Jay Ward Movies

George of the Jungle was a 1967 Saturday morning cartoon series produced by Jay (Rocky and His Friends) Ward. Each of the series' 16 episodes contains three component cartoons. The first stars the titular George, a lamebrained Tarzan type who lives in a tree (a fact he invariably forgets) in the Imgwee Gwee valley. George's mate--"that funny-lookin' fella who never shaves"--is the voluptuous Ursula; his best friend is Ape, an erudite simian who sounds like Ronald Colman. The star of the second cartoon component is Super Chicken, aka Henry Cabot Henhouse II. Whenever he drinks his special super sauce, the feathered Henhouse transforms into do-gooder Super Chicken, aided and abetted by his bethumped lion assistant Fred ("You knew the job was dangerous when you took it!") The final component stars straight-arrow race- car whiz Tom Slick, together with his faithful girlfriend Marigold, his crusty grandma Gertie Growler, and his souped-up vehicle, the Thunderbolt Grease Slapper. Though maintaining the same high, hilarious standards of Jay Ward's other projects, George of the Jungle was a relative failure when it first ran on network television. A strong cult following has since grown around the property, and as a result several selected George installments have been preserved for posterity on home video. ~ Hal Erickson, Rovi

Former president Ronald Reagan may have genuinely believed that he was referring to a real-life act of selfless wartime bravery whenever repeating his "We'll bring this one down together" anecdote. In fact, he was merely quoting a scene from the above-average World War 2 drama A Wing and a Prayer. The setting is an American aircraft carrier, overseen by tough, unserving flight officer Don Ameche. When casualties begin piling up, the pilots blame Ameche, accusing him of being an indiscriminate butcher. Only when the tide of battle turns in favor of the Allies do the pilots realize that Ameche has been right all along. Director Henry Hathaway spent several weeks aboard an actual aircraft carrier, filming genuine combat scenes. Many of these authentic sequences appear as background footage in A Wing and a Prayer; sometimes the process work is convincing, sometimes it isn't, but please remember that this film was made long, long before the advent of computer technology. Dana Andrews, William Eythe, Richard Jaeckel, Harry Morgan (billed as 'Henry Morgan' here), Richard Crane, Glenn Langan, Reed Hadley and Bob Bailey are among the ready, willing and able Fox contractees appearing in A Wing and a Prayer. ~ Hal Erickson, Rovi

Though its purely propagandastic aspects are never far from surface, Destination Tokyo must rank as one of the most intelligent and objective of wartime thrillers. Cary Grant is a tower of strength as Captain Cassidy, skipper of an American submarine bound for Tokyo harbor. Its mission: to allow a Navy meterologist to survey Japanese weather conditions, in preparation for a major Allied assault. Many of the individual incidents in Delmar Daves' script are based on fact, notably an episode in which a pharmacist's mate is called upon to perform an emergency appendectomy. Admittedly, some of the secondary characters are WWII stereotypes, but they're never played that way. Particularly good isDane Clark, in his first important screen role; also registering well as a radio man is John Forsythe, in his first screen role ever. From the sub's embarkation in San Francisco to its climactic retreat from Japan, there's not a single solitary dull moment in the 135 minutes of Destination Tokyo. ~ Hal Erickson, Rovi

If you're wondering what Citizen Kane might have looked like had it been produced by MGM, we submit for your approval Keeper of the Flame. War correspondent Spencer Tracy is assigned to write the life story of a recently deceased super-patriot. One would suppose that the much-beloved decedent's life would be an open book, yet his widow Katharine Hepburn refuses to release any details concerning her late husband. Tracy gains Hepburn's confidence, and she agrees to help him with his article. Several curious incidents lead Tracy to believe that Hepburn was in some way responsible for her husband's death. While this is not entirely the case, Tracy stumbles upon a truth that has been carefully hidden from the public by the dead man's "damage control" people. Adapted by Donald Ogden Stewart from a novel by I. A. R. Wylie, Keeper of the Flame is perhaps the most dour of the Tracy/Hepburn vehicles; those expecting the usual battle-of-the-sexes repartee between the two stars would be better off with Adam's Rib or Pat and Mike. ~ Hal Erickson, Rovi

In this drama, a New York physician takes a much-needed vacation down South. Unfortunately, he encounters a nurse working in the backwoods and ends up helping her to combat an epidemic that rages through the mountain communities. The doctor she works for prefers traditional herbs to modern medicine. At first the locals resent the big city doctor's intervention, but when he stops the scourge, they change their opinions. ~ Sandra Brennan, Rovi

This eighth (and final) entry in 20th Century-Fox's "Mr. Moto" series once again stars Peter Lorre as J. P. Marquand's resourceful and unfailingly polite Japanese detective. When American archeologist Howard Stevens (John King) recovers the ancient crown of the Queen of Sheba, the priceless artifact is shipped to the San Francisco Museum. Ostensibly on vacation, Mr. Moto shows up in Frisco to guard the crown from a notorious master thief, whom everyone assumes is dead. Using a variety of disguises, the very-much-alive thief succeeds in pilfering the crown-only to discover that Moto has remained three steps ahead of him throughout the film. Without revealing the villain's identity, it can be noted that the supporting cast includes such "usual suspects" as Lionel Atwill, Joseph Schildkraut, Victor Varconi, G. P. Huntley and Morgan Wallace, all of whom look incredibly guilty. ~ Hal Erickson, Rovi

A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, Rovi

Adapted by Sonya Levien and Sam (S. N.) Berhman from a play by Rachel Crothers, As Husbands Go charts the romantic misadventures of Lucille Lingard (Helen Vinson). Slightly bored by her marriage to businessman Charles Lingard (Warner Baxter), Lucille vacations in London, where she nearly has an affair with an upper-class twit named Ronald (G. P. Huntley Jr.). Returning home, Lucille assumes that she can forget all about her brief and desultory fling. That's when she discovers that Ronald and her husband Charles are now fishing companions! Mostly filmed on location in Iowa, As Husbands Go originally ran 80 minutes, but was hastily pared down to 65 minutes after a disastrous sneak preview. The biggest laughs are earned by Warner Oland, briefly shedding his "Charlie Chan" screen image to play an elderly European roue. ~ Hal Erickson, Rovi

Guy Kibbee trots out his small-town blowhard routine in the title role of Big Hearted Herbert. He plays a former plumber who strikes it rich in the bathroom-fixture manufacturing business (guess which fixture we don't see in this Post-Code film). A stingy soul, Kibbee prefers the company of pinchpennies like himself. Though it's fun to see him tweak the noses of the local big spenders, Kibbee learns the error of his strict parsimony when his wife requires an emergency operation. Based on a play by Sophie Kerr and Anna Steese Richardson, Big Hearted Herbert was remade in 1940 as Father is a Prince. ~ Hal Erickson, Rovi

Previously filmed in 1923, Zane Grey's To the Last Man manages to pack plenty of A-level production values into what was essentially a B-picture budget. In the years following the Civil War, Kentucky man Lynn Hayden (Randolph Scott) moves his family to Nevada, partly to start life anew, but mostly to leave behind the bloody family feud between the Haydens and the Colbys. This, alas, is not to be: once in Nevada, Hayden lands in the middle of a war between cattlemen and sheepherders -- a war involving the same two families. The film's title is grimly accurate: virtually no one is left standing at the end of the film. The superb supporting cast includes Esther Ralston as heroine Ellen Colby (seen to excellent advantage in a semi-nude swimming sequence!), Jack LaRue and Noah Beery Sr. as the slimy villains, and Shirley Temple in a small part. In addition to its many other plusses, To the Last Man introduces a novel method of billing the actors: each player is introduced by name as he or she appears on-screen. ~ Hal Erickson, Rovi

Famous author Kenneth Bixby (Warren William) would like to jump-start his romance with ex-sweetheart Julie (Genevieve Tobin). There are, however, at least two people who'd prefer that Bixby stick to writing and stay away from Julie. One is Julie's husband Harvey Wilson (Hugh Herbert); the other is Bixby's loyal secretary Anne (Joan Blondell), who's been carrying a torch for her boss for years. It all winds up in a cross-country chase, with everybody suspiciously tailing everybody else. Based on a play by George Haight and Allan Scott, Goodbye Again was dutifully remade under a different title by the Warner Bros. "B" unit in the early 1940s. ~ Hal Erickson, Rovi