Eddy Waller Movies

Poppy is the film version of the Dorothy Donnelly musical comedy which made W.C. Fields a Broadway star back in 1923 (an earlier, less-faithful version, also starring Fields and retitled Sally of the Sawdust, was directed by D. W. Griffith in 1926). The Great Man is cast as Professor Eustace McGargle, a small-time carnival confidence trickster. Accompanied by his adopted daughter Poppy (Rochelle Hudson), McGargle joins a travelling sideshow, fleecing as many of the local yokels as time will permit. During one stopover, Poppy falls in love with Billy Farnsworth (Richard Cromwell), the son of the town's mayor (Granville Bates), while McGargle pitches woo at the faded but alluring Countess de Puizzi (Catherine Doucet). When he finds out that the "Countess" is a phony claimant to the valuable Putnam estate, McGargle conspires with local lawyer Whiffen (Lynne Overman) to pass off Poppy as the genuine, long-lost heir. As it turns out, Poppy really is the heir, a felicitous turn of events which enables McGargle to avoid being tarred and feathered by the angry townsfolk. Finishing Poppy on schedule was quite a trial for W.C. Fields, who, in addition to breaking a vertebra while filming a chase sequence, further damaged his spine in a household accident. As a result, he could barely stand up during shooting, and many of his scenes had to be completed by a stunt double. One would never know that Fields was in excruciating pain throughout the film, however: Comedy-wise, he's at the top of his form, especially when he sells a "talking dog" to a gullible rube and finagles a free lunch from an equally dense hot-dog vendor. Poppy is also the film in which Fields imparts a sage bit of advice to his screen daughter: "Never give a sucker an even break." ~ Hal Erickson, All Movie Guide

Bing Crosby's only western (outside of the 1966 version of Stagecoach), Rhythm on the Range stars Crosby as a casual cowpoke on his way back to the Wide Open Spaces after an eastern visit. He meets a young train stowaway (Frances Farmer), whom he regards as a hoydenish vagabond until learning that she's the owner of the ranch where he works. Farmer resists Crosby's charms until he rescues her from a gang of rustlers. Among the supporting cast is Mischa Auer, Bob "Bazooka" Burns, and, in her film debut, 19-year-old Martha Raye. The film also introduces the song hit "I'm an Old Cowhand", which is sung at one point or another by everyone in the cast, including Russian-born Mischa Auer. Rhythm on the Range was remade in 1956 as Pardners, with a few minor alterations--notably the casting of Jerry Lewis in the Frances Farmer role! ~ Hal Erickson, All Movie Guide

Supporting actor Scott Kolk was elevated to playing the title role in this Graustarkian spy thriller, serialized in 12 chapters by Universal. Reportedly based on characters created by Dashiell Hammett, the serial featured an American secret agent assigned to recover the crown jewels of Belgravia. Agent X-9 is assisted in his quest by Shara Graustark (Jean Rogers) and opposed by a master criminal known as Blackstone (Henry Brandon). A Universal contract player, Scott Kolk had played Leer, one of the young German soldiers-turned-cannon fodder in All Quiet on the Western Front (1930), but stardom had eluded him. A name change to Scott Colton didn't do the trick either, and he left films in 1938. Leading lady Jean Rogers, on the other hand, had played Dale Arden in Flash Gordon (1936) and has become a serial icon. Universal used the title Secret Agent X-9 again in 1945, but with a different setting and plot. ~ Hans J. Wollstein, All Movie Guide

Small Town Boy was the 33rd release from the burgeoning "B"-picture factory of Grand National Pictures. Stuart Erwin plays the title character, a milquetoast named Henry, who's brimming with good ideas but lacks the confidence to express them. All this changes when he finds a thousand-dollar bill on the sidewalk. Emboldened by his sudden wealth, Henry becomes a veritable dynamo of energy -- and, to some, a major pain in the neck. Joyce Compton, usually consigned to dumb-blonde support, is a most-appealing heroine. Small Town Boy is based on a short story by Manuel Komroff, also titled The Thousand Dollar Bill. ~ Hal Erickson, All Movie Guide

Several second-echelon Universal contractees earn their paychecks in the two-week wonder State Police. John King stars as Sergeant Dan Prescott, a state trooper assigned to a coal-mining community. A group of gangsters have insinuated themselves into the town's labor-management confrontations, playing one side against the other for their own gain. Prescott tries to beard gangster boss Trigger Magee (Larry Blake) in his den, a gaudy roadhouse, and the results are explosive, to say the least. Predictably, the film is highlighted by a high-speed chase; not so predictably, the chase occurs in the middle of the film rather than the climax. Second-billed William Lundigan is the only member of the youthful cast to go on to a substantial starring career, though leading lady Constance Moore did pretty well for herself in future Universal productions. Comedy relief is provided by David Oliver, who'd risen from the ranks of Universal's newsreel cameramen. ~ Hal Erickson, All Movie Guide

After several years' faithful service in supporting parts, Frank Jenks and Dorothea Kent were promoted to leading roles in Universal's Strange Faces. Even so, it is fourth-billed Leon Ames who dominates the film, in the dual role of a notorious gangster and a respectable small-town citizen. Taking advantage of a "celebrity lookalike" newspaper series created by reporter Denby (Jenks), the gangster learns the identity of his double, concocting a scheme to kill off the lookalike so that he (the gangster, that is) can continue eluding the law by passing himself off as his "twin". But Denby and his girl Friday Maggie (Kent) tumble to the scheme and head to the villain's hideaway, where they team up with bucolic weekly-newspaper editor Hobbs (Andy Devine) and Hobb's sweetheart Lorry May (Mary Treen). From this point onward, melodrama takes a back seat to comedy, with Jenks, Kent, Devine and Treen going through the repertoire of their tried-and-true laughmaking bits. ~ Hal Erickson, All Movie Guide

Co-directed by former supporting player Mack V. Wright and Sam Nelson, The Great Adventures of Wild Bill Hickok is considered by connoisseurs of the genre the best serial Columbia Pictures ever made. The star, former supporting actor Gordon Elliott (born Nance) changed his first name to Bill for the occasion and emerged a full-fledged star. He later went all the way and became known as William "Wild Bill" Elliott, hero of first-rate Republic Westerns and for years a top sagebrush moneymaker. Robert J. Fiske played Wild Bill's adversary, Morrell, a nasty character who leads his Phantom Raiders in attacks on both the old Chisholm Trail and the encroaching railroad. Wild Bill Hickok is appointed U.S. marshal and assigned to ensure safe passage for both cattle and the railroad. Columbia screenwriters George Rosener, Charles A. Powell, G.A. Durlam, Tom Gibson, and Dallas Fitzgerald made sure that there was something for everyone in this serial, including a shapely heroine (Carole Wayne) to please the adults in the audience and no less than three juvenile actors -- Frankie Darro, Sammy McKim, and Dickie Jones -- for the small fry to root for. Roscoe Ates, he of the bobbing Adam's apple, and veteran slapstick comic Monte Collins provided laughs, and producer Jack Fier rounded up a fine supporting cast that included such veterans as Monte Blue, Kermit Maynard, Chief Thundercloud, George Cheseboro, Edmund Cobb, Hal Taliaferro, Art Mix, Tom London, and Lew Meehan. ~ Hans J. Wollstein, All Movie Guide

Directed with customary haste by Woody Van Dyke, Stand Up and Fight is an excellent dual vehicle for veteran Wallace Beery and up-and-coming Robert Taylor. Set in the American west in the mid-19th century, the story concerns the efforts of empire-building Blake Cantrell (Taylor) to construct a railroad across the wide open spaces. Cantrell is faced with obstacles at every turn, none more obstreperous than stagecoach-line owner Captain Boss Starkey (Beery), The film traces Cantrell's progress from drunken roisterer to pioneering visionary, and Starkey's parallel transition from deadly foe to trusted friend. The villlain of the piece is slave-trader Arnold (Charles Bickford), who exploits his friendship with Starkey to Cantrell's disadvantage. Romance enters the picture in the form of Southern belle Susan Griffith (Florence Rice), who has almost nothing to do but look demure and lovely in a series of attractive period costumes. ~ Hal Erickson, All Movie Guide

One part high-seas adventure and one part western, Mutiny on the Blackhawk opens as a pair of heroes take a stand against mutineers and a ship load of freed slaves. Eventually the ship docks off the California coast and the twosome disembark. While traveling the land, they end up trying to prevent Mexican soldiers from destroying a village. ~ Sandra Brennan, All Movie Guide

In this Mexican version of the popular southwestern series, Cisco barely escapes the deadly bullets of a firing squad. He later meets a lovely señorita and falls in love, but before he can dally romantically, he must first help her and her papa get back the money they were bilked out of. More trouble ensues when the woman's old lover reappears and she would rather be with him. to take care of that, Cisco sends the man on a suicidal assignment. Fortunately, he changes his mind, captures the crooks himself, saves the man, and rides away. ~ Sandra Brennan, All Movie Guide

Jackie Cooper and Freddie Bartholomew, both recent graduates of the MGM production factory, are reteamed in Universal's Two Bright Boys. While drilling for oil on his Texas ranch, young Rory O'Donnell (Cooper) must fend off the efforts of all-around villain Hallitt (Alan Dinehart) to claim Rory's property for himself. Meanwhile, expatriate Englishman Hilary Harrington (Melville Cooper) and his son David (Freddie Bartholomew) wander the countryside in search of a dishonest dollar. At first hired by Dinehart to help force Rory off his land, the two Britishers instead befriend the young rancher and try to help him bring in a gusher. Hardly Universal's most important 1939 release, Two Bright Boys was still entertaining enough to pay its way. ~ Hal Erickson, All Movie Guide

John Ford's fine direction distinguishes this highly fictionalized account of the early life of Abraham Lincoln. The film shows Lincoln (Henry Fonda) as he rises from a country boy born in a log cabin to a lawyer in Springfield, Illinois defending two young men unjustly accused of murder. The film, produced by Darryl F. Zanuck, received an Academy Award nomination for "Best Original Screenplay" for its screenwriter Lamar Trotti. Henry Fonda perhaps the most American of actors, is at his best playing Lincoln as the quintessential, compassionate American hero. ~ Linda Rasmussen, All Movie Guide

In this entry in the long running saga of the "Dead End Kids," the East Side boys leave the Big Apple and go to California to seek their fortunes. They'd rather not have to work for their money, but end up working on the ranch of an aged Italian woman who treats her employees kindly (unlike other farmers of the era, who often treated their migrant workers worse than animals). Her son disappeared as a baby and one of the boy's decides to convince her that he is the long lost child in hopes of getting an inheritance. After a while, he is so moved by her kindness that he changes his mind and tries to help her for real when the truckers team up with a union to keep her harvest from reaching the market. ~ Sandra Brennan, All Movie Guide