Michael Ward Movies

In Revenge of the Pink Panther, for the final time, the bumbling but impeturbable Inspector Clouseau (Peter Sellers) maddens his long-suffering boss Dreyfus (Herbert Lom), sharpens his wits and martial skills with his manservant Cato (Burt Kwouk) and foils the bad guys without ever having a clue about what he is doing. In the story, Clouseau allows a gang of drug racketeers to believe that he has been assassinated and dons a series of disguises as he travels all over the world in order to apprehend the culprits. He is assisted by Simone Legree (Dyan Cannon), the former girlfriend of the drug-lord Douvier (Robert Webber). Though it received a very mixed reception from critics, this, the sixth of the Pink Panther series, did very well at the box-office. Sadly, it was actor Peter Sellers' final Pink Panther performance before his death in 1980 (the later film, The Trail of Pink Panther was composed of outtakes from previous Pink Panther films). ~ Clarke Fountain, Rovi

Part of the "Carry On Series", this is a satire on the French Revolution in which Sidney James portrays the Black Fingernail, a rip-off Scarlet Pimpernel using double entendres and jokes of questionable taste and a wide variety of disguises to hid his identity. ~ Tana Hobart, Rovi

Though long defunct in the United States, the tiny production firm of Pathe continued churning out British programmers into the 1960s. Pathe's The Big Job stars Sidney James, Dick Emery and Lance Percival as a trio of none-too-bright bank robbers. Released from jail after 15 years, the intrepid trio makes a beeline for the location where they hid their stolen money. Uh, oh: the cash is squirreled away in a tree, and the tree has now been replanted in front of a police station. Thus, the "big job" of the title consists of the crooks' efforts to retrieve their swag without the Bobbies catching on. ~ Hal Erickson, Rovi

The seventh film in the long-running "Carry On" series (24 more were to follow), this chapter features Sidney James as Charlie, owner of the Speedee Cab Company. Business has been good for Charlie, so good that it's been a source of great aggravation for his wife Peggy (Hattie Jacques), who complains that he never spends any time with her anymore. When Charlie misses taking his wife out on their anniversary because he's busy with work, Peggy decides that she's had enough, and she fights fire with fire by starting her own taxi service, Glamcabs. Unlike the other cab companies in town, Glamcabs' fleet of drivers are exclusively beautiful women in skimpy uniforms, which not surprisingly makes them the taxi of choice for men in town. Glamcabs takes a big bite out of Speedee's business, which leads to an all-out war between Charlie and Peggy. The "Carry On" gang followed this with Carry On Spying; two more "Carry On" titles hit theaters before the end of 1964. ~ Mark Deming, Rovi

The "Carry On" gang take on employment agencies in this labored edition to the long-running comedy series. Sidney James is Bert Handy, who starts an employment agency by the name of "Helping Hands, Ltd." Bert proceeds to hire a bunch of loonies to do a collection of screwball jobs employers want done. As is usually the case, the employees make hash out of every assignment given to them. In fact, the agency is so unsuccessful that their landlord (Stanley Unwin) tries to have the business removed from his premises by raising their rent. But the landlord makes a deal with Bert that if his company can fix up an old house, they can have a 99-year lease on the property. Chaos ensues. ~ Paul Brenner, Rovi

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, Rovi

In this comedy, a common chemist lives up to his lineage (he's a direct descendant of Dr. Jekyll), and creates a concoction which changes him into a suave jewel thief. After pulling off a caper, the thief becomes his original self and then helps bring in a gang of robbers. ~ Sandra Brennan, Rovi

Norman Wisdom, Britain's much-funnier answer to Jerry Lewis, stars in Just My Luck. Wisdom plays a humble jewelry-store clerk who begins playing the horses, the better to raise enough money to buy a fancy gift for girlfriend Anne (Jill Dixon). Much to his surprise, Wisdom wins a fortune at the track: collecting the money, however, may not be as simple as he thinks. The funniest scene finds our hapless hero being trundled off to the hospital for a wholly unecessary operation; also good for laughs is a movie-house routine dominated by Carry On regular Joan Sims. Curiously, Just My Luck was bypassed by American distributors in favor of lesser Norman Wisdom vehicles. ~ Hal Erickson, Rovi

The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, Rovi

Ribald music hall comedian Frankie Howerd stars in the British laughspinner Jumping for Joy. Set in the rarefied world of dog racing, the film stars Howerd as trackboy Willie, who is unceremoniously booted from his job. Teaming up with con artist Jack (Stanley Holloway), Willie decides to get even by raising his own greyhound racer. Unfortunately, the dog Willie and Jack purchase has one paw in the grave. As our heroes nurse the pooch back to health, they are forced to spend their spare time keeping a narcotics gang at bay. The delightful harmonica score in Jumping for Joy is provided by American expatriate Larry Adler. ~ Hal Erickson, Rovi

Norman Wisdom made his third film appearance in the slapstick musical Man of the Moment. This time, Norman is a clerk in the British ministry who is forced to sub for an ailing delegate at a Geneva Peace Conference. In his usual bumbling fashion, our hero becomes intimately involved in the affairs of a tiny Pacific-island monarchy. As a result, the island's queen refuses to participate in any sort of negotiations unless Norman sits in at the proceedings. The nervous British government immediately bestows a knighthood on the hapless delegate. . .and then the fun begins, as several scurvy types try to kill off Norman and topple the Queen from her throne. Featured in the cast of Man of the Moment is Norman Wisdom's music-hall straight man Jerry Desmonde in a prominent but thankless role. ~ Hal Erickson, Rovi

In this crime drama an American is assigned to guard a US art exhibit in London to protect one of da Vinci's most priceless paintings, "Madonna and Child." A series of art thefts has put the museum officials on red alert and they anxiously await the painting's arrival. Unfortunately, the painting is stolen en route to the show and replaced by an imitation. The intrepid guard follows the thieves to a private gallery run by a wealthy criminal. The film contains some useful and interesting information on art forgeries. ~ Sandra Brennan, Rovi

This British crime drama is set in a supposedly haunted London theater and centers upon a producer who rents the building from its female owner to put on a show. She does so on the condition that no one unlock the dressing room where her husband was murdered years before. Later, the woman's son is murdered on stage. The police find clues that lead them to the mysterious locked room. ~ Sandra Brennan, Rovi