David Warner Movies

Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, All Movie Guide

A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, All Movie Guide

Narrated by Vincent Price, this story is about a boy who goes to a Transylvanian Castle to learn about fear. This program is not intended for young children. ~ All Movie Guide

Wits and weapons clash in this 1981 epic chronicling a rebellion by Jewish Zealots against Roman rule. After Jerusalem falls to the Romans in 70 A.D., nearly a thousand Jewish rebels led by Eleazar ben Jair (Peter Strauss) withdraw to a mountaintop fortress 30 miles southeast of Jerusalem. There, fed by defiance and an unlimited supply of cistern water, they make their stand against Roman rule, now and then conducting surprise raids against Roman positions down below. Whenever the Romans retaliate, Eleazar goes them one better. He and his men burn grain supplies, poison wells and generally make life miserable for the Roman 10th Legion, encamped in the baking desert surrounding the fortress. Frustrated, the Roman general Cornelius Flavius Silva (Peter O'Toole) brings in a brilliant siege master, Rubrius Gallus (Anthony Quayle), to devise a way to breach the mountaintop stronghold. When Gallus begins construction of an earthen ramp up the mountainside, rebels rain down arrows on the Roman workers. Flavius then uses Jews from nearby villages to build the ramp. Meanwhile, Flavius makes several attempts to persuade the rebel Jews to surrender, promising they will live in peace and prosperity under Roman rule. But the Jews are adamant; they want only one thing: freedom, or, at the very least, limited freedom under a Roman-appointed Jewish governor. But after Roman Emperor Vespasian vetoes peace plans, the ramp continues to rise. When it is finished, the Romans pull a massive battering ram on wheels--another of Gallus's stratagems--up the ramp, and the stage is set for the final battle deciding the fate of the Jews. This film had at least three incarnations: as a 6-hour, 34-minute TV series in 1980, and then in trimmed-down versions in 1981 and 1984. Although the filmed-on-location Masada is based on history, parts of it are fictionalized. ~ Mike Cummings, All Movie Guide

It's H.G. Wells (Malcolm McDowell) versus Jack the Ripper (David Warner) in the fanciful Time After Time -- and, per the film's title, the chase extends from the 19th century to the 20th. Wells has built a time machine in his cellar, which the Ripper uses as a means of escape. Both men find themselves in 20th century San Francisco, and, after a period of adjustment, they make themselves at home. The plot takes a dark turn when the Ripper, disappointed that Wells' dreams of a Utopian future have not come to fruition, resumes his murderous activities. ~ Hal Erickson, All Movie Guide

The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, All Movie Guide

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, All Movie Guide

Following up 1975's Golden Bear-winning Overlord, director Stuart Cooper delivered this 1977 psychological thriller starring Donald Sutherland as contract killer Jay Mallory. When his wife goes missing, Mallory finds that his distress is starting to affect his work. The plot thickens when he begins to suspect that his latest assignment is connected to her disappearance. With a supporting cast headed up by Christopher Plummer and John Hurt, The Disappearance was written by Paul Mayersberg who would go on to pen the screenplay for Mike Hodges' critically acclaimed Croupier. ~ Matthew Tobey, All Movie Guide

Part of the "American Short Story" collection, this is an adaptation of a story by Stephen Crane. In this film, a traveller takes refuge in a hotel. However, he becomes concerned his life is in danger from others who are staying at the same hotel. The concept of fate is introduced as a guiding element of the story. ~ Sandra Brennan, All Movie Guide

Veterans and war-sympathizers get angry when a Canadian professor begins speaking out with his pacifist ideals shortly after World War II. The tension rises as threats and violence soon erupt. ~ All Movie Guide

Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, All Movie Guide

The musical Mr. Quilp was based on one of Dickens' grimmest works, The Old Curiosity Shop, which has as its highlight the death of its heroine. The principal character is a villain, a hunchbacked usurer who wishes to take over the business of an antique dealer. Anthony Newley plays the horrid Mr. Quilp, and is also responsible for the music. Mr. Quilp was produced by Readers Digest Magazine. ~ Hal Erickson, All Movie Guide