Eli Wallach Movies
Long before earning his B.A. from the University of Texas and his M.A. in Education from C.C.N.Y., Eli Wallach made his first on-stage appearance in a 1930 amateur production. After World War II service and intensive training at New York's Neighborhood Playhouse, the bumpy-nosed, gravel-voiced Wallach debuted on Broadway in Skydrift (1945). In 1951, he won a Tony award for his portrayal of Alvaro Mangiaco in Tennessee Williams' The Rose Tattoo. Though a staunch advocate of "The Method," Wallach could never be accused of being too introspective on-stage; in fact, his acting at times was downright ripe -- but deliciously so. He made his screen debut in Baby Doll (1956) playing another of Tennessee Williams' abrasive Latins, in this instance the duplicitous Silva Vaccaro; this performance earned Wallach the British equivalent of the Oscar. He spent the bulk of his screen time indulging in various brands of villainy, usually sporting an exotic accent (e.g., bandit leader Calvera in The Magnificent Seven [1960]). Perhaps his most antisocial onscreen act was the kidnapping of Hayley Mills in The Moon-Spinners (1965). Even when playing someone on "our" side, Wallach usually managed to make his character as prickly as possible: a prime example is Sgt. Craig in The Victors (1963), who manages to be vituperative and insulting even after his face is blown away. Busy on stage, screen, and TV into the 1990s, Wallach has played such unsavory types as a senile, half-blind hitman in Tough Guys (1986) and candy-munching Mafioso Don Altobello in The Godfather III (1990). His television work has included an Emmy-winning performance in the 1967 all-star TV movie The Poppy Is Also a Flower and the continuing role of mob patriarch Vincent Danzig in Our Family Honor. Married since 1948 to actress Anne Jackson, Wallach has appeared on-stage with his wife in such plays as The Typists and the Tiger, Luv, and Next, and co-starred with her in the 1967 comedy film The Tiger Makes Out. Eli Wallach and Anne Jackson are the parents of special effects director Peter Wallach. ~ Hal Erickson, All Movie Guide- 1957
One of the better entries in the short-lived CBS Sunday-afternoon anthology The Seven Lively Arts, "The World of Nick Adams" was adapted by A.E. Hotchner from five different Ernest Hemingway short stories: "The End of Something," " "Three Day Blow," "The Light of the World," "The Battler," "Now I Lay Me." A young Steven Hill (Mission: Impossible, Law & Order) stars as Hemingway's youthful alter ego Nick Adams, who while recuperating from wounds received in WWI recalls the past events of his life: Running away from home, making valuable friends and dangerous enemies, learning how to discern phoniness in the self-righteous and nobility in the downtrodden, etc. In his first assignment for TV, composer Aaron Copland provides the special's incidental music. Newspaper columnist John Crosby serves as host. Much of The World of Nick Adams was later incorporated in the 1962 theatrical feature Hemingway's Adventures of a Young Man. ~ Hal Erickson, All Movie Guide
- Starring:
- John Crosby, Steven Hill, (more)
Tennessee Williams' 27 Wagons Full of Cotton was the basis for this steamy sex seriocomedy. Karl Malden stars as the doltish owner of a Southern cotton gin. He is married to luscious teenager Carroll Baker, who steadfastly refuses to sleep with her husband until she reaches the age of 20. Her nickname is "Baby Doll", a cognomen she does her best to live up to by lying in a crib-like bed and sucking her thumb. Enter crafty Sicilian Eli Wallach (who like supporting actor Rip Torn makes his film debut herein), who covets both Malden's wife and business. Malden's jealously sets fire to Wallach's business, compelling Wallach to try to claim Baby Doll as "compensation." Heavily admonished for its supposed filthiness in 1956 (it was condemned by the Legion of Decency, which did more harm to the Legion than to the film), Baby Doll seems a model of decorum today--so much so that it is regularly shown on the straight-laced American Movie Classics cable service. ~ Hal Erickson, All Movie Guide
- Starring:
- Karl Malden, Carroll Baker, (more)
- 1952
This Trilogy, Danger originally created for television by Sidney Lumet consists of three individual episodes, all in the film noir thriller style The Lady on the Rock, Death Among the Relics, and The System. The cast includes Kim Stanley and Eli Wallach. Director Lumet began his filmmaking career in television, directing episodes for Omnibus, Alcoa Theater, and Goodyear Playhouse. Despite several blacklisting attempts, his career, based on his excellent television work, thrived and he went on to make feature films. This fine trilogy includes the some of the best of his early work. ~ Linda Rasmussen, All Movie Guide
