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Kathryn Walker Movies

Lead actress, onscreen from the early '70s. ~ Rovi
2011  
 
Paul Wagner directs this portrait of of the thouroughbred horse-racing industry from the foaling barn, to the Kentucky Derby, and profiles a variety of individuals who breed, sell, race, and bond with these remarkable creatures. ~ Tracie Cooper, Rovi

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Starring:
Kathryn Walker
 
2002  
 
One of many TV specials commemorating the first anniversary of the September 11th attack on America, this two-hour entry from PBS's Frontline series raises a number of provocative and sometimes uncomfortable questions about keeping one's faith in the face of unspeakable tragedy. Where was God when the planes plowed into the Twin Towers and the Pentagon? Why is Evil allowed to exist? Does religion have any relevance in today's turbulent times? Coping with these queries is an impressive array of eyewitnesses to and survivors of the disaster, family members of the victims, academics, physicians, authors, clerics, and even atheists. Most of the discussions deal with the aftermath of the tragedy rather than the event itself -- and to its credit, the program offers no quick or easy answers. ~ Hal Erickson, Rovi

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Starring:
Kathryn WalkerMarian Fontana, (more)
 
2002  
 
This three-part PBS "reality" series was assembled by the same people responsible for 1900 House, in which a typical 21st century British family attempted to live in the manner of their ancestors of 100 years earlier. This time around, three modern American families (drawn from 5,000 applicants) endeavored for five months to experience life as Montana homesteaders, circa 1883. After an arduous journey by wagon train to an undeveloped 160-acre patch of land, the three clans (one from Boston, one from Tennessee, one from California) were forced to forsake the creature comforts of the modern age and literally live off the soil, making their own clothes, churning their own butter, molding their own candles, and so on. PBS' ad campaign for the series went the Survivor route by overemphasizing the hardships facing the latter-day pioneers and dwelling upon the friction and hostilities stirred up by a new set of family values and interrelationships. The first two-hour episode of Frontier House was aired on April 29, 2002. ~ Hal Erickson, Rovi

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1995  
 
He is one of the most influential and innovative photographers in the fashion industry and one of the first to elevate his craft into a true art, dominated more by the artist's vision than the subject itself. This documentary tells his story. With an eclectic blend of biographical information, his work, and his commentary upon it, the film tells his story in a non-linear way. Highlights include his description of how he got a teen-age Natassja Kinski to pose naked with a large python crawling across her body and his memory of the night Marilyn Monroe came to his place and danced for hours while he photographed. ~ Sandra Brennan, Rovi

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1992  
 
Ever since the 1960s, Alice has been trying to make a documentary film about...the '60s. Since its now nearly thirty years later, her project has become a running joke among her friends and family. Her heart still beats to the tune the student radicals played all those years ago, and she is more than usually upset by such events as the Tienanmen Square massacre, and the unpleasant fate of Abbie Hoffman. She finds a kindred spirit in an angry twenty-four-year old who's working on independent shows at a local access cable outlet, and through his influence she gradually emerges into the 1990s, with its concerns about AIDS and corporate power. Not only that, but she makes real progress on finishing her previously unworkable documentary. ~ Clarke Fountain, Rovi

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Starring:
Kathryn WalkerMark Blum, (more)
 
1991  
R  
Patrick Murphy (Steven Grives) is a disgruntled former cop forced to take a job as a security guard in a department store. When computer hacker Jack Hayward (Marcus Graham) and his friends enter the store at night on a lark, Murphy locks them in. Murphy has waged a long campaign of harassment against the lad. This began because Jack's late father was his superior and he holds the man responsible for his poor ratings on the job; Jack's subsequent complaints of harassment probably led to his being kicked off the force entirely. The cat-and-mouse game turns deadly when Jack's pal Tony (John Polson) is killed by the sadistic Murphy. Miles Buchanan co-stars with Sandie Lillingston and Kathryn Walker in this thriller that builds momentum after a sluggish beginning. ~ Dan Pavlides, Rovi

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Starring:
Miles BuchananMarcus Graham, (more)
 
1989  
 
Claude Monet and his artwork has dazzled people for years. Who was this man and what inspired him? Monet: Legacy of Light invites viewers to take a closer look at the life and career of this brilliant artist. Visit his home in Giverney as the story of his life is told with the help of pages from his personal diary, interviews, and the collection of artwork that made him a pioneer in the impressionism movement. ~ Laura Mahnken, Rovi

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1988  
 
Belinda (Deanne Jeffs) is a 16-year-old Australian girl who wants to become a ballerina. To make ends meet, she takes a job as an exotic dancer in a scrungy Sydney cabaret. Eventually she is able to pursue her original goal, but not before experiencing (and enduring) humanity at both its best and worst. Director/writer Pamela Gibbons reportedly based Belinda on her own early life. ~ Hal Erickson, Rovi

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Starring:
Deanne JeffsMary Regan, (more)
 
1987  
 
For years, the name "Uncle Tom" and the title Uncle Tom's Cabin have been synonymous with the most egregious form of racial condescension. John Gay's script for the 1987 film version of Harriet Beecher Stowe's Uncle Tom's Cabin hoped to "set the record straight" and restored the reputation of the 1852 abolitionist novel--mostly by returning to the source. Eliminating such theatrical "improvements" as Eliza's crossing the ice, this adaptation of Cabin depicts Uncle Tom (Avery Brooks) as an intelligent, non-submissive slave (there is only the slightest hint of "revisionism"); likewise, Jenny Lewis is a fully three-dimensional Little Eva. Simon Legree is as hateful as ever, but as played by Edward Woodward, Legree is shown to be more a product of his times than a cardboard hissable villain. Gay is very careful in his depiction of precocious preteen slave girl Topsy (Endyia Kinney), who still is so sexually misinformed that she believes she "just growed," but is not quite the mental midget described in Mrs. Stowe's novel. Produced for the Showtime Cable service, Uncle Tom's Cabin premiered on June 13, 1987. ~ Hal Erickson, Rovi

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1987  
 
The made-for-TV The Murder of Mary Phagan is an account of the real-life events fictionalized in the 1937 theatrical feature They Won't Forget. In 1913, Atlanta-area teenager Mary Phagan (Wendy J. Cooke) is found murdered. Although the evidence points to another suspect (who years later confessed to the crime), the authorities choose to bring charges against Leo Frank (Peter Gallagher), a Jewish "outsider" who owns the pencil factory where Mary worked. Prosecutor Hugh Dorsey (Richard Jordan) capitalizes on the anti-Semitism rampant in the South, hoping to ride the Frank case into a higher political office. He is aided in his scheme by equally unprincipled journalist Wes Brent (Kevin Spacey). Only Georgia-governor John Slaton (Jack Lemmon) perceives the bigotry and opportunism at the base of Dorsey's case. Within the limits of his power, and at the risk of destroying his own political career, Slaton tries to see that justice is served. Alas, the decision has already been made to railroad Leo Frank to the electric chair -- or into the hands of a lynch mob. Originally presented in two parts, The Murder of Mary Phagan was first broadcast January 24 and 26, 1988. ~ Hal Erickson, Rovi

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1986  
R  
Based loosely on a true story, Bullseye takes place in the Australia of the mid-19th century. Disgruntled ranch hand Paul Goddard finds a ray of happiness in his relationship with maidservant Kathryn Walker. But when the maid comes into an inheritance, she takes on highfalutin' airs and breaks off their romance. Almost as an act of consolation, the ranch hand turns to cattle-rustling. Arriving safely in an outback settlement with his stolen cows and bulls, the ranch hand discovers that the maid has arrived in town ahead of him, and that she's been reduced to working in the local bordello. Gallantly, the cowboy decides to rescue the surprisingly still-virginal maid from that fabled worse-than-death fate. ~ Hal Erickson, Rovi

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Starring:
Paul GoddardKathryn Walker, (more)
 
1986  
 
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Mrs. Delafield Wants to Marry was especially written by playwright James Prideaux for Katharine Hepburn. It would have been impractical to attempt a live staging, so the script was committed to a TV movie, under the direction of Hallmark Hall of Fame veteran George Schafer. Hepburn plays another variation on the indomitable elderly lady that has become her forte in the past decade. Here she is Margaret Delafield, a wealthy WASP widow who falls in love with the divorced Jewish doctor (Harold J. Stone) who has saved her life. The clucking tongues of both her family and the doctor's will not dissuade her: Mrs. Delafield stands her ground in a climactic scene reminiscent of the actress' earlier Guess Who's Coming to Dinner (67). Mrs. Delafield Wants to Marry is formula all down the line, but every latter-day Katharine Hepburn performance deserves to be treasured (though the film itself hardly warranted the three-page TV Guide article written by Ms. Hepburn herself). ~ Hal Erickson, Rovi

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1986  
PG  
Bruce Beresford returned to the austerity of his first Australian films with The Fringe Dwellers. Kristina Nehm stars as an Aborigine woman named Trilby, who along with her tribespeople lives on the fringes of "accepted" Australian society. Trilby's mother (Justine Saunders) urges her family to remove themselves from squalor and move up to a fashionable all-white suburb. What with the snobbery of her new neighbors and an onslaught of visiting relatives, Trilby never has a moment of happiness. She seeks solace in the arms of her boyfriend (Ernie Dingo), but this only results in an unwanted pregnancy. Her "escape" to a better life is an indirect result of her newborn child's death. Bruce and Rhoisin Beresford adapted the script of The Fringe Dwellers from the novel by Nene Gare. ~ Hal Erickson, Rovi

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Starring:
Ktistina NehmJustine Saunders, (more)
 
1985  
 
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In this drama, the failed pilot for a TV series, a psychologist endeavors to balance his turbulent personal life, with those of his troubled patients. Unfortunately, he tends to get equally personally involved in both and trouble ensues. ~ Sandra Brennan, Rovi

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1985  
PG  
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Barret Oliver stars as robot boy Daryl (Data Analyzing Robot Youth Lifeform). The film begins with an intense chase through hairpin mountain roads as a helicopter chases after a racing automobile and the driver of the car shoves a young boy out of the door. The child is rescued and is adopted by Joyce (Mary Beth Hurt) and Andy (Michael McKean) Richardson, a well-meaning, childless couple. It is only after the Richardsons have adopted Daryl and find that the child can't stop hitting home runs that they realize their adopted son is, in fact, a robot. The Richardsons decide to take Daryl back home -- home being a top security research facility where scientists Dr. Jeffrey Stewart (Josef Sommer) and Ellen Lamb (Kathryn Walker) have "given birth" to the boy robot. Once at the research facility, the Richardsons realize that government forces are determined to destroy Daryl and anyone who knows about him. ~ Paul Brenner, Rovi

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Starring:
Mary Beth HurtMichael McKean, (more)
 
1984  
 
This compilation documentary covers the massive anti-nuclear peace march held in New York City on June 12, 1982, including the preparations that led up to the march and interviews with concerned and knowledgeable people on the issue of peace, as well as Japanese survivors of the atomic bomb attacks on Nagasaki and Hiroshima in World War II (see No More Hibakusha). The producers, Robert Richter and Stan Warnow have smoothly spliced-together views of the protest march, its speakers and musicians, filmed by more than 40 separate individuals. Among the noted artists who either were there to lend their presence or contributed their talents in one way or another to the success of the protest (estimated at 1,000,000 people) are Pete Seeger, James Taylor, Carly Simon, Peter, Paul, and Mary, Jerry Stiller, Anne Meara, Roy Scheider, Orson Welles, Ellen Burstyn, Joan Baez, Judd Hirsch, Bianca Jagger, Susan Sarandon, Jill Clayburgh, and others. Meryl Streep and Anne Twomey did a moving voiceover of the testimony of the Japanese atomic bomb blast survivors. Among the non-artistic notables adding stature to the event were Dr. Benjamin Spock, and Helen Caldicott, representing Physicians for Social Responsibility. ~ Eleanor Mannikka, Rovi

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Starring:
Dr. Helen CaldicottBenjamin Spock, (more)
 
1983  
 
Advertised as "a realistic depiction of fictional events," the harrowing speculative drama Special Bulletin was shot on videotape and staged as an actual late-breaking news event. The story concerns a group of anti-nuclear activists who take over the waterfront of Charleston, South Carolina. The group wants the 968 nuclear warheads located in the Charleston area to be disarmed immediately; if this demand is not met, the activists will detonate their own nuclear device. Written by Marshall Herskovitz and directed by Ed Zwick (who would later collaborate on the TV series thirtysomething), the Emmy-winning Special Bulletin first aired on March 20, 1983. This initial broadcast was accompanied by repeated disclaimers, assuring the audience that what was transpiring on their TV screens was not really happening. Even so, the production was so authentic-looking (right down to the fabricated previews of upcoming network dramatic programs) that thousands of panicky viewers called in to NBC, demanding further information on the siege of Charleston. ~ Hal Erickson, Rovi

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1983  
 
In this melodrama, the experiences of a young recruit preparing to leave his family and friends to fight WW II are chronicled. ~ Sandra Brennan, Rovi

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1981  
 
Written for television by Allan Sloane, Family Reunion stars Bette Davis as an ageing New England schoolteacher who is given an "unlimited" bus ticket as a retirement present. She uses this gift to visit the farthest-flung members of her long-estranged family. In her absence, Davis' small town falls prey to corruptive influences, but with the help of her more honest relatives (four generations' worth, including Bette's real-life grandson J. Ashley Hyman), everything is resolved at the annual Founder's Day gathering. Family Reunion originally aired in two parts, on October 11 and 12, 1981; the preponderance of Davis' family members and unresolved plot strands would seem to suggest that this 4-hour film was intended as a series pilot. ~ Hal Erickson, Rovi

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