Anthony Warde Movies

Sombra, the Spider Woman is the feature-film abridgement of the 1947 Republic serial The Black Widow (which explains why a number of the listed actors had died by this film's listed year of release). The formidable Carol Forman stars as Sombra, whose fortune-telling establishment serves as a front for a vast criminal empire. Making things trickier for hero Steve Colt (Bruce Edwards) is the fact that Sombra is a master (or mistress) of disguise. Colt and plucky girl reporter Joyce Winters (Virginia Lindley) try to prevent Sombra from stealing the plans for a revolutionary atomic rocket engine. This is one serial in which the male actors are thoroughly overshadowed by the female leads. ~ Hal Erickson, Rovi

Thanks to the notorious gangland conference in Appalachian, New York, the word "Mafia" was on everyone's lips in 1959. Rushing to capitalize on this fact was the low-budget expose Inside the Mafia. Grant Richards plays a Lucky Luciano type who is about to return to the US after several years' deportation. Richards arranges for an upstate New York gangland meeting, where minor mob functionary Cameron Mitchell plans to depose big boss Ted DeCorsia. Mitchell also intends to murder Richards so that he can rule the Mafia unfettered. But Richards is still master of his own fate, and he guns down his competition during the gang conference before surrendering to the police. Inside the Mafia told the public little that wasn't already known, but the film served its purpose of cashing in on a "hot" title. ~ Hal Erickson, Rovi

Inspired in part by the true story of baseball great Ted Williams, who after serving in World War II was drafted to serve in the Korean War just as his baseball career was taking off, Strategic Air Command stars James Stewart as "Dutch" Holland, a star third baseman with the St. Louis Cardinals. "Dutch" served with distinction as a fighter pilot during World War II, and as the Air Force adds new B-36 and B-47 jets to their arsenal, they need experienced men to fly these new weapons in our atomic deterrent force, and Holland is called back to duty. He's not terribly happy about this development: he loves baseball, his team is doing well, and his wife Sally (June Allyson) is expecting a baby. But you can't fight Uncle Sam, and Holland becomes a reluctant but proud member of the S.A.C., where he and his fellow pilots man the jets that will be our first line of defense should the cold war turn hot. While Strategic Air Command's story hasn't dated well (and for a military drama, there's surprisingly little action), James Stewart and June Allyson make the most of their material, and the aerial footage remains impressive. ~ Mark Deming, Rovi

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires. ~ Hal Erickson, Rovi

H.G. Wells's War of the Worlds had been on the Paramount Pictures docket since the silent era, when it was optioned as a potential Cecil B. DeMille production. When Paramount finally got around to a filming the Wells novel, the property was firmly in the hands of special-effects maestro George Pal. Like Orson Welles's infamous 1938 radio adaptation, the film eschews Wells's original Victorian England setting for a contemporary American locale, in this case Southern California. A meteorlike object crash-lands near the small town of Linda Rosa. Among the crowd of curious onlookers is Pacific Tech scientist Gene Barry, who strikes up a friendship with Ann Robinson, the niece of local minister Lewis Martin. Because the meteor is too hot to approach at present, Barry decides to wait a few days to investigate, leaving three townsmen to guard the strange, glowing object. Left alone, the three men decide to approach the meterorite, and are evaporated for their trouble. It turns out that this is no meteorite, but an invading spaceship from the planet Mars. The hideous-looking Martians utilize huge, mushroomlike flying ships, equipped with heat rays, to pursue the helpless earthlings. When the military is called in, the Martians demonstrate their ruthlessness by "zapping" Ann's minister uncle, who'd hoped to negotiate a peaceful resolution to the standoff. As Barry and Ann seek shelter, the Martians go on a destructive rampage. Nothing-not even an atom-bomb blast-can halt the Martian death machines. The film's climax occurs in a besieged Los Angeles, where Barry fights through a crowd of refugees and looters so that he may be reunited with Ann in Earth's last moments of existence. In the end, the Martians are defeated not by science or the military, but by bacteria germs-or, to quote H.G. Wells, "the humblest things that God in his wisdom has put upon the earth." Forty years' worth of progressively improving special effects have not dimmed the brilliance of George Pal's War of the Worlds. Even on television, Pal's Oscar-winning camera trickery is awesome to behold. So indelible an impression has this film made on modern-day sci-fi mavens that, when a 1988 TV version of War of the Worlds was put together, it was conceived as a direct sequel to the 1953 film, rather than a derivation of the Wells novel or the Welles radio production. ~ Hal Erickson, Rovi

A good man tries to warn his daughter away from a bad man who has stolen her heart in this melodrama. Steve Latimer (William Powell) is a successful defense attorney who has gone out of his way to give his daughter Jean (Elizabeth Taylor) every advantage in life. However, Steve's generosity and open minded attitude begin to backfire on him when Jean decides to throw off her boyfriend, the solid and sensible Vance Court (Gig Young), in favor of Victor Ramondi (Fernando Lamas), a handsome but dangerous man with criminal connections whom Steve is representing. Steve tries to warn Jean away from Victor, but she remains undeterred, and accepts his proposal of marriage, even as the authorities tighten their grip on Victor and his crime syndicate. The Girl Who Had Everything was a remake of the 1931 Norma Shearer vehicle A Free Soul. ~ Mark Deming, Rovi

Surprisingly, the Paramount Technicolor actioner Hurricane Smith was not produced by the studio's Pine-Thomas unit (it sure sounds like one of their efforts), but instead by "outsider" Nat Holt. John Ireland plays the title character, a 19th-century mercenary stranded in the South Seas with his pals McGuire (Forrest Tucker) and Brundage (Richard Arlen). When slavetraders come calling, Smith and his confreres steal the traders' ship and head for Australia, in hopes of searching for buried treasure. To raise some quick money, the trio agrees to rent "their" vessel to scientist Gorvahlsen (James Craig), who brings Dr. Whitmore (Murray Matheson) and the doctor's half-Polynesian daughter Luana (Yvonne DeCarlo) along on a scientific expedition. It gradually dawns on Smith that Gorvahlsen and Whitmore are actually fortune hunters, hoping to claim the treasure for themselves. But which side is the lovely Luana on during the film's unending series of crosses, double-crosses and triple-crosses? ~ Hal Erickson, Rovi

In Storm Warning, Ginger Rogers stars as a model visiting relatives in an unnamed small town. She happens to witness the beating death of a man at the hands of the KKK. Rogers soon discovers that the whole town is controlled by this vigilante group, and that her loutish brother-in-law Steve Cochran is one of the group's members. D.A. Ronald W. Reagan is the man who breaks the stranglehold of the hooded terrorists--through the simple expedient of walking into one of their meetings and calmly identifying each of them by name. ~ Hal Erickson, Rovi

"Suggested" by James Oliver Curwood's novel The Gold Hunters, this low-budget Monogram release was the first film in a series of seven "Northwest" adventures to team former Universal cowboy Kirby Grant and a beautiful white malamute named Chinook. Grant played Bob McDonald, a mountie shot in the leg during a confrontation with a gang of bank robbers. One of the robbers, Jim Blaine (Bill Edwards), was forced into participating by his prospector father Matt (Guy Beach) and is now being held hostage by the gang. With his dying breath, Matt besieges Bob to rescue his son but the injured mountie instead sends his faithful dog, Chinook. The clever pooch manages to free Jim and Bob is nursed back to health by Marie LaRue (Suzanne Dalbert), the daughter of the saloon owner (Dan Seymour). Admitting to holding the loot from the bank heist, Jim then explains that the money was actually owed his father and that banker Dawson (William Forrest) is after the Blaine gold mine. With Chinook's help, Bob, Jim and the Larues set a trap for the villain,, who is consequently caught red-handed attempting to free his henchmen from the local jail. Although famed pulp-writer Curwood's name appears prominently in the credits, B-movie veteran Oliver Drake later admitted that it was he, not Curwood, who conjured up the story. No different from a host of low-budget Westerns despite its potentially colorful locale, Trail of the Yukon was directed by the prolific William Beaudine under the pseudonym of "William X. Crowley." ~ Hans J. Wollstein, Rovi

This action adventure centers on the attempts of the courageous Canadian cops to stop crooks from finding a fabulous hidden treasure. ~ Sandra Brennan, Rovi

In this entry in the long-running western series, Cisco and Pancho must clear the Kid's name after he is blamed for recent stagecoach robberies. In reality the robber is another disguised as the Kid. Meanwhile Cisco is captured by U.S. Marshals. Fortunately, he escapes them, captures the real crook, and clears his name. ~ Sandra Brennan, Rovi

In this melodrama a boxer-turned-minister counsels a troubled young fighter who is framed for murder after refusing to take a dive in an upcoming bout. ~ Sandra Brennan, Rovi