Scott Walker Movies

Kermit the Frog and Fozzie Bear, from of the large crew of loveably fuzzy characters created by puppetmaster Jim Henson, have embarked on a quest for stardom. They take a trip to Hollywood, riding in or on a wide variety of vehicles along the way. They begin their journey on a bicycle pedalled by Kermit, but friends accumulate along the way, and they change vehicles to accomodate them. They have the additional challenge of fending off the entreaties of the heartless Doc Hopper (Charles Durning), who wants Kermit to make some advertisements promoting fried frog legs. Kermit must also cope with his amorous feelings for Miss Piggy, and hers for him. This appealing children's adventure movie has numerous scenes which do homage to classic films, and features a huge cast of Hollywood greats, from Edgar Bergen to Orson Welles, in cameo roles. A great box-office success, this movie paved the way for a number of sequels. One of the film's many songs, The Rainbow Connection, was nominated for an Oscar. ~ Clarke Fountain, Rovi

President Richard Nixon's legal counsellor Charles Colson was tried for several criminal charges relating to the Watergate cover-up, eventually spending some time in prison. This film explores Colson's personal crisis, and the religious convictions which, crossing party boundaries, worked to bring about his conversion from being a cynical politician to becoming a committed Christian. Far from being corrupted in prison, Colson (Dean Jones) became a missionary for his beliefs and worked to reform many of the 'hard cases" he encountered there. After the period covered by the film, it is worthwhile to note that Colson chose a new career for himself following his release from prison -- prison missionary. ~ Clarke Fountain, Rovi

Claude Lelouch's Another Man, Another Chance is set in 1870. Fleeing from the Franco-Prussian war, Jeanne (Genevieve Bujold) and boyfriend Francis (Francis Huster) escape to the American west. Their course does not run smooth, and soon Jeanne is left alone to care for her baby. Meanwhile, American veterinaran Jimmy (James Caan), an absolute stranger to Bujold, endures his share of woes, not least of which is the rape and murder of his wife by desperadoes. Inevitably, Caan and Bujold meet and fall in love. Having already suffered the death of Huster, Jeanne tries to dissuade Jimmy from his single-minded pursuit of his wife's murderers. This character conflict determines the outcome of the film's final scenes. Another Man, Another Chance was distributed in the US by United Artists. ~ Hal Erickson, Rovi

Undercover cop Tony Baretta (Robert Blake) works side by side with a federal agent to find the courier for a dealer in illegal weapons. Normally, Baretta's assignment would be fraught with danger. This time, however, that danger comes from an unsuspected but deadly source: Tony, his partner, and the fugitive have all been exposed to a particularly vicious form of contagious spinal meningitis. ~ Hal Erickson, Rovi

"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, Rovi

A meek, downtrodden man named Staley (Mario Roccuzzo) hopes to get even for a lifetime of being browbeaten and humiliated. His plan involves planting a time bomb in a high-rise office building, then tipping off the FBI. The problem facing Inspector Erskine (Efrem Zimbalist Jr.) is the fact that Staley has neglected to reveal the name of the city where the building is standing! Prominently featured in the cast is Victor French, soon to be a fixture of such Michael Landon-produced efforts as Little House on the Prairie and Highway to Heaven. ~ Hal Erickson, Rovi

Charles Chioffi plays the title character in the thrill-packed Bonanza installment Shanklin. Hoss Cartwright is shot by a band of ex-rebel soldiers who want Ben Cartwright to finance the formation of a Second Confederacy. Only Shanklin, the man who pulled the trigger, can save Hoss' life-and he refuses to do so unless Ben forks over $25000 immediately. Rance Howard, father of Ronnie, appears as Bogardus. First telecast on February 13, 1972. "Shanklin" was written by William Felley. ~ Hal Erickson, Rovi

Several years before achieving stardom in the TV miniseries Rich Man--Poor Man, Peter Strauss is cast in this episode as temporarily paroled convict Bobby Jepson. Ordered to find a job during a 36-hour-pass or return to prison, Jepson runs headlong into a stone wall of prejudice and hostility, with only Detective Stone (Karl Malden) willing to give the man a break. But even Stone's compassion is sorely tested when Jepson is accused of murder--and the evidence seems air-tight and irrefutable. ~ Hal Erickson, Rovi

The worst has happened: The United States has been invaded and occupied by an unfriendly foreign power. At least, that is what the IMF wants American turncoat Whitmore Channing (Kevin McCarthy) to believe. The purpose of this charade is to prevent Channing from handing over top secret information to the Enemy. The real fun in this episode lies in watching guest star Kevin McCarthy undergo the same paranoia he earlier exhibited in the classic sci-fi film Invasion of the Body Snatchers) (1971). First telecast on November 13, 1971, "Invasion" was written by James L. Henderson and Sam Roeca. ~ Hal Erickson, Rovi

Far from the Ponderosa, Ben Cartwright is badly injured in a fall from his horse. Seeking help in a nearby town, Ben's son Joe finds himself in the middle of a range feud, with no one willing to come to his assistance-except for an enigmatic stranger named Thornton (played by frequent Bonanza supporting actor Gregory Walcott). Written by Preston Wood, the episode is highlighted by a jaw-dropping nightmare sequence which still packs a jolt after all these years. "Thornton's Account" was originally broadcast on November 1, 1970. ~ Hal Erickson, Rovi