Sandra Warner Movies

Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. ~ Lucia Bozzola, Rovi

Stephanie Carew (Sandra Warner) hires Perry (Raymond Burr) to sue first-time novelist Deborah Dearborn (Zeme North) for libel, claiming that her own life was the basis for Deborah's lurid best-seller. Not long afterward, Stephanie is found drowned in her fresh-water swimming pool--and lest the police write her death off as accidental, the coroner points out that the victim has salt water in her lungs. Putting two and two together, the authorities arrest Deborah for the murder, whereupon Perry switches sides to defend the girl. Yes, that's a young, pre-Love Story Ryan O'Neal as John Carew, Deborah's boyfriend and the victim's stepson. ~ Hal Erickson, Rovi

Bearing traces of such earlier film offerings as The Great Gabbo and Dead of Night, the eerie Twilight Zone episode "The Dummy" was scripted by Rod Serling from a story by Lee Polk. Cliff Robertson stars as Jerry Etherson, a nightclub ventriloquist with a predilection for liquor and emotional problems. Weighing heavily upon Jerry is the fact that he feels threatened by his dummy Willy -- as well he should, since Willy seems to be doing all his talking on his own. Hoping to rid himself of his little nemesis, Jerry adopts a new wooden companion, Goofy Goggles, but Willy isn't about to be dismissed so easily. The supporting cast features future Gomer Pyle USMC regular Frank Sutton and perennial starlet Edy Williams. Stylishly directed by former actor Abner Biberman, "The Dummy" first aired May 4, 1962. ~ Hal Erickson, Rovi

Bungling courier Freddie Merkel (Tommy Noonan) dreams of creative success but always manages to botch things up at crucial moments. Shortly after destroying his motorcycle, he decides to become a songwriter. This gives con man Duke (Peter Marshall) the perfect opportunity for his latest scam, one that involves submitting Freddie's song to a contest. Unfortunately, a wind gust blows the finished piece away just before Freddie turns it in. The two scramble to catch the tune, but it ends up in the hands of a priest who is suddenly inspired to enter the contest himself. ~ Sandra Brennan, Rovi