Wally Wales

The age-old enmity between cattle ranchers and settlers once again takes center stage in this slightly above-average Western filmed in Republic Pictures' Trucolor system. Walter Brennan plays Pop "Brimstone" Courteen, an ornery rancher who avenges the loss of the free range by robbing stagecoaches and banks. The Courteen gang, which also includes Pop's three sons, Nick (Jim Davis), Luke (Jack Lambert), and the reluctant Bud (James Brown), gets a bit of competition from The Ghost, a mystery outlaw who really is Marshal Johnny Tremaine (Rod Cameron). Tremaine's undercover investigation leads to McIntyre (Forrest Tucker), the sheriff of Gunsight, who is in the employ of the Courteens. In love with Molly Bannister (Adrian Booth), a settler, Bud turns against his ruthless family, but will Tremaine be able to save the boy from his father's wrath? ~ Hans J. Wollstein, All Movie Guide

John Wayne -- showing off a darker side to his screen persona than we'd previously seen -- portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), leaves abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee -- and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age -- and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War. Matthew (Montgomery Clift, now back from the war and doing some of his own adventuring, finds a darker, more taciturn Dunson than he's ever known -- as Groot tells it, he afraid, because he just doesn't know how to fight the threats he now faces. With Matthew now returned, Dunson decides to move his herd, nearly 10,000 head of cattle, to Missouri, where there is a market for beef, over 1000 miles away through territory controlled by border gangs hundreds of men strong that have stopped every cattle drive up to now, and Indians who have picked off what the gangs missed. Dunson drives his men as hard as he does himself, relentlessly, till even some of his best hands break under the strain -- and he's not above killing anyone who challenges his authority on the drive. He's able to hold them in line as long as Matthew backs him up, and he does until Dunson, exhausted and worn down by lack of sleep, finally goes too far. Matthew steps in, backed by laconic, smirking gunman Cherry Valance (John Ireland) and most of the rest of the men and takes the herd from Dunson. Leaving his father and mentor behind, he heads the herd toward Kansas, where -- so the men are told -- there's a new railroad. Along the way, he meets Tess Millay (Joanne Dru), a card-dealer who falls in love with the young man. But he has to finish the drive and leaves her behind, much as Dunson left Fen. And they all know that Dunson is coming after Matthew to kill him. ~ Bruce Eder, All Movie Guide

The 87-minute running time of Plainsman and the Lady was evidence aplenty that this was no mere Republic B western. William Elliot (formerly and latterly "Wild Bill" Elliot) stars as cattleman Sam Cotten, who offers his services-and his six-guns-to the newly formed Pony Express. Erudite villain Peter Marquette (Joseph Schildkraut) is a rival stagecoach owner who'll stop at nothing to keep the mail from going through. Ordering his minions to disguise themselves as Indians, Marquette masterminds a series of bloody raids on the pony express riders. But Cotton, aided and abetted by grizzled sidekick Dringo (Andy Clyde) proves to be more than a match for the bad guy. The lady of the title is high-born Ann Arnesen, played by Queen of Republic Vera Ralston; she's decorative enough, but no match for her talented costar Gail Patrick, cast as Ann's sister and the despicable Marquette's wife. ~ Hal Erickson, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

The Yellow Rose of Texas is, at least in the case of this Roy Rogers vehicle, both the title of a song and the name of a fancy showboat. Rogers plays a frontier insurance investigator who is assigned to locate a company payroll stolen several years earlier. Working undercover, Roy poses as a singer on the aforementioned "Yellow Rose of Texas." The showboat's owner, Betty Weston (Dale Evans), is the daughter of the man who was arrested for the robbery. She's convinced that her dad is innocent, and Roy proves that she's right by capturing the genuine culprit. Running seven reels as opposed to the usual six, The Yellow Rose of Texas was marketed as a "special" by canny Republic Pictures. ~ Hal Erickson, All Movie Guide

Though it's not readily obvious from the title, Lumberjack is the 52nd entry in the long-running "Hopalong Cassidy" series. In this one, Hoppy (William Boyd) and his pals California (Andy Clyde) and Jimmy (Jimmy Rogers) come to the rescue of recently widowed Julie (Ellen Hall). It so happens that Julie has fallen heir to a valuable spread of timber property, meaning that any one of her business rivals could have been the murderer of her husband. Not only does Hoppy reveal the killer's identity, but he also moves heaven and earth to make sure that Julie's mortgage-lifting lumber shipment arrives at its destination on time. ~ Hal Erickson, All Movie Guide

Popular latter-day serial queen Linda Stirling starred in the title role in this well-made 12 chapter serial produced by genre specialist Republic Pictures. Stirling plays Barbara Mededith, a pretty girl who takes over her murdered brother's crusading newspaper. She also assumes the dead sibling's identity as "The Black Whip," righting the wrongs of Crescent City very much in the manner of her famous ancestor, Zorro. Off course, "being a mere woman," Barbara needs the assistance of a stalwart young man, in this case Vic Gordon (George J. Lewis), a government secret agent. Arguably the most popular serial heroine since the days of Pearl White, Linda Stirling's other top-billed serial role was as The Tiger Woman (1944). The choice of Lewis as Stirling's male lead was surprising; the Mexican-born Lewis, although handsome enough and a veteran of Universal's popular "Collegians" 2-reelers, had recently played mostly villains. Produced by Ronald Davidson, Zorro's Black Whip benefitted from second unit direction by stunt-man extraordinaire Yakima Canutt and special effects by the famed Theodore Lydecker. ~ Hans J. Wollstein, All Movie Guide

The Fighting Seabees is Republic Pictures' rip-roaring tribute to the US Navy's Construction Batallions (C.B.), without whom no plane would ever have gotten off the ground during WW2. John Wayne stars as Wedge Donovan, head of civilian construction company stationed in a pre-Pearl Harbor South Pacific war area. Despite Donovan's pleas to the Navy brass, he is denied permission to train his men for combat, the better to stave off imminent Japanese attack. Only after incurring heavy losses is Donovan given a commission and his men officially enlisted in the Navy. The self-sacrifical climax, as Donovan destroys a Japanese tank batallion at the cost of his own life, is one of the best-staged action highlights of its kind. As Constance Chesley, Susan Hayward finds herself in the unenviable position of being the apex in a romantic triangle involving herself, Wedge Donovan and Lt. Cmdr. Robert Yarrow (Dennis O'Keefe); her climactic speech, explaining how it's possible to love two men equally, is so well delivered that it transcends its essential corniness. Of the supporting cast, William Frawley stands out as Irish seabee Eddie Powers, who virtually signs his own death warrant when he begins singing happily just before an enemy sneak attack. ~ Hal Erickson, All Movie Guide

Best known today as Robert Mitchum's screen-acting debut, this fine entry in the long-running Hopalong Cassidy series features the silver-haired hero (William Boyd) as a Texas lawman posing as a gambler in order to track down a gang of highwaymen and cattle rustlers who have found refuge in lawless Oklahoma Territory. Although quickly identifying scar-faced Tom Jordan (Victor Jory) as the leader of the gang, Hoppy has no jurisdiction in the territory and is forced to lure the gang back to Texas. Hoppy Serves a Writ was the final series entry based on an original story by Clarence E. Mulford, the creator of the "Bar 20" novels. ~ Hans J. Wollstein, All Movie Guide

This Roy Rogers musical western gets off to a grim start when rancher Jerry Johnson (Jerome Cowan) is murdered by resort-hotel operator Lucky Miller (John Carradine). It's all part of Lucky's scheme to take financial advantage of a railroad right-of-way construction project. Conspiring with the villain is Johnson's mail-order bride Mary Hardigan (Phyllis Brooks)-or is she? No matter: the main plot complication concerns the efforts by Miller to frame Roy Rogers, Johnson's ranch foreman, for the murder. Somehow, Roy, Bob Nolan and the Sons of the Pioneers find time for several songs, while ace stuntman Yakima Canutt gets to perform one of his more famous feats. ~ Hal Erickson, All Movie Guide

Roy Rogers heads the cast of Song of Texas as a rodeo star named Roy Rogers. Quitting the rodeo operated by larcenous Jim Calvert (Barton MacLane), Roy goes into the ranching business. As a favor to his old pal, washed-up bronco buster Sam Bennett (Harry Shannon), Roy convinces Bennett's daughter Sue (Sheila Ryan) that Sam is in fact the owner of Roy's ranch. This harmless subterfuge is thwarted by the evil machinations of Calvert, but Rogers and his confreres eventually save the day. No fewer than eight songs are heard in Song of Texas, including such favorites as "Mexicali Rose" and "Moonlight and Roses". ~ Hal Erickson, All Movie Guide

Roy Rogers takes on crooked wartime profiteeers in the musical western Ridin' Down the Canyon. Posing as solid citizens, the crooks spend their evening hours stealing horses from local ranchers, then selling the steeds to the government at exorbitant prices. The head of the bad guys runs a dude ranch where Rogers and his pals (The Sons of the Pioneers) are employed. When Rogers figures out what's what, he sets about to bring the rustlers to justice. There's some piquancy in the fact that the character played by juvenile actor Buzzy Henry is named Bobby Blake; within a few years, the real Bobby Blake (who later grew up to become Robert Blake) would be appearing as Little Beaver in Republic's "Red Ryder" western series. ~ Hal Erickson, All Movie Guide