M. Emmet Walsh Movies
Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies.
Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.
Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.
As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. ~ Derek Armstrong, All Movie Guide
Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide
- Starring:
- Robert Redford, Yaphet Kotto, (more)
- 1979
The made-for-TV No Other Love stars Julie Kavner as a marginally retarded young adult. Sent to live in a hostel for the mentally challenged, Julie falls in love with similarly afflicted Richard Thomas Jr. Despite the misgivings of their families and the prejudices of outside world, Kavner and Thomas vow to marry. Cast as one of the hostel's directors is Norman Alden, who'd played a retarded man himself in the 1965 theatrical feature Andy. No Other Love was originally telecast March 24, 1979. ~ Hal Erickson, All Movie Guide
- 1979
- PG
The "fish" in the title of this picture refers to the astrological sign Pisces. Not all of Pittsburgh is due to be saved, but the members of a third-rate NBA basketball team could sure use some salvation. When all the team members except for Moses Guthrie (Julius Erving) quit, astrologer Mona Mondieu (Stockard Channing) and streetwise Tyrone Millman (James Bond III) come to the rescue. The supporting cast includes Jonathan Winters in a dual role, as well as real-life basketball champs Meadowlark Lemon and Kareem Abdul Jabbar. ~ Hal Erickson, All Movie Guide
- Starring:
- Julius "Dr. J" Erving, Jonathan Winters, (more)
Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn't realize he's not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his feet to an easy listening tune on the radio, instead of a low-down blues. His mother (Mabel King) tells him he's white and Navin takes to the road (in a World War II bomber helmet and goggles) to start a new life in St. Louis. A filling station owner, Harry Hartounian (Jackie Mason), give Navin his first break, hiring him to pump gas. One day at the station, Navin has a brainstorm, concocting an invention called "The Opti-grab," a combination handle and nose-brace for eyeglasses. But Navin runs into trouble when a crazed killer (M. Emmet Walsh) picks out his name at random from the telephone book and tries to kill him. Navin escapes to a traveling carnival, where he wrangles a job as the "guess-your-weight" man. At the carnival, he discovers his sexual nature, thanks to stunt rider and S&M enthusiast Patty Bernstein (Catlin Adams). But Navin meets the beautiful Marie (Bernadette Peters) and he quickly falls in love. In the meantime, the "Opti-grab" has taken off and soon Navin is a millionaire. ~ Paul Brenner, All Movie Guide
- Starring:
- Steve Martin, Bernadette Peters, (more)
- 1979
The Gift was a Christmas 1979 TV-movie offering based on the semi-autobiographical book written in 1973 by Pete Hammill. Gary Frank plays the Hammill counterpart, a Brooklyn-born sailor about to be shipped off to the Korean War. Frank decides to use his 3-day pass to discover if his girl friend really loves him, if he can communicate at last with his troublesome parents, and if he can get his own life together before being sent into battle.
Julie Harris plays Frank's mother, while Glenn Ford portrays Frank's pugnacious, one-legged Irish dad. ~ Hal Erickson, All Movie Guide
Julie Harris plays Frank's mother, while Glenn Ford portrays Frank's pugnacious, one-legged Irish dad. ~ Hal Erickson, All Movie Guide
Paroled criminal Max Dembo (Dustin Hoffman) is compelled to withstand the calculated cruelties of slimy parole officer Earl Frank (M. Emmet Walsh). The more Max tries to go straight, the more he is defeated by circumstance or hectored by the sadistic Frank. It becomes clear after a while that neither Max nor his fellow ex-cons will be able to survive looking for legitimate work. Max is too "far gone" as a human being to succeed at anything other than crime. He goes back to his old thieving ways, inveigling reformed crook Jerry Schue (Harry Dean Stanton) into helping him. A climactic "big caper" goes tragically awry, thanks in great part to the tragic flaws in Max's personality. Based on a novel by Edward Bunker, Straight Time is possibly the most realistic cinematic probe into the sociopathic psyche of the career criminal. Famed theatrical director and instructor Ulu Grosbard directed, with an uncredited assist from star Hoffman; it was their second film together, after Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? ~ Hal Erickson, All Movie Guide
- Starring:
- Dustin Hoffman, Theresa Russell, (more)
- 1978
Loosely based on a true story this sudsy made-for-television courtroom drama tells the story of a rather hedonistic young divorcee who is accused of killing her own child. ~ Sandra Brennan, All Movie Guide
- 1977
Filmed primarily at NASA's Manned Space Center in Houston, the made-for-TV Red Alert is an apocalyptic "man vs. machine" spellbinder. A potentially dangerous explosion at a nuclear power plant near Minneapolis is fortunately kept under control. The huge plant-monitoring computer named Proteus concludes that the explosion was the result of wide-spread sabotage. Security-investigator William Devane concludes instead that only one saboteur was responsible-and that saboteur is trapped in the reactor room, which Proteus is programmed to protect. Devane races against time to find a way into the reactor room to prevent the saboteur from wreaking further havoc. First telecast May 18, 1977, Red Alert was based on Paradigm Red, a novel by Harold King. ~ Hal Erickson, All Movie Guide
Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Strother Martin, (more)
Stretching the Airport concept as far as it will go, this third film in the series sticks a jet full of old actors 50 feet underwater in the Bermuda Triangle. Oxygen (and credibility) grows short, and Jimmy Stewart plays an art collector targeted for a heist. Jack Lemmon is the unfortunate pilot, and Christopher Lee shows up along with Brenda Vaccaro, Joseph Cotten, and Olivia de Havilland. Jerry Jameson, auteur of The Bat People, was selected to helm this entry featuring that film's star, Michael Pataki. George Kennedy, the only man to appear in all four Airport films, is along for the ride as well. ~ Robert Firsching, All Movie Guide
- Starring:
- Jack Lemmon, Lee Grant, (more)
- 1977
Dear Inspector and Dear Detective were the English-language titles of Philippe De Broca's Tendre Poulet. Annie Girardot plays the old flame of Greek professor Philippe Noiret. The prof tries to rekindle the flames of passion, but Girardot seems curiously preoccupied. It turns out that she's a detective on the trail of a murderer. The film served as the basis for the 1979 American made-for-TV movie Dear Detective, starring Brenda Vaccaro and Arlen Dean Snyder. A DeBroca-directed sequel, Jupiter's Thigh, was filmed in 1979, again with Annie Girardot and Philippe Noiret. ~ Hal Erickson, All Movie Guide
- Starring:
- Annie Girardot, Philippe Noiret, (more)
- 1976
This time, undercover cop Tony Baretta (Robert Blake) goes behind bars to nab a master criminal. Posing as a convict, Baretta blends into the prison population in search of a minor-league jewel thief. His real target, however, is the genius who commandeered a huge jewel theft -- and ordered two brutal murders in the process. Guest stars include future Oscar winner Tommy Lee Jones and soon-to-be CHiPs star Erik Estrada. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Blake, Edward Grover, (more)
Nickey (John Cassavetes) is a small-time Jewish gangster in trouble with the mob. He calls on his lifelong friend Mikey (Peter Falk) for help. During the night the two spend together, the power of their friendship is undermined by their mutual nastiness and pressing financial concerns. Elaine May's script was allegedly taken from an episode in the life of her uncle. ~ Brian Whitener, All Movie Guide
- Starring:
- Peter Falk, John Cassavetes, (more)
The made-for-TV Invasion of Johnson County is based on a dark chapter in the history of Wyoming. As settlers pour in, a cartel of Wyoming cattle barons raise a private army to wipe the "interlopers" off the face of the Earth. Bostonian Bill Bixby teams with good ol' boy Bo Hopkins in warding off the villains. If the story for this TV movie strikes a familiar chord, it is because the same historical incident was used as the basis for Michael Cimino's 1980 megabomb Heaven's Gate. The principal differences: Heaven's Gate lasted three dreary hours, while Invasion of Johnson County zipped along at 100 rousing minutes; and while it didn't set fires in the ratings, at least Johnson County didn't destroy United Artists. ~ Hal Erickson, All Movie Guide
- 1976
- PG
Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, All Movie Guide
- Starring:
- Ryan O'Neal, Burt Reynolds, (more)
- 1975
The future of the Waltons' lumber business is jeopardized when, just after spending a huge sum of money for new equipment, John Walton (Ralph Waite) is stricken with pneumonia. Now that the head of the household is incapacitated, will John-Boy (Richard Thomas) give up his writing career and Jason (Jon Walmsley forsake his music scholarship in order to take over the business? Not if storekeeper Ike Godsey (Joe Conley) has anything to say about it! This is the final episode of The Waltons' third season. ~ Hal Erickson, All Movie Guide
- 1975
Margot Kidder guest stars as Terry Lake, the erstwhile girlfriend of small-time hood Danell (Nicholas Colasanto). A murder has been committed, and Tony Baretta (Robert Blake) is convinced that Danell is the guilty party. Protesting his innocence, the hoodlum is confident that Terry will supply him with an alibi -- but both he, and Baretta, are in for several surprises. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Blake, Dana Elcar, (more)
- 1975
The second and last TV pilot film to bear the Crime Club title, the 1975 Crime Club once again involves a state-of-the-art crime solving organization whose members are professional investigators from various public and private sectors. The principal characters are a detective (Scott Thomas), a reporter (Eugene Roche) and a criminal lawyer (Robert Lansing). The crime in question in this pilot concerned a social outcast who seeks public notoriety by confessing to a series of grisly ice pick murders. The three protagonists combine their brain power to solve the case, but their efforts failed to convince any network to pick up the project. Crime Club joined its 1973 predecessor in Universal's syndicated package of made-for-TV movies. ~ Hal Erickson, All Movie Guide
- Starring:
- Scott Thomas, Eugene Roche, (more)
- 1975
- G
Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Reynolds, Cybill Shepherd, (more)
- 1975
Fresh from her success in The Exorcist (and several years away from her tenure as queen of the women in prison flicks), Linda Blair stars in this searing TV movie. Sarah (Blair), a normal teenaged girl, begins drinking socially at high school parties. She soon finds that she can't stop--and even worse, she can't keep her boozing a secret. After a near-tragic baby-sitting episode, Sarah decides to attend Alcoholics Anonymous, but soon she's back on the hard stuff. Only when Sarah causes the death of a horse does she strengthen her resolve to remain "clean and sober." Sarah T: Portrait of a Teenage Alcoholic tempers the more sensational aspects of the subject matter with some unforgettably poignant vignettes--including the A.A. testimony of a boy who's even younger than Sarah. ~ Hal Erickson, All Movie Guide
- 1975
Though there's no love lost between Jim Rockford (James Garner) and fellow ex-con Moss Williams (Eddie Fontaine), Jim agrees to help Moss locate his missing girlfriend Maria Heller (Mary Frann). What Williams doesn't tell Jim is that he isn't interested in Maria but in the girl's pearl necklace--and that Edgar Burch (M. Emmet Walsh) the "insurance agent" who talked Jim into taking the case, is a phony. Stuart Margolin makes his first series appearance as Jim Rockford's troublesome former cellmate Angel Martin. ~ Hal Erickson, All Movie Guide
A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Anne Bancroft, (more)
James Toback made his screenwriting debut with this taut drama, loosely adapted from the story by Dostoevsky. Axel Freed (James Caan) is an intelligent and well-respected professor of literature at a noted New York university, who uses great writing as a springboard for examining moral and philosophical issues in his class. But when he's not in front of the chalkboard, Axel has a serious problem -- he's hopelessly addicted to gambling. Axel will bet on almost anything, and while he lives for the heady rush of winning, it doesn't happen all that often, and Axel's latest losing streak has put him in debt to his bookies to the tune of $44,000, more than a college professor could hope to pay in 1974. Even after tapping his mother (Jacqueline Brookes), his grandfather (Morris Carnovsky), and his girlfriend (Lauren Hutton) for cash, Axel still owes thousands to his bookie Hips (Paul Sorvino), who is quickly losing his patience with Axel, especially when he learns after he finally scored a major winning streak, rather than paying off his bills he used the money to keep gambling ... and lost it all, leading to visits from an increasingly threatening series of underworld "collectors." The Gambler also features supporting performances from Burt Young, James Woods, and M. Emmett Walsh. ~ Mark Deming, All Movie Guide
- Starring:
- James Caan, Paul Sorvino, (more)
