H.B. Warner Movies

It is a tale known well, filmed many times over the years, but never better than this early black and white version from the MGM Studios, David O. Selznick producing. "It was the best of times, it was the worst of times"-- Charles Dickens juxtaposes England and France, George and Louis, tradition and revolution. One of the most beloved of Dickens' stories, finding not only countries and conditions compared, but also two individuals thrown up in stark contrast to one another: -- the dissolute barrister Sydney Carton (Ronald Colman) and the young, somewhat callow aristocrat Charles Darnay (Donald Woods), both in love with Lucie (Elizabeth Allan), daughter of a victim of the French Regime. Their lives intertwine until the violent revolution that overtook an entire nation engulfs them all as well.

Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.

Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.

Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.

There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide

In this dramatic adventure a shady lady becomes a spy for the Austrian intelligence agency and ends up involved with a man suspected of being a German spy. She only pretends to love him to discover the truth. The man she really loves is a young naval officer, but in order to serve her country, she must end her love affair. Later the counter-spy commits suicide to avoid detection, while at the same time, the woman is wounded. Though she only has a few months left to live, the officer marries her. His family objects because they think she has a venereal disease. ~ Sandra Brennan, All Movie Guide

Exiled from his own country during WW2, French filmmaker Leonide Moguy worked briefly in Hollywood, where he directed the patriotic thriller Action in Arabia. George Sanders stars as Gordon, an American newspaperman at large in Damascus. When a colleague is murdered, Sanders wants to find out why. He is helped along by glamourous secret agent Yvonne (Virginia Bruce), who is on the trail of a group of Nazi saboteurs. It turns out that the murder is tied in with a plan to destroy the Suez Canal in the name of Der Fuehrer. Though economically produced, Action in Arabia benefits from several rather spectacular-looking scenes of desert combat-most of these lifted from a never-finished 1933 filmed biography of Lawrence of Arabia. ~ Hal Erickson, All Movie Guide

The trials faced by the US Army when it first attempted to trade horses for tanks provides the basis of this actioner. The tale centers upon the love affair between an Army post commander's daughter and a young tank specialist who is trying to prove that the new technology is better than horses. The old soldiers disagree and a race upon a special course is arranged. ~ Sandra Brennan, All Movie Guide

Popular scenarist C. Gardner Sullivan uses India's Sepoy Rebellion as a backdrop for this tale of drug addiction and recovery. Dr. Robert Lowndes (H.B. Warner) works for the British East India service, and when he contracts an illness, he becomes a slave to morphine. Because of this, he loses not only his post, but also his girl, Betty Archer (Lola May), who marries Captain Guy Douglas (Wyndham Standing) instead. Dr. Lowndes winds up being a beggar on the streets of Cawnpore, but with the uprising of the Sepoys, he pulls himself together and rescues Betty from the turmoil. Her husband is conveniently killed in the riots, so she reunites with the regenerated Dr. Lowndes. ~ Janiss Garza, All Movie Guide

Amateur detective Peter Cornish (William Gargan) and dimwitted police inspector Killian (Paul Hurst) combine forces to track down a blackmailer. Cornish's interest in the case is more than professional: among those being blackmailed is pretty heiress Joan Rankin (Florence Rice). The case takes on a whole new coloring when the extortionist is murdered, and Joan falls under suspicion. On the other hand, the guilty party could be Nelson the butler (Wyrley Birch), who was being indirectly victimized by the dead man. For the most part, Blackmailer is played for laughs, presumably to keep the Hays Office from complaining that the picture was too morbid. ~ Hal Erickson, All Movie Guide

Born to Gamble was one of the more palatable efforts of M.H. Hoffman's poverty-row Liberty Films. The four protagonists are brothers who are "cursed" by their family's gambling bug. All four try to overcome the urge to speculate: only one, the youngest, is successful. Onslow Stevens plays both the lucky brother and his 19th-century riverboat-gambler ancestor. Born to Gamble was Americanized from British writer Edgar Wallace's novel The Greek Poropulos. ~ Hal Erickson, All Movie Guide

This typically wild-and-wooly entry in Paramount's "Bulldog Drummond" series gets under way when stiff-upper-lip Scotland Yard inspector Nielsen is kidnapped by master criminal Richard Lane (J. Carroll Naish). Ensconsed in his lavish jungle hideout somewhere in Africa, Lane wines and dines his captive as a prelude for his intended revenge against the good Inspector. As Bulldog Drummond (John Howard), his fiancee Phyllis (Heather Angel), his best friend Algy (Reginald Denny) and his valet Tenny (E. E. Clive) hack their way through the African foliage in search of Nielsen, Lane carries out his evil scheme by strapping the inspector to a pillar and preparing to release a ferocious, ill-fed pack of lions. Even if Nielsen should escape this peril, Lane has covered his bets by planting a time bomb in Drummond's private plane. Were it not for the fact that there were still three films to go in the "Drummond" series, one would be inclined to start worrying. ~ Hal Erickson, All Movie Guide

Though John Barrymore is top-billed in Bulldog Drummond's Peril, the aging matinee idol is consigned to the supporting role of Inspector Nielsen. Drummond is portrayed by John Howard; once more, he is on the verge of marrying the ever-patient Phyllis Clavering (Louise Campbell). And yet again, the ceremony is interrupted by a late-breaking crime. The villains this time are trying to steal synthetic diamonds. Bulldog Drummond's Peril was the 5th in Paramount's B-picture "Drummond" series. ~ Hal Erickson, All Movie Guide

This tale of two tugboats focuses upon the rivalries between two operators competing to win a major shipping contract. Meanwhile a tugboat office secretary and an ex-con who wants to go straight, fall in love. Tugboat Annie is put in charge of a child violinist. When a waterfront fire breaks out, the two warring captains join forces to put it out. ~ Sandra Brennan, All Movie Guide

Based on the play by Sidney Howard (of Gone with the Wind and Dead End fame), Christopher Bean is a showcase for the magnificent Marie Dressler. She plays Abby, the poor but proud housekeeper of a small-town doctor (Lionel Barrymore), his wife (Beulah Bondi), and their children. Years before the story proper begins, Abby had been a close friend of Christopher Bean, a local painter who was treated as a pariah by the community because of his drunken misbehavior. After his death, however, Bean was acknowledged as a genius, and his paintings became extremely valuable. One of Bean's best works is a portrait that he painted of Abby -- and she refuses to part with it at any price, despite the entreaties of her avaricious employers. Sadly, Christopher Bean was Marie Dressler's final film; she died of cancer not long after its completion. ~ Hal Erickson, All Movie Guide

H.B. Warner, so convincing as Jesus Christ in DeMille's The King of Kings, does a complete about-face in the early talkie Conquest. Warner plays James Farnham, a no-good rat who deserts his best friend during an expedition to the South Pole. He then accepts military honors for bravery that should have gone to his deceased friend, capping his misdeeds by claiming the dead man's sweetheart Diane Holden (Lois Wilson). When good-guy Donald Overton (Monte Blue) confronts Farnham with evidence of his skullduggery, Farnham tries to do the younger man in with a hammer. This time, however, Farnham pays for his perfidy -- undoubtedly to the dismay of the audience, who realized early on that H.B. Warner was the best actor in the picture. ~ Hal Erickson, All Movie Guide

An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide