Megan Ward Movies

Pulitzer-prizewinning humorist Dave Barry's best-selling book detailing the curious habits of the male species comes to the screen in a fun-filled look at manhood throughout the ages starring Dan Marino, John Cleese, and author-turned-actor Barry. From the stone age to the modern age and everything in between, this revealing look into the mind of man looks into such deep-rooted male needs as the compelling need to memorize useless sports statistics and just how to handle that "quick" trip up to the hardware store. ~ Jason Buchanan, Rovi

Ray (James LeGros) has to defend Darwyn (Michael Ealy) and explain the shooting of Bobby Habib to his bosses, who are considering ending the operation and making an arrest immediately. Darwyn apologizes to Gayle (Melissa Sagemiller) for standing her up, but he is forced to continue to lie to her. Farik (Oded Fehr) tells the cell that their funding in Mexico has hit a snag, and because Darwyn and Christian (Alex Nesic) speak Spanish, he takes them down there with him to straighten things out. Farik has to deal with a drug dealer/gun runner/pimp named Felix (Eduardo Yáñez) who wants a much bigger cut of the profits, and knows exactly what Farik is using the money for. Darwyn is appalled to learn that Felix is kidnapping underage children to sell to depraved tourists, and demands that Farik put a stop to it. On returning to the U.S., Darwyn is intercepted by Ray, who tells him that the operation was going to be shut down until the bureau discovered the existence of two more potential cells in Washington and New York. ~ Josh Ralske, Rovi

Dentist Gus Sugarman is stabbed in the back of the head by a screwdriver while sitting in a crowded movie theater. Grissom (William L. Petersen) and Catherine (Marg Helgenberger) follow up two possibilities: that the killing was committed by an elusive red-headed woman and that Sugarman was not the intended victim. Elsewhere, the other CSI agents are stymied by the reams of contradictory evidence attending the death of teenager Timmy McCallum, whose badly beaten and bullet-ridden body was found in a warehouse where 100 rounds of ammunition were fired from every conceivable angle. ~ Hal Erickson, Rovi

Having created an empire on girly shows and skin flicks, Jim Mitchell and Artie Mitchell achieved mainstream success with Behind the Green Door (1972), one of only a handful of hardcore porn movies to do so. Brothers Emilio Estevez and Charlie Sheen star in the film about the life and troubled times of porn's dynamic duo. Opening with the 1991 fratricidal murder of Artie (Sheen) at the hands of Jim (Estevez, who also directs), the film flashes back to their father lecturing them on the importance of family. In 1967, while studying film at San Francisco State, Jim's professor (Peter Bogdanovich) upbraids him for including numerous leering shots of half-naked women in his student works. Soon Jim along with his brother, fresh out of the Army, starts a smut studio in an old warehouse. Their business takes off, and in no time they are being harassed by the police for obscenity. Along the way, the two hire former Ivory Snow model Marilyn Chambers, get married, and snort half of the cocaine in Bolivia. After the fleeting success of Green Door, their lives spiral into a drug-addled hell. Jim eventually bottoms out, but Artie, wracked by a profound inferiority complex, slides into cocaine dementia and begins to threaten Jim's family. Things eventually boil over, culminating in that bloody night in 1991. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi

During her first day at Ralph Lauren, Rachel (Jennifer Aniston) realizes that all the important business decisions are made by her smoking co-workers outside the building. To impress her new boss, Rachel feigns a tobacco habit -- with unexpected results. Meanwhile, Joey tries to use Ross' son Ben's commercial audition to promote his own career. And Monica (Courteney Cox) and Phoebe (Lisa Kudrow) clash over their preparations for Rachel's surprise party, resulting in a surplus of cups and ice. ~ Hal Erickson, Rovi

Casey (Peter Krause) announces his plans for an upcoming date, as required by Dana (Felicity Huffman) before the two of them can start a romantic relationship. Dan (Josh Charles), intrigued by Casey's date's unique name, asks if he can ask her out after Casey screws up the date. Natalie (Sabrina Lloyd) and Casey suspect that Dana may be a little jealous by this development, with Natalie going a step further and declaring that Dana's plan will most certainly backfire. Dana declares she is not jealous and begins focusing on a larger problem: The following night's broadcast is very short on content and needs about 40 minutes worth of material to fill it out. Meanwhile, Jeremy (Joshua Malina) is up for an industry award and is finding it difficult to write his acceptance speech. As he goes to a number of people for advice, he learns that he will not win the award and that his girlfriend Natalie has known the outcome for some time. ~ Ryan Shriver, Rovi

Traumatized by the death of her sister, who smashed through a loose railing and plummetted down a steep cliff, Carla Engel (Megan Ward) has developed a debilitating fear of heights. On the advice of a therapist, Carla joins a support group consisting of others suffering from acrophobia. Then, one by one, the members of the group are killed--each of them falling to his or her death. A bizarre coincidence? Or is someone deliberately, and literally, trying to literally push Carla completely over the edge? With the name Wes Craven in the film's title, that question virtually answers itself. Don't Look Down first aired October 29, 1998, on ABC. ~ Hal Erickson, Rovi

"El Rancho," a sort of punk rock Animal House, is the setting for this college drama. Five roommates live in this group house on the cusp of college graduation. Jack (a mohawk-wearing Ben Affleck) is an art major pining over his ex-girlfriend, while Rob (Sam Rockwell) fears domestication after graduation. The artist of a popular campus comic strip, Mickey (Vinnie DeRamus), is still too shy to talk to girls. Slosh (Vien Hong) is an A-student who gave up his education in favor of drinking and partying. The elder of the crew is Dennis (French Stewart), who, despite the wisdom and advice he offers to his younger housemates, is unaware of the less-than-academic attentions of his professor (John Rhys-Davies). The five consider whether they can postpone their lives to stay for one more year. The film missed the trend in Generation X films (Reality Bites, Singles, Kicking and Screaming) by a few years; as a result, the punk characters and soundtrack of this latecomer probably provide a more authentic atmosphere. The rowdy debauchery distinguishes itself through genuine honesty -- drinking and destroying furniture may not be the healthiest way to deal with youthful angst, but it is certainly popular. Spalding Gray, Matt Damon, and Matthew McConaughey make interesting cameo appearances. ~ Jonathan E. Laxamana, Rovi

The struggle of country music's mother-daughter duo The Judds is told in this made-for-television drama. Kathleen York stars as Naomi Judd (then known as Diana Judd) a single mother of two daughters, who turned to music as way to help positively influence her increasingly belligerent and rebellious eldest daughter Wynonna (then known as Christina). The movie chronicles Naomi's struggle to provide for her daughters (the youngest is actress Ashley Judd), the singing duo's rise from Nashville fame to national celebrity, the ups and downs that accompanied a working family relationship, and Naomi's eventual retirement from the music business. The movie was based on Naomi's autobiography Love Can Build A Bridge. ~ Bernadette McCallion, Rovi

The manic writing-directing comedy team of Tom Stern and Alex Winter (the latter of Bill & Ted's Excellent Adventure and Bill & Ted's Bogus Journey) followed up their deranged short-film collaborations and the short-lived MTV series The Idiot Box with this comic fantasy, which amounts to a virtual car crash of anarchic, mind-blowing weirdness. The brain-damaged plot follows self-centered sitcom actor Ricky Coogin (Winter), official spokesman for the E.E.S. (Everything Except Shoes) corporation, into the jungle-bound South American nation of Santa Flan. Coogin has been sent as an emissary on behalf of E.E.S. to placate the media uproar over a substance called Zygrot-27, a chief ingredient in many E.E.S. products which has been decried as a fatal environmental toxin. Accompanied by his friend Ernie (Michael Stoyanov) and environmental activist Julie (Megan Ward), Ricky takes a detour into the jungle to a bizarre amusement park overseen by bombastic barker/inventor Elijah C. Skuggs (Randy Quaid), who specializes in the display of "Hideous Mutant Freekz" (the film's original title). The trio soon discover that Skuggs manufactures his oddities himself, and they find themselves at the mercy of his hideous freakmaking factory -- which coincidentally uses Zygrot-27 as a catalyst. Once he has the hapless heroes strapped down, Skuggs reveals his intention to transform Coogin into an evil mega-freak who will destroy all the others in a slam-bang, standing-room-only closing event. Miffed at the notion of sustaining an acting career as a spine-covered, pus-gushing monster, Coogin joins a rebellion within Skuggs' captive stable of other man-made freaks -- whose ranks include such monstrosities as effete human worm; a bearded lady (Mr. T in a frilly dress); a man with a sock-puppet for a head (voiced by Bob Goldthwait); and Ortiz the Dog-Boy (an uncredited Keanu Reeves). Their plans to turn Ricky into a zygrot-powered superhero go astray, however, leading to a hilariously apocalyptic finale. Doomed to home-video status by lethargic distribution from Twentieth-Century Fox, this unappreciated gem deserves a second look; packed with hilarious visual gags, ultra-gross setpieces and body-function jokes, Freaked is a hallucinogenic funhouse of a movie. ~ Cavett Binion, Rovi

A clueless caveman meets his intellectual match in the form of Pauly Shore in this teen-oriented comedy. Dave Morgan (Sean Astin) is a high school student in Encino, California, where he spends most of his time with his dazed-and-confused buddy Stoney Brown (Shore) and tries to figure out why his girlfriend Robyn (Megan Ward) left him for thick-headed jock Matt (Michael DeLuise). Hoping to boost his low status in the High School pecking order, Dave wants to put in a swimming pool at his family's home for a massive post-prom party. While Dave and Stoney are digging the pit, an earthquake strikes that unearths a frozen caveman (Brendan Fraser). To Dave and Stoney's surprise, the frozen Neanderthal soon comes to life, and after a bath, a shave, and a new set of clothes, the boys are passing off their dim-witted-but-friendly companion "Link" as an exchange student from Estonia. Link soon becomes the most popular guy at school, and Dave is determined to use Link's social success as a way to win back Robyn and foil Matt. Encino Man marked the directorial debut of Les Mayfield, who previously produced the critically acclaimed documentary Hearts of Darkness: A Filmmaker's Apocalypse. ~ Mark Deming, Rovi

Eschewing any connection with previous installments of the creatively strip-mined Amityville saga, this film is actually derived from one of a series of novels by John G. Jones and focuses on a mantle clock from the original Long Island horror-house which serves as a vessel of supernatural evil. A real estate developer (Stephen Macht) purchases the clock in Long Island and brings it home to California, where it promptly anchors itself to the wall and begins to exert a nightmarish influence on the house and its inhabitants. As creepy phenomena and violent behavior run rampant through Macht's family, the occultist neighbor (Nita Talbot) begins to take notice -- but is killed in a freak accident shortly after discovering the secret of the clock's Satanic history. In a twist that echoes the original Amityville Horror, Macht succumbs to the clock's evil influence and turns on his family, just as his scale-model of a planned development is transformed into a block of very familiar-looking houses. Tony Randel's direction is remarkably restrained, allowing the horror to unfold gradually until the final act, where he pulls out all the stops in a style reminiscent of his earlier Hellbound: Hellraiser II. The script makes a valiant attempt to breathe new life into a long-dead franchise, but many interesting subplots fail to develop beyond their sketchy origins. The creepy inner workings of the clock are reminiscent of the ancient machinery of The Church or the vampire-bug-machine of Guillermo del Toro's Cronos, but little is done to explain their origins. ~ Cavett Binion, Rovi

Set in the year 2030, the film concerns a rebel movement led by Lathan Hooks (Ralph Waite), who is dedicated to the riddance of the conservative corporate machine which rules America. ~ John Bush, Rovi