Eddy Waller Movies

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide

Director Frank Borzage and star Ginger Rogers both came acropper in the lavish but dull historical biopic Magnificent Doll. The usually ebullient Rogers seems encased in wax as Dolly Madison, first lady of the United States in the early 19th century. The story begins as young Washington socialite Dolly Payne, previously and unhappily wed to one John Todd (Horace McNally), can't make up her mind romantically between idealistic politician James Madison (Burgess Meredith) and firebrand Aaron Burr (David Niven). Burr solves that problem when he flees the country after killing Alexander Hamilton in a duel, leaving the field clear for Madison. What should have been the film's highlight, Dolly's rescue of the Declaration of Independence and the Constitution during the 1812 burning of Washington, is treated as a throwaway. Told in flashback, the film ends just before Madison's ascendancy to the White House, with Dolly chastely charming the current chief executive Thomas Jefferson (Grandon Rhodes). Magnificent Doll is anything but . ~ Hal Erickson, All Movie Guide

In this western, Red Ryder rounds up a gang of horse thieves who have been stealing cavalry horses. ~ Sandra Brennan, All Movie Guide

Lucille Ball stars as the wife of a war correspondent, anxiously awaiting her husband's return. Ball is convinced that hubby (George Brent) is looking forward to feminine companionship after four long years at the front. Imagine her surprise when it looks as though her husband wasn't quite as lonely as she'd thought--thanks to sexy combat photographer Vera Zorina. Ball files for divorce, but the outcome is tipped off by the title: the Lovers come back. Lucille Ball is merely decorative for the most part in this film, though she has one delightful comic scene involving an attempt to smoke a cigar. To avoid confusion with a 1962 Doris Day/Rock Hudson epic of the same name, Lover Come Back was retitled When Lovers Meet for television. ~ Hal Erickson, All Movie Guide

Avalanche offers an IRS man as a hero, meaning that there isn't much chance of this particular film being remade! Treasury agents Steve Batchellor (Bruce Cabot) and Red Kelley (Roscoe Karns) head to a mountain resort in the dead of winter to arrest a tax-evading businessman. Upon cornering their quarry, the two agents, along with everybody else at the resort, are trapped in the lodge by an avalanche. During their enforced stay, several murders occur, forcing Steve and Red to play detective. Stealing the show from the human actors is a live raven which carries empty shot glasses to the bartender (maybe the bird is the killer-who knows?) ~ Hal Erickson, All Movie Guide

With the profits of the Abbott & Costello films in decline, Universal decided to experiment with the comedians' standard formula. In both Little Giant and The Time of Their Lives, Bud Abbott and Lou Costello play separate characters, rather than the usual smart guy/dumb guy comedy team. In Giant, Costello is cast as farm boy Benny Miller, a would-be salesman who goes to work for the Hercules Vacuum Cleaner company. Almost immediately running afoul of crooked general manager Morrison (Bud Abbott), bumbling Benny is about to be fired when he is convinced by a bunch of practical jokers that he has the power to read minds. His newfound self-confidence enables Benny to become Hercules' top salesman, which delights branch manager Tom Chandler (also Bud Abbott), Morrison's cousin and principal rival. About to receive a salesmanship award, Benny falls into a trap laid by Morrison and his wife (Jacqueline de Wit), who conspire to discredit Chandler by exposing Benny as a fraud. Thoroughly disillusioned, Benny returns home, only to discover that not only is he still Hercules' fair-haired boy, but that he's also replaced Morrison as general manager. Written by Richard Collins and Paul Jarrico, Little Giant is hardly typical Abbott and Costello fare, though the film contains several characteristic comedy setpieces, including an interpolation of Abbott & Costello's classic "Seven Goes Into Twenty-Eight Thirteen Times" routine. Perennial Marx Brothers foil Margaret Dumont shows up in one of the better slapstick scenes. ~ Hal Erickson, All Movie Guide

A range feud once again took center stage in this average Sunset Carson B-western from assembly-line studio Republic. Believing that his father Andy (Eddy Waller) has been killed by the neighboring Sterling clan, Carson, to his relief, learns that the old man was only wounded in the attack. But as Andy relates the story of how the feud had begun, he is shot dead through the window by an unknown assailant. At first, Sunset mistakenly believes that the killer is Melinda Sterling (Peggy Stewart), daughter of Andy's worst enemy (and onetime rejected girlfriend), Harriet Sterling (Mira McKinney). The real murderer, of course, is a cattle rustler (Wade Crosby), an outsider who, as one character puts it, is "playing both families for suckers." Under the advice of Sheriff Edwards (Tom London), the warring families agree to put an end to hostilities in order for Sunset and Melinda to catch the real enemy. One of Republic's most popular leading ladies (and certainly the most overworked), Stewart was Carson's most frequent co-star, appearing in eight Westerns with the former rodeo champion. ~ Hans J. Wollstein, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

The motivating factor of The Missing Corpse is a feud between rival newspapermen Kruger (J. Edward Bromberg) and McDonald (Paul Guilfoyle). While Kruger tries to play fair, McDonald, a mob-connected slimeball who uses his publication for blackmailing purposes, does not. Before long, McDonald is murdered and his corpse is deposited in the back of Kruger's car. With the help of his fast-talking chauffeur Hogan (Frank Jenks), Kruger tries to dispose of the body to avoid being implicated in the crime, but the body just won't stay missing (despite the film's title). The revelation of the actual killer will undoubtedly amuse fans of the Superman television series. ~ Hal Erickson, All Movie Guide

MGM intended Rationing to be an object lesson as well as a comedy, to teach the moviegoers the importance of rationing products during World War II. Wallace Beery plays a small town butcher who comes under fire from the local citizens for attempting to honor the ration system. Beery finds himself swamped in a sea of government red tape, and at times is tempted to sidestep the law, but at the end he does his patriotic duty. Like Laurel and Hardy's MGM feature Air Raid Wardens (43), Rationing tends to sacrifice laughs to get its message across. The Beery film has the added handicap of running about twenty minutes too long. ~ Hal Erickson, All Movie Guide

In this touching drama, city-slicker Sparke Thorton goes to live on his aunt and uncle's horse farm in the country. The couple have basically retired from horse-breeding and only have one trotter left. Sparks fly when the young man meets the lovely Char and Cri-Cri, the two farm girls who introduce him to the finer aspects of country life including the cool pleasures of the swimming hole. He soon decides that he wants to raise a filly and become a champion racer. His uncle and the handyman help him. Much of the film was shot on location on racetracks in Kentucky, Indiana, and Ohio. There is also a sequence depicting the filly's birth, but it is sensitively handled. ~ Sandra Brennan, All Movie Guide

Directed by Lewis Collins and Ray Taylor, Raiders of Ghost City is a 13-chapter serial account revolving around the highly dangerous trade of gold shipping during the civil war. The frequent thievery and corruption from within led these gold shipments to be a controversial occupation, particularly during a time of war. The series features Dennis Moore, Wanda McKay, Lionel Atwill, and Virginia Christine.

~ Tracie Cooper, All Movie Guide