Eddy Waller Movies

As indicated by the title, 20 Mule Team is all about pioneering borax miners in territorial Arizona. Wallace Beery goes through his usual paces as Skinner Bill Bragg, a fugitive from justice who forms an uneasy alliance with slick outlaw Stag Roper (Douglas Fowley). The two scoundrels plot to jump a valuable borax claim in Death Valley, but Bragg changes his minds when Roper begins to have unsavory designs on virginal heroine Jean Johnson (Anne Baxter, in her film debut). Ever on the prowl for a new Wallace Beery-Marie Dressler screen team, MGM pairs up Beery with Marjorie Rambeau this time out, with mixed results. 20 Mule Team was originally released in Sepiatone, a tinting process MGM had previously utilized in the "Kansas" scenes of The Wizard of Oz. ~ Hal Erickson, All Movie Guide

Manhattan working girl Jean Arthur bids goodbye to her three erstwhile suitors (Grant Withers, Hans Conried and Grady Sutton) to take a bus tour of the west. En route, she meets handsome rodeo-star John Wayne, whose bucking bronco hurls him directly into her lap. Stranded in a tank town with Wayne and his sidekick Charles Winninger, Arthur is introduced to the sort of frontier activities not covered by the tour books: gambling, boozing and brawling. Not surprisingly, Arthur wants to hightail it back to the East, but by now Wayne has fallen in love with her. Lady Takes a Chance was produced for RKO by Jean Arthur's then-husband, Frank Ross. ~ Hal Erickson, All Movie Guide

Films set during America's colonial era seldom did well at the box office, and Allegheny Uprising was no exception. John Wayne and Claire Trevor, stars of the recent western hit Stagecoach, are reteamed herein as 18th
century adventurer James Smith and his spitfire sweetheart Janie. Taking every opportunity to defy the edicts of the King of England, Smith and his ragtag followers, "The Black Boys," undermine the despotic regime of provincial governor Captain Swanson (George Sanders). To quell Smith's uprising, Swanson arrests nearly half the colonists and holds them without trial or recourse (he doesn't sport a black mustache and shout "Seig Heil", but audiences in 1939 knew exactly who Swanson was supposed to be). In depicting the English in an unsympathetic light, RKO Radio Pictures committed a major political blunder, inasmuch as the British were then engaged in their own struggle against Nazi tyranny. Fearful that the film would offend English viewers, RKO president George J. Schaefer consulted British producer Herbert Wilcox, who suggested a number of judicious cuts and line alterations in the film. Even so, Allegheny Uprising (originally The Last Rebel, also the title of the Neil H. Swanson novel on which it was based) failed to make a dent in the box-offices on either side of the Atlantic. ~ Hal Erickson, All Movie Guide

The rubber-stamp quality of Allan "Rocky" Lane's Republic westerns continued to manifest itself in Bandit King of Texas. Lane plays an honest cowboy who has seemingly fallen in with an outlaw gang. It comes as no surprise when Lane turns out to be working undercover to bring the gang to justice. As with his earlier films, the whole story is wrapped up in a brisk 60 minutes. One of the pleasanter aspects of Allan Lane's vehicles was their depiction of the villains as fairly normal human beings: in this case, Jim Nolan is the wicked but essentially believable heavy. ~ Hal Erickson, All Movie Guide

In this Republic western, Allan "Rocky" Lane plays a Texas Ranger endeavoring to bring progress to the prairies. A natural gas system is slated to be installed in the Lone Star State. Local ranchers oppose this, believing it will have injurious effect on cattle. This misinformation is being spread about scheming villains who hope to take charge of the gas system for their own greedy ends. Eddy Waller is on hand as Lane's sidekick Nugget Clark, while the heroine is former 20th Century-Fox star Cathy Downs. Veteran western scrivener Gerald Geraghty manages to bring a whiff of freshness to the collection of cliches that comprise Bandits of the West. ~ Hal Erickson, All Movie Guide

Worthless from a historical aspect, Black Bart is nonetheless an enjoyable fabrication about the fabled Western outlaw. Rescued from a "necktie party," outlaws Charles E. Boles (Dan Duryea) and Lance Hardeen (Jeffrey Lynn) decide that it would be best to part as friends and go their separate ways. When next seen, Boles is a prosperous rancher who supplements his income by robbing the Wells Fargo gold shipments under the alias of Black Bart. Upon learning this, Hardeen rides back into Boles' life demanding a piece of the action. Both of the hero-villains are foiled when they succumb to the charms of the bewitching international courtesan Lola Montez (Yvonne DeCarlo). The story is related in flashback-from a jail cell by the outlaws' erstwhile partner Jersey Brady (Percy Kilbride). Obviously forgotten or ignored by the screenwriters was the fact that the actual Black Bart was really black, an ex-slave who "made bad" in the Wild West . Black Bart was remade in 1967 as Ride to Hangman's Tree. ~ Hal Erickson, All Movie Guide

Beautiful Adele Mara, who Republic Pictures took for granted for far too long, finally gets a chance to shine in this fine Western produced and directed by the dependent Joseph Kane. Mara plays Beth Martin, an Easterner traveling west to be reunited with her brother, Bob (Bill Williams). But Bob is not quite the hard-working miner that Beth and kid brother Tommy (Peter Miles) believed him to be and the newcomers quickly find themselves caught between double-crossing saloon owners Mike Prescott (Forrest Tucker) and Lincoln Corey (Jim Davis). Estelita Rodriguez, as Bob Martin's faithful girlfriend, performs "Second Hand Romance" and "I'm Goin' Round in Circles," both by Jack Elliott and Harold Spina. ~ Hans J. Wollstein, All Movie Guide

Like so many Gene Autry westerns of the early 1940s, Carolina Moon draws its title from a popular song of the era, duly warbled by Autry in the course of the film. In fact, music takes precedence over action in this outing, which would remain one of Gene's quietest and most laid-back vehicles. The plot finds Autry and his perennial saddle pal Frog (Smiley Burnette) coming to the rescue of several elderly Carolina plantation owners, presently at the mercy of a Uriah Heep-ish villain. The southern setting is as good an excuse as any to trot out several African American spirituals, soulfully performed by the Hall Johnson Choir. And as mentioned, Autry tackles the title tune, singing enthusiastically to wide-eyed heroine June Storey. ~ Hal Erickson, All Movie Guide

Rod Cameron heads the cast of the Monogram "B-plus" western Cavalry Scout. Cameron plays army scout Kirby Frye, who has been assigned to track down a stolen cache of weaponry. Frye suspects that local troublemaker Martin Gavin (James Millican) is the criminal mastermind, but he needs proof. The film matriculates into a tense cat-and-mouse game between Frye and Gavin, culminating in a long-overdue action finale. Cavalry Scout was lensed in Cinecolor, a pleasing two-color process which Monogram reserved for its prestige productions. The film was produced by Walter Mirisch, who'd later turn out such "A"-flicks as The Apartment, West Side Story and The Great Escape. ~ Hal Erickson, All Movie Guide

Cinderella Swings It was the last in a series of RKO programmers based on the popular radio series Scattergood Baines (its original title, Scattergood Swings It, was changed in the light of the poor reception afforded the earlier series entries). Guy Kibbee stars as small-town busybody Baines, who in this outing tries to make a big star out of local songstress Betty Palmer (Gloria Warren). One of his strategies is to spotlight the girl in a USO benefit show, which takes up most of the film's 70-minute running time. The supporting cast include juvenile actors Butch and Buddy (Bill Lenhart and Kenneth Brown), who'd previously bedevilled W. C. Fields and Abbott &Costello over at Universal, and future 3 Stooges straight woman Christine McIntyre. Cinderella Swings It was packaged by Pyramid Productions, the same concern responsible for RKO's radio-inspired "Lum and Abner" series. ~ Hal Erickson, All Movie Guide

Covered Wagon Raid stars Allan "Rocky" Lane as a frontier insurance investigator named...Allan "Rocky" Lane. The story concerns a gang of hijackers who've been bushwhacking and murdering wagon train passengers. Someone has been tipping the gang off as to the locations and routes of the wagon trains--but who? That's what Rocky has to find out, and he's got quite a list of suspects to choose from. Halfway down the cast list as "Susie" is little Sherry Jackson, who later played Danny Thomas' daughter Terry on TV's Make Room for Daddy. There's hardly a dull moment in this 60-minute sagebrusher. ~ Hal Erickson, All Movie Guide

According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide

Fred MacMurray is the beleagured hero of the Universal western Day of the Badman. MacMurray plays circuit judge Jim Scott, who rides into town to pass sentence on convicted killer Jake Hayes (Lee Van Cleef). Unfortunately, it doesn't look as though Hayes will stay in jail long enough for the trial: the town's sheriff (John Ericson) is an ineffectual weakling, willing to bend to the wishes of the killer's powerful father Charlie Hayes (Robert Middleton). The elder Hayes demands that his son merely be "banished" from town, and to that end he terrorizes the townsfolk into honoring his wishes. But Hayes hasn't reckoned with Judge Scott, who is not so easily bullied and cowed. The judge passes a sentence of death--and he's well equipped to mete out that punishment himself! ~ Hal Erickson, All Movie Guide