Ray Walker Movies
Lightweight American leading man Ray Walker moved from stage work to films in 1933. While he would occasionally earn a lead in a big-studio film -- he was Alice Faye's vis-à-vis in Music Is Magic (1935) -- Walker could usually be found heading the cast of programmers filmed at Hollywood's B-picture outfits. One of Walker's best screen roles was in Monogram's The Mouthpiece (1935), in which he was ideally cast as a swell-headed radio personality, brought down to earth by the loss of both his sponsor and his girlfriend (Jacqueline Wells). By the early '40s, Walker had eased into minor and supporting roles, even accepting the occasional short subject (he shows up as Vera Vague's ex-husband in the 1946 two-reeler Reno-Vated). Still, Ray Walker's previous reputation assured him a comfortable living; for his single scene as luggage shop proprietor Joe in Frank Capra's It's a Wonderful Life, Walker received his standard asking price of 1,000 dollars per day. ~ Hal Erickson, All Movie Guide- 1964
Hudson Bradshaw (Bartlett Robinson) is willing to use any means, fair or foul, to claim the rights to a revolutionary new antibiotic developed by ex-employee Randolph James (Lee Farr). When all else fails, Bradshaw persuades James' wife Natalie (Marian Collier]) to sell her controlling interest in her husband's chemical company--which would seem to be ample motive for murder when Natalie turns up dead. The only way that Perry Mason (Raymond Burr) will be able to free James is to prove that his client was on a fishing trip at the time of the murder...but alas, the witnesses to this trip are either missing or highly unreliable! ~ Hal Erickson, All Movie Guide
This moody and controversial drama takes place in Depression-era New Orleans. Dove (Laurence Harvey) has traveled by bus from Texas to find his wayward lover Hallie (Capucine). He meets young Kitty Twist (Jane Fonda) as the two get off in the crescent city. Teresina (Anne Baxter) gives him a job at her small cafe. In his free time, Dove searches for Hallie and finds her at work as a prostitute in the Doll's House. Dove implores Hallie to return to him but she refuses. When the lecherous lesbian madame Jo (Barbara Stanwyck) discovers Dove's intentions towards Hallie, she has him beaten to a bloody pulp by her hired goons. He is found by Kitty, now a happy hooker at the Doll House, and is taken back to the cafe where the compassionate Teresina heals his physical and emotional wounds. The film taken from the novel by Nelson Algren is much tamer than the original text. The title track, sung by Brook Benton, was nominated for an Academy Award. The "black-cat stalking" opening and closing sequences (by designer Saul Bass) is a perfect little "film-within-a-film." This footage, with its superb lighting, framing, panning, and editing, should be appreciated by anyone who wants to know more about the art of cinematography. ~ Dan Pavlides, All Movie Guide
- Starring:
- Laurence Harvey, Capucine, (more)
- 1960
Popular Mexican comedian Cantinflas (Mario Moreno) plays the title character in this star-studded, amusing comedy drama by George Sidney. Pepe is the same sort of impoverished stereotype Cantinflas made famous in several of his comedies; in this case he is a hired hand on a ranch who chases down a horse for his employer. A boozing Hollywood director buys a white stallion belonging to Pepe's boss and the determined ranch hand decides to take off for Hollywood to get the horse back. Once in this new and strange environment -- where a lot of cameos by the likes of Jimmy Durante, Frank Sinatra, Zsa Zsa Gabor, Bing Crosby, Maurice Chevalier, and many others enliven the action -- Pepe becomes a friend to the alcoholic director. Unfortunately, what is missing here is "Cantinfletico." That is the nickname for the rambling non-sequitur characteristic of Cantinflas that no one else could master. The film was originally released at 195 minutes, then edited down to 157. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Cantinflas, Dan Dailey, (more)
- 1960
Bret (James Garner) is determined to foil the never-ending efforts by Big Ed Murphy (John Dehner) to rob the bank owned by Col Dutton (Wendell Holmes). Figuring that the best way to save Big Ed from himself is to remove the temptation, Bret conspires with Foursquare Foley (Gage Clarke) to steal the bank's money themselves, then hide it in a safe place. In fact, Foley has already dug a tunnel under the bank for this purpose...a fact that should have put Bret on guard from the get-go. This final episode of Maverick's third season also marks the next-to-last appearance by James Garner as Bret Maverick (discounting the later TV and movie sequels). ~ Hal Erickson, All Movie Guide
- 1960
- G
Critics consistently consider this historical drama one of the worst films Disney ever made. It is the true-tale of ten heroes from the Civil War who ride down the raging Colorado in hopes of mapping it. The mission is led by the Major John Wesley Powell who lost an arm during the war. Their fateful 1869 river trip is arduous and long and in the end only six make it out of the Grand Canyon alive. ~ Sandra Brennan, All Movie Guide
- Starring:
- Brian Keith, John Beal, (more)
- 1959
Showing up in Virginia City to collect a $4000 debt from Captain Rory Fitzgerald (David Frankham), Bart has trouble believing that the prosperous-looking Fitzgerald is as penniless as he claims. Rather than absorb the loss, Bart decides to hang around in town until the Captain is able to make good his debt--which proves to be a big mistake when our hero ends up kidnapped and bound hand and foot. Roxane Berard appears in another of her duplicitous-damsel roles, while Robert Shore goes through much the same ingenue paces as in her later costarring gig on TV's The Virginian. ~ Hal Erickson, All Movie Guide
- 1958
After the mysterious death of her motel-owner father Glenn (Russell Thorson), Stephanie Falkner (Peggy McCay) is left with nothing but her dad's property and a huge pile of debts. Enter big-time gambler George Castle (Joe De Santis), who dearly covets Stephanie's land. Unbeknownst to the girl, George had killed her father over a gambling debt--or perhaps Stephanie has known this all along. Whatever the case, when George himself turns up murdered, Stephanie is charged with the crime...and that's when Perry Mason (Perry Mason) takes a hand in matters. This episode is based on a 1958 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide
A misfire for all concerned, The Spirit of St. Louis can be chalked up as a courageous failure. At age 48, James Stewart was far too old to be convincing as 27-year-old "Lone Eagle" Charles Lindbergh. Director Billy Wilder, a past master of cynical pessimism, was clearly the wrong choice to helm this paean to ingenuous optimism. And the CinemaScope process was totally inappropriate for the claustrophobic nature of the film's storyline. Even so, this retelling of Lindbergh's historic flight across the Atlantic has its moments, especially during the main character's flashbacks to the events leading up to his history-making achievement. Reportedly, James Stewart was uncharacteristically sullen and uncomfotable throughout the filming, which as it turned out was wholly appropriate for his portrayal of the equally taciturn Charles Lindbergh. An excellent musical score by Franz Waxman helps smooth over the lumpier portions of the narrative. Though Spirit of St. Louis was a box-office failure, both James Stewart and Billy Wilder rapidly recovered with, respectively, Night Passage and Love in the Afternoon. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Murray Hamilton, (more)
- 1957
Frontier peacekeeper Sheriff Galt (Sterling Hayden) faces a crisis of conscience in The Iron Sheriff. In the aftermath of a robbery-murder, Galt follows the trail of evidence directly to his own son, Benjie (Darryl Hickman). Sworn to uphold the law at all costs, Galt is grimly determined to see that Benjie will receive a fair trial without any coercion on his part. But the townsfolk have already decided that the sheriff will try to spring the boy, and a lynch-mob mentality slows festers its way through the community. As the trial proceeds, it becomes obvious that Benjie is going to hang for his alleged crime, but there's still one or two surprises in store. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Constance Ford, (more)
- 1956
This is one of the last episodes of the long-running Bowery Boys film series. This time the trouble begins when a spoiled child television star swipes their car. They go to get it back and in so doing teach the kid a lesson or two. TV executives, frustrated from trying to deal with the youth on their own are so impressed that they hire the boys to keep the kid in line. Of course, that's not nearly as easy as it sounds, especially after the little star gets kidnapped. ~ Sandra Brennan, All Movie Guide
- 1956
This very lightweight comedy focuses on young orphan Willie Taylor (Tim Hovey). Upset with the prevarications of the adult world, Willie launches a truth-telling campaign at school, with the blessings of his pretty teacher Joan Madison (Maureen O'Hara). Things begin to get dicey when Willie publicly reveals a slightly dishonest real-estate deal mastermined by his Uncle Arthur (Barry Atwater). Crusading reporter Ernie Miller (John Forsythe) transforms little Willie into a big celebrity, and in so doing wins the love of Joan. A good supporting cast helps smooth over the lumpier passages of Everything but the Truth. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, John Forsythe, (more)
- 1956
In this western, a Mexican bandit and an angry rancher team up and take on a crooked saloon keeper. ~ Sandra Brennan, All Movie Guide
- 1956
- NR
Once you get past the fact that handsome Paul Newman could never pass for plug-ugly boxer Rocky Graziano in real life, you will be able to accept Somebody Up Their Likes Me as one of the more accomplished movie biopics of the 1950s. Based on Graziano's autobiography (co-written with Rowland Barber), the film accurately depicts the teen-aged Rocky as an unregenerate punk, evidently doomed by his slum environment, and his own lousy attitude, to a life of petty crime. Determining that the only way he'll make a living is with his fists, Rocky becomes a boxer, at first willing to participate in a series of fixed fights. Eventually, Rocky develops a conscience and sense of self-respect, no small thanks to his sweetheart (and later wife) Norma (Pier Angeli). The film ends on an optimistic note after Rocky wins a "clean" bout with Tony Zale (playing himself). Training extensively with Graziano prior to and during production, Newman is quite impressive in his first worthwhile film role (this was only his third film, following the execrable The Silver Chalice and the forgettable outing The Rack). The title song in Somebody Up There Likes Me was written by Bronislau Kaper and Sammy Cahn, and performed by Perry Como. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Anna Maria Pier Angeli, (more)
- 1954
The Atomic Kid strives mightily to wring laughs from the otherwise humorless topic of atomic radiation. Mickey Rooney (who also produced the film) and Robert Strauss play a couple of brainless prospectors who stumble upon a A-bomb testing site. Led to believe that the area is rich with uranium, Strauss goes off to stake a claim, while Rooney relaxes in a "test" house. Before long, a bomb is dropped, a mushroom cloud sprouts in the desert. . .and Rooney emerges from the rubble unharmed. Later on, however, our hero discovers that he's so full of radiation that he glows in the dark, which makes him both dangerous and world-famous. The plot then veers into Cold War territory as Rooney routs a nest of Soviet spies, led by Robert Emmet Keane. The leading lady of the proceedings is Elaine Davis, Mickey Rooney's then-wife (her marital status, transitory though it may have been, was emphasized in the film's opening credits) Believe it or not, this monumentally unfunny comedy was based on a story by Blake Edwards. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Robert Strauss, (more)
- 1954
When equestrian Linda (Vera Miles) talks her trainer, Jim (Lloyd Bridges), into taking care of Gypsy Prince, her horse, Jim decides to enter the steed in an upcoming race. Tragically, the horse falls mid-race and breaks a leg. Though prospects look bleak, Linda (Miles) refuses to give up on her horse, and will not allow the animal to be destroyed. Rather, she chooses to focus on physical therapy and personal faith. Her loyalty is rewarded tenfold when Gypsy Prince, successfully retrained, makes a killing a the track. Directed by William Beaudine, Pride of the Bluegrass is based on a story by Harold Shumate, and also features Margaret Sheridan, Arthur Shields, and Michael Chapin. ~ Tracie Cooper, All Movie Guide
- Starring:
- Lloyd Bridges, Vera Miles, (more)
- 1953
Lou (Lou Costello) has a terrible toothache, and Abbott (Bud Abbott) takes him to see a near-sighted dentist (Sidney Fields). The pair try several other methods to remove the bad tooth, including tying a rope from the tooth to a dog and getting the dog to chase a cat -- to no avail. But Lou's resourcefulness pays off in the end. ~ Bruce Eder, All Movie Guide
- 1953
This concluding episode of a two-part story was excerpted from the theatrical feature Superman and the Oil Man. The digging of an oil well in the town of Silsby has caused a race of subterranean "Mole Men" to escape to the earth's surface. All the Mole Men want is to be left in peace, but their bizarre and grotesque appearance arouses the fear and bigotry of the local citizens. It is up to visiting reporter Clark Kent (George Reeves to prevent the situation from getting completely of hand--and the only way he can do this is to transform himself into Superman. Note that Phyllis Coates, who plays Lois Lane, has lighter hair than usual: This is because Superman and the Mole Men was filmed before production began on the Adventures of Superman TV series proper--even though this two-part adaptation was not telecast until the end of the series' first season. ~ Hal Erickson, All Movie Guide
- 1953
This first episode of a two-part story was excerpted from the theatrical feature Superman and the Oil Man. Reporters Clark Kent (George Reeves) and Lois Lane (Phyllis Coates) arrive in the town of Silsby, there to cover the drilling of the world's deepest oil well. Unfortunately, the digging has hit the center of the earth, disturbing a peaceful race of "Mole Men" who are forced to climb to the surface. The strange creatures' bizarre appearance and behavior brings out the worst in the local townsfolk, with bigoted Luke Benson (Jeff Corey) stirring up a mob to kill off the Mole Men--at which point Clark Kent decides it's time to go into full Superman mode! ~ Hal Erickson, All Movie Guide
- 1953
Rebel City is a "B" western with "A" aspirations. Wild Bill Elliot plays gambler Frank Graham, who heads to Kansas in search of his father's murderer. This being 1864, the local military presence is more preoccupied with keeping Southern sympathizers out of the state to worry about Graham's problems. Thus, our hero undertakes the task of exposing the killer himself. As always, the least likely suspect is the guilty party (though sharp-eyed viewers were wise to the villain from the first reel). Marjorie Lord co-stars as Jane Dudley, the comely operator of the local freight line who helps Graham in his task. Producer Thomas M. Fennelly and director Thomas Carr later collaborated on the Richard Diamond TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Marjorie Lord, (more)
- 1953
After a number of overproduced, overlong western "specials," Wild Bill Elliot went back to basics with a series of Monogram/Allied Artists "B"s. In the 62-minute The Homesteaders, Mace Corbin (Elliot) is hired to pick up a consignment of dynamite on behalf of a group of Oregon homesteaders. But evil land-baron Kroger (James Seay), coveting the explosives for himself, lays a trap for Corbin. En route, Our Hero must contend not only with Indians and the elements, but also with his disreputable partner Clyde Moss (Robert Lowery), who is in league with Kroger. A strange, "cleansing" ending caps this interesting pocket western. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Emmett Lynn, (more)
- 1953
When the Bowery Boys go to visit a friend on an Air Force base, they are pulled into an investigation to discover why their friend is being accused of treason. Accidentally enlisting in the service, they continue their investigation and eventually stumble on a Nazi plot. ~ Tana Hobart, All Movie Guide
- Starring:
- Leo Gorcey, Huntz Hall, (more)
- 1953
Virginia Mayo stars in this unofficial follow-up to her 1952 musical hit She's Working Her Way Through College. Mayo plays movie star Catherine Terris, who after three box-office flops in a row, returns to the Broadway stage whence she came. Her co-star in this endeavor is Rich Sommers (Steve Cochran), who still harbors a grudge against Catherine because of her walkout during her last Broadway appearance. Predictably, Rich and Catherine bury the hatchet by midfilm, and when fadeout time rolls around they're in each other's arms. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Gene Nelson, (more)
- 1953
This nonsensical farce stars Robert Cummings as an air force reserve pilot, called back to active duty on the eve of his wedding to Marie Wilson. When he returns, he discovers that Wilson has inherited a million dollars, and plans to be the head of their household. Under the circumstances, Cummings decides not to get married and to re-enlist. The air force subjects poor Cummings to a team of psychiatrists, on the theory that any man who wouldn't want to marry the wealthy and voluptuous Ms. Wilson has to be crazy! Marry Me Again has the look, feel and logic of an animated cartoon, which shouldn't be surprising since the director is former Warner Bros. animator Frank Tashlin. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Cummings, Marie Wilson, (more)
After learning that her boyfriend, a GI in Korea, has found someone else, Norah Larkin (Anne Baxter) impulsively agrees to meet womanizer Harry Prebble (Raymond Burr) for dinner. Norah allows herself to get drunk and accept Prebble's invitation to his apartment. When he tries to force himself on her, she hits him with a poker. Unfortunately, Prebble is found dead the next morning, and Norah, not even remembering how she got home, thinks that she killed him. Meanwhile, newspaperman Casey Mayo (Richard Conte), looking for an angle, invites the "Blue Gardenia Murderess" to turn herself in to him. The high point of the film is the interplay between the vulnerable Baxter and Burr at his smarmiest. ~ Steve Press, All Movie Guide
- Starring:
- Anne Baxter, Richard Conte, (more)
- 1953
Attractively filmed in Cinecolor, Roar of the Crowd is a better-than-average actioner from Allied Artists. Howard Duff plays Johnny Tracy, scion of a racecar-driving family. Johnny wants a crack at the Indianapolis 500 above all else, but his girl friend Marcy Parker (Helene Stanley) wants him to quit the racetrack. Finally, a compromise is reached: Johnny will retire from racing if Marcy allows him to prepare for the 500. Alas, Johnny is injured in a pre-Indy accident, and it looks like he hasn't a chance. While the outcome is predictable, a few surprises still await the audience in the final reel. A few months before Roar of the Crowd went into release, stock footage from the racing sequences were seen in the Bowery Boys epic Jalopy. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Duff, Helene Stanley, (more)
