by a Puerto Rican gang, Eddie eventually opts for his own right to kill. His decision is not allowed to come quickly, he is made to agonize a bit longer. When the gang leader (singer Willie Colón) who killed Eddie's son is caught and brought up for trial, he gets off with a suspended sentence because of a corrupt defense lawyer and an inept judge. Eddie attacks the judge in court and is sent to jail for contempt. When he gets out of jail, he becomes a vigilante, out to kill the guilty or those he sees as protecting the guilty in the death of his son. From then on, a non-stop bloodbath takes over as the star of the film. ~ Eleanor Mannikka, All Movie Guide

When a group of miners discovers a mysterious but delicious white substance bubbling up from the earth, a conglomerate markets the gooey, addictive fluff as a dessert in this tongue-in-cheek horror spoof from former NBC scriptwriter Larry Cohen. When a new product called "The Stuff" begins eating into the market share of traditional frozen desserts, the dairy industry hires former FBI agent Moe Rutherford (Michael Moriarty) to investigate the competition. With the assistance of deposed ice-cream magnate Chocolate Chip Charlie (Garrett Morris), Rutherford discovers that the substance is actually a sentient entity that takes over its victims' minds while eating away at their bodies from the inside. Meanwhile, young Jason (Scott Bloom) realizes that his family's strange behavior has something to do with the dessert product in their refrigerator that refuses to stay in its carton, and he launches a campaign to destroy the threatening confection. Soon Rutherford and Jason must team up with Nicole Kendall (Andrea Marcovicci), The Stuff's unwitting advertising mastermind, and Vietnam vet-turned-militia leader Colonel Spears (Paul Sorvino) to save America from its own sweet tooth. Sorvino and Moriarty would go on to co-star in NBC's hit police procedural, Law & Order. Icy-eyed As the World Turns hunk Brian Bloom appears alongside his brother, Scott Bloom. The Stuff's television connections also extend to cameos from Clara Peller, pitchwoman for the Wendy's "Where's the beef?" campaign, and Abe Vigoda of Barney Miller fame. Actresses Brooke Adams, Tammy Grimes, and Laurene Landon also appear in parodic commercials for the titular dessert. ~ Brian J. Dillard, All Movie Guide

Jimmy (Jim Youngs) is from a wealthy family and longs to be a professional soccer player in this plodding sports drama. His mother Georgia (Rutanya Alda) and father Nick (Peter Henry Schroeder) are opposed, believing Jimmy should focus on other endeavors. After he fails in his tryout with the New York Rockers, Jimmy travels to Brazil to learn from the soccer superstar Santos (Pele). Jimmy wins a spot on the team with a chance to play in the proverbial "big game." ~ Dan Pavlides, All Movie Guide

Black Widow bears no relation to the 1954 film of the same name--beyond its characterization of the female as the deadlier of the species, that is. Debra Winger stars as a federal agent who has sworn to bring Theresa Russell to justice. Ms. Russell has married several millionaires who have all died mysterious deaths, for which she has remained undetected because she has assumed a number of different identities. Ms. Winger is the only person in her department who suspects that all of the deceased millionaires' widows are the same person. Finally tracking down Russell, Winger finds herself inexorably becoming friends with the charming murderess. ~ Hal Erickson, All Movie Guide

Two teens just out of high school are the computer experts who run across a Soviet plot to steal the plans of a high-tech helicopter in this routine spy thriller. The Russians monitor the NASA launching pad from an offshore trawler. They recruit one of the local students to infiltrate the computers and monitor the top secret plans. Stock footage of rocket launches and military planes are included in this feature directed by Monte Markham, who also plays Colonel Mark Denton. Mostly the feature shows people at the computer and lacks the excitement of other films of the genre. ~ Dan Pavlides, All Movie Guide

Gross Anatomy is to medical school what Paper Chase was to law school, with perhaps a little less sobriety. Mathew Modine plays a blue-collar kid attending a posh school of medicine, where everyone--teacher and student alike--seems to be well above Modine's social strata. Perhaps as a reaction to the snobbery all around him, Modine behaves as irreverently as possible. Neither teacher Christine Lahti nor lab partner Daphne Zuniga finds Modine's what-the-hell act appealing, but both are fully aware that he is a talented young man with a brilliant future. The climax of the film lays it on pretty thick in defining Modine as an all-around good fellow despite his cheekiness (he even delivers a baby just before taking his finals!), but Gross Anatomy strives successfully to be a "feel good" movie--albeit brought ever so slightly down to earth by the death of one of the principal characters. ~ Hal Erickson, All Movie Guide

In this made-for-cable adaptation of Roderick Thorp's crime thriller, Peter Weller stars as a Hollywood cop whose murder investigation runs into a wall of police corruption. ~ Jason Ankeny, All Movie Guide