Hedger Wallace Movies

Fifty secret agents and civil servants, all apparently healthy and robust, have died of unknown causes over a two-year period. Steed (Patrick MacNee), Gambit (Gareth Hunt) and Purdey (Gareth Hunt) investigate the health farm where all of the victims had worked out before their untimely demises. Cult-movie favorite Caroline Munro appears as a health-farm employee who may or may not be in on the sinister plot. Clips from previous episodes of The New Avengers) are seen during Steed's drug-induced flashback. ~ Hal Erickson, All Movie Guide

Peter Cushing delivers one of his finest hand-wringing performances as Emmanuel Hildern, a Victorian man of science who relates a mad tale of horror to his half-brother and professional rival James (Christopher Lee). His tale begins with the discovery of the weird skeletal remains of a large unknown humanoid in Papua, new Guinea, which he carts back to England for study. Even more unusual than the skeleton's ghastly appearance is its ability to grow new flesh when moistened with water. Further research reveals that the creature may actually be instilled with the very essence of malevolence (basically freeze-dried, instant evil), indicating that it would be best kept out of the rain. Despite an incongruous subplot involving the doctor's insane daughter, whom he believes can be cured by injections of serum derived from the creature's reanimated tissue, this is an effectively creepy period piece with heady Gothic atmosphere (and a neat twist ending) that ranks among director Freddie Francis's finest work. ~ Cavett Binion, All Movie Guide

The Torture Garden is an "omnibus" chiller, adapted from four short stories by Robert Bloch (Psycho). Each is introduced by Burgess Meredith, playing a sinister carnival barker by the name of Dr. Diabolo. The doctor's audience consists of five people, four of whom are apprised of their ultimate fates as Diabolo weaves his stories. In "Enoch," a young playboy falls under the spell of a cannibalistic cat. In "Terror Over Hollywood," a famous movie star is revealed to be an android. In "Mr. Steinway," the "villain" is a killer piano. And in "The Man Who Collected Poe," the title character murders another collector over a valuable Poe manuscript--only to receive retribution from ol' Edgar himself. If we told you anything about the fifth person in Meredith's audience, we'd be giving away the ending, wouldn't we now? The individual episodes tend to rise and fall depending upon the strength of their stars. Among those present in Torture Garden are horror-flick regulars Jack Palance, Peter Cushing, Robert Hutton, Michael Ripper and Niall McGinniss. No, this isn't a Hammer Production; it was put together by Hammer's principal British rival of the 1960s, Amicus Films. ~ Hal Erickson, All Movie Guide

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide

Legendary cinematographer (Freddie Francis) directed this Hammer horror film of madness and murder. The story concerns young Janet (Jennie Linden), a student at finishing school who is suffering from a series of recurring nightmares, having witnessed her mother stabbing her father to death. When her nightmares intensify, Janet is brought to the home of her guardian, Henry Baxter (David Knight). Henry is not home, but Janet is put into the care of his live-in nurse, Grace (Moira Redmond). Janet's nightmares continue, in which she sees a woman in white beckoning her into her parents' bedroom. Following the apparition, Janet sees the woman lying in bed, with a knife sticking from her chest. When Henry returns home, he is told by the doctors that Janet should be confined to a mental institution. Henry refuses, but the arrival of Henry's wife changes all that -- when Janet sees Henry's wife, who resembles the woman from her dreams, she grabs a knife and stabs her to death. Janet is committed to an institution for the criminally insane. However, it turns out that Grace had deliberately disguised herself as the woman in white to drive Janet over the brink and kill Henry's wife, so that they could be married. Henry and Grace get married, but Grace then receives reports that Janet has escaped from the institution and is returning to Henry's estate, bent on revenge. ~ Paul Brenner, All Movie Guide

A battered houseboat on the Thames provides the setting for this romantic British comedy. Two newlyweds rent the leaky floating home. The trouble begins when the husband decides to move the scow to a better location. The rickety barge disrupts river traffic. Next the two get lost in a fog bank. When it finally lifts, they find themselves in France. Fortunately, their landlord's yacht is moored nearby and they are able to borrow some petrol. The landlord bets that he can beat them across the Channel with his yacht. The race begins. The yachtsman gets terribly drunk and his cannot stay on course. The newlyweds win the race. ~ Sandra Brennan, All Movie Guide

Captain Gort (Bernard Lee) is an airline pilot who must answer to a Court of Inquiry after the crash of a Phoenix jet. Although he passes a battery of tests, pilot error is the determined cause of the accident. Sir Hobbes (George Sanders) is the Queen's council whose relentless prosecution helps blame Gort. When a second crash occurs, Gort is defended by Captain Judd (Peter Cushing), who is convinced that mechanical malfunctions, not the pilot, caused both crashes. ~ Dan Pavlides, All Movie Guide

British melodrama maven Jimmy Sangster adapted his screenplay for Intent to Kill from a novel by Michael Bryan. Richard Todd plays a Montreal doctor who is in love with his pretty American assistant Betsy Drake. Todd is saddled with a viper-tongued wife (Catherine Boyle), who wants him to leave the provinces for a posh practice in London. The good doctor's problems are intensified when he is obliged to perform delicate brain surgery on a hated South American president (Herbert Lom), who has been targeted for assassination by a "trusted" colleague (Carlo Giustini). Only the intervention of police detective Paul Carpenter saves Todd from stopping a bullet himself. The heated intrigues of Intent to Kill are contrasted by the wintry Montreal exteriors. ~ Hal Erickson, All Movie Guide