John Warburton Movies

Assault on a Queen is a complex, exciting crime-caper film in which a gang of clever mercenaries try to rob the famous luxury liner, the Queen Mary. Mark Brittain (Frank Sinatra) is hired by wealthy Italian adventuress Rosa Lucchesi (Verna Lisi) and her German partner-in-crime, Eric Laufftiauer (Alf Kjellin) to refurbish a WWII German U-Boat and use it to hold the entire ship hostage while it is robbed. Scriptwriter Rod Serling does his best with an interesting, but rather implausible premise, and director Jack Donohue gets above-average performances from his cast of veteran character actors, including Richard Conte and Reginald Denny, but Frank Sinatra is not particularly believable as an action hero. The true star of the show is the terrific color photography of the magnificent ocean liner by William Daniels and a musical score by Duke Ellington. While Assault on a Queen fails to generate much suspense, fans of Frank Sinatra should enjoy this, although it fails to reach the level of fun and excitement of his excellent Ocean's 11. ~ Linda Rasmussen, All Movie Guide

Way back in 1942, the ex-husband of Angela Fernaldi left her baby at an orphanage. Twenty years have passed, and now Angela is extremely wealthy--and two girls, both named Maureen, are claiming to be her daughter in order to collect a $200,000 trust fund. One of the two, Maureen Thomas (Melinda Plowman), ends up being chaged with the murder of Bert Renshaw (Jesse White), who supposedly had evidence proving that the "other" Maureen (Eileen Janssen) was the real daughter. In his efforts to defend Ms. Thomas, Perry Mason (Raymond Burr) discovers that at least one of the principal players has provided the authorities with a false identity--but why? ~ Hal Erickson, All Movie Guide

In this drama, the eagerness of a rookie reporter gets him into deep trouble after he finds himself entangled with big city racketeers. ~ Sandra Brennan, All Movie Guide

The motivating factor behind City Beneath the Sea is an underwater treasure hunt. In 1692, an underwater earthquake sends the Jamaica city of Port Royal to the bottom of the Caribbean. Three-hundred-fifty years later, deep-sea divers Brad Carlton (Robert Ryan) and Tony Bartlett (Anthony Quinn) take the plunge near Port Royal, in hopes of recovering a million dollars in gold bullion that was lost in a modern-day quake. What Brad and Tony don't know is that their employer, steamship magnate Dwight Trevor (Karel Stepanek), doesn't really want the divers to find the gold. Trevor hopes to pull off a major insurance fraud, and has no qualms about killing his divers to get what he wants. Mala Powers and Suzan Ball provide the love interest, while plump Hawaiian entertainer Hilo Hattie offers some welcome comedy relief. ~ Hal Erickson, All Movie Guide

Tarzan (Johnny Weissmuller) goes on one of his occasional pro-ecological kicks in Tarzan and the Huntress. This time, the Lord of the Jungle runs afoul of an animal-trapping exposition headed by titular huntress Tanya (Patricia Morison). Not wishing to see his jungle friends packed in crates and shipped off to zoos, Tarzan does everything he can to discourage Tanya from seeking out specimens in his territory. The plot then goes off on a different tangent, as Tanya's unscrupulous partner Weir (Barton MacLane) conspires with aspiring despot Prince Ozira (Ted Hecht) to knock off the Prince's benevolent uncle, King Faroud (Charles Trowbridge). Tarzan saves the day by summoning his elephant pals to trammel the villains, but not before his mate Jane (Brenda Joyce) and his adopted son Boy (Johnny Sheffield) are placed in the usual deadly peril. ~ Hal Erickson, All Movie Guide

A Graham Greene novel was the source of the Warner Bros. espionage thriller Confidential Agent. Charles Boyer stars as Denard, a former concert musician operating as anti-Fascist secret agent in the Spanish Civil War. While negotiating with the neutral British for some much needed fuel supplies, Denard falls in love with gorgeous Rose Cullen (Lauren Bacall) Sympathetic to his cause, Rose helps Denard contend with such backstabbing villains as Contreras (Peter Lorre) and Mrs. Melandy (Katina Paxinou, who'd ironically won an Academy Award for her sympathetic potrayal in another Spanish Civil War drama, For Whom the Bell Tolls). Critics in 1945 liked Confidential Agent but trounced leading lady Lauren Bacall, suggesting that she was merely a pretty amateur who'd coasted to stardom via her associations with actor Humphrey Bogart and director Howard Hawks. At this point in her career, Bacall was inclined to agree with her detractors-though in time, she certainly proved them wrong. ~ Hal Erickson, All Movie Guide

Ingrid Bergman and Gary Cooper paired off again after For Whom the Bell Tolls (1943) with this overwrought melodrama based on the romance novel by Edna Ferber. Bergman plays Clio Dulaine, a beautiful half-Creole woman whose return to 1875 New Orleans from Paris creates a stir. Born out of wedlock, Clio's mother was a local woman who became pregnant by a wealthy, married landowner. Scandalized, his wife and family set about humiliating Clio's mother and even paid for Clio's voyage to France in an effort to get rid of the girl. Now Clio returns with a dwarf, Cupidon (Jerry Austin), and a maid, Angelique (Florence Robson) in her entourage. At the docks, Clio meets a handsome gambler from Texas, Colonel Clint Maroon (Cooper) and is smitten. To Clio's delight, their blossoming romance inspires calumny, but Maroon soon realizes that Clio is a gold digger. He departs for Saratoga Springs, where he is working on a venture involving the railroad. Clio follows him there, bent on marrying either Clint or his business partner, Bart Van Steed (John Warburton). Saratoga Trunk (1945) was exhibited to servicemen overseas in WWII for two years before it was released to the general public. ~ Karl Williams, All Movie Guide

The second of Laurel & Hardy's two MGM starring films, Nothing But Trouble casts Stan and Ollie as, respectively, an unemployed butler and chef. Despite their inherent ineptitude, there's a wartime servant shortage, so the boys are hired by flighty dowager Mrs. Hawkley (Mary Boland), who hopes to impress visiting dignitaries from the kingdom of Orlandia. While purchasing food for Mrs. Hawkley's dinner party, Stan and Ollie meet a likeable child named Chris (David Leland) - who unbeknownst to them is Orlandia's young monarch-in-exile King Christopher. The boy's uncle, Prince Saul (Philip Merivale), intends to assassinate Chris and take the throne for himself, so the bumbling twosome set out on an improbable rescue mission to save Chris from the Prince's evil clutches. ~ Hal Erickson, All Movie Guide

The White Cliffs of Dover is one of those overlong MGM wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. Based on a poem by Alice Duer Miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. Irene Dunne plays an American girl who, in 1914, falls in love with titled Englishman Alan Marshal. At the end of World War 1 in 1918, it is painfully clear that Marshal will not be returning from the battlefields. Remaining loyal to her husband, Irene vows to raise their child in England. Played by Roddy McDowell in his early scenes, Irene's son grows up to be Peter Lawford. At the outbreak of World War 2, Irene despairs at the thought of losing another loved one, but Lawford convinces her that his dad would have wanted him to answer his country's call to the colors. While working as a Red Cross volunteer, Irene finds that she must tend her own mortally wounded son. Unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. Like many films of its ilk and era, White Cliffs of Dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. Watch for a touching scene between Roddy McDowell and 12-year-old Elizabeth Taylor; 19 years later, lifelong friends Roddy and Liz would be playing mortal enemies in Cleopatra (1963). ~ Hal Erickson, All Movie Guide

The 1938 filmization of Myron Brinig's novel The Sisters stars Bette Davis, Jane Bryan and Anita Louise as Louise, Grace and Helen Elliot. The daughters of turn-of-the-century druggist Henry Travers and his wife Beulah Bondi, the Elliot girls all meet their future husbands at a 1904 ball in honor of President Teddy Roosevelt. Special emphasis is given the relationship between Louise and reckless, irresponsible newspaperman Frank Medlin (Errol Flynn). Feeling trapped by his marriage, Medlin turns to drink and philandering. When Frank eventually runs off to Singapore, Louise is too proud to hold her husband by informing him that she's pregnant. Caught up in the 1906 San Francisco earthquake (superbly conveyed with a single interior shot of a collapsing apartment), Louise wanders around dazedly until she finds shelter in an Oakland brothel (though it is not so specified). She loses her baby, but is consoled by her employer Ian Hunter, who falls in love with her. The original book ended with Louise giving up her unhappy marriage for a joyous relationship with her boss; the film ends with Louise being reunited with the suddenly sobered Frank (despite the protests of both Bette Davis and Errol Flynn). A prime example of Hollywood Soap Opera, The Sisters also yielded an amusing reel of outtakes, the best of which shows Bette Davis breaking up Errol Flynn by sighing "I've just had a baby in the ladies' room." ~ Hal Erickson, All Movie Guide

In this musical comedy, a woman runs a boardinghouse for washed up thespians. She puts them on their best behavior when her daughter comes for a surprise visit. It seems her daughter had no idea what her mother did for a living. When an aspiring writer asks for the daughter's hand, conflict ensues. Musical numbers include: "Love Is the Thing," "I Was Taken by Storm," "Let's Be Frivolous," and "Martinique." ~ Sandra Brennan, All Movie Guide

The only Academy Award winning picture for Fox Studios (in its pre-20th Century-Fox era), Cavalcade is a stately film adaptation of the pageant-like stage hit by Noel Coward. The film concentrates on the years 1901 through 1933, as seen through the eyes of an upper-class British family and its servants. Clive Brook and Diana Wynyard portray the "upstairs" Marryots, while Herbert Mundin and Una O'Connor represent the "downstairs" Bridges (the incidents and characterizations in Cavalcade are very, very close to those seen in the popular 1970s BBC series Upstairs, Downstairs). The triumphs and tragedies of both masters and servants are placed in context with the death of Queen Victoria, the Boer War, World War I, the Jazz Age, and the Depression. Both classes have their troubles with their children, what with their offsprings' predilection for opposing authority, marrying the wrong people, and dying at the least opportune moments. The film's highlight was also the most talked-about scene in the original play: newlyweds Edward Marryot (John Warburton) and Edith Harris (Margaret Lindsay), discussing their future while on their honeymoon cruise, reveal at the scene's fadeout that they've been standing in front of a life preserver bearing the name "TITANIC". On the whole, however, Cavalcade creaks a bit when seen today, and is best viewed from a historical perspective. ~ Hal Erickson, All Movie Guide

Warner Oland returns as wily, philosophical oriental detective Charlie Chan in this expensive-looking series entry. This time, Chan follows the trail of clues when a "respectable" Honolulu businessman sidelining in blackmail and other unsavory activities is murdered. Like the earlier Black Camel, the film was made virtually in its entirety in Hawaii, save for a brief expository scene in San Francisco. Alas, this is one of four "Chan" films that apparently no longer exist, but stills and existing publicity material indicate that it was an elaborate production, faster-paced than usual, with Heather Angel attractively garbed in a swimsuit in most of her scenes. A few outtakes of Charlie Chan's Greatest Case were preserved for a Fox Studios "blooper" reel, showing Warner Oland reacting in hilarious rage as he muffs his lines. ~ Hal Erickson, All Movie Guide