Natasha Gregson Wagner Movies

This grim psychodrama presents an intensely disturbing profile of the needlessly empty lives of Generation X-ers, modern youths from wealthy backgrounds living aimless lives fraught with unfounded despair. Featuring a largely non-professional cast and set within the Hollywood entertainment industry, the various lives of the characters are linked by a young woman's murder. ~ Sandra Brennan, All Movie Guide

Embracing the supposed nihilism and cynicism of the "slacker" generation, S.F.W. (1995) caused nary a blip on the media-saturated cultural radar screen that it criticized. Stephen Dorff stars as Cliff Spab, an aimless, hard-drinking youth. Spab becomes a national hero when he is one of several people held hostage by gun-toting terrorists in a convenience store. He doesn't care much about his own life or anything else, and his attitude of "So f---ing what?" translates into debates with his terrorist captors and gloomy pronouncements that charm viewers. After a month-long siege, a crisis erupts when the store runs out of beer and junk food, so Cliff finds himself a free man whose celebrity image is emblazoned on t-shirts and whose presence is requested at a rock concert where he is required to do nothing other than appear. In the meantime, Spab's girlfriend Wendy (Reese Witherspoon) becomes a ubiquitous talk show guest. Ostensibly a satire of the celebrity-obsessed culture of the 1990s, the film was withheld from distribution for a year because of thematic similarities to Oliver Stone's Natural Born Killers (1994). ~ Karl Williams, All Movie Guide

Raquel Welch plays a writer working on a project about children who are genetically predisposed for violence--specifically, homicide. To gather real-life examples, she focuses on finding the daughter of a woman who murdered her own parents. The girl also happens to have a twin brother who did the same to his adoptive parents. Introduced in the curvy plot are two adoptive daughters of two separate families living in the same neighborhood; one of whom is the daughter in question. ~ Kristie Hassen, All Movie Guide

A troubled teen girl finds friendship with a cast-aside horse, in this family drama. Ari Meyers (from TV's Kate & Allie) stars as Allison Mills, a young girl who gets herself into trouble after the death of her mother. Sent to a horse farm as part of a community service sentence, Allison is initially cold and unresponsive, but slowly she begins to open up as she befriends a difficult-to-manage horse named Jet. Unfortunately, just as she begins to find purpose in her work at the farm, Allison's mettle is once again put to test after a devastating accident leaves both she and her prized horse seriously injured. ~ Bernadette McCallion, All Movie Guide

The idea of fusing teen sex-comedy and horror genres into a boffo box-office bonanza seems like classic braindead Hollywood-think... but somehow, beyond all reason, the makers of this film manage to pull it off. Much of the credit goes to director Fran Rubel Kuzui (Tokyo Pop) who chooses wisely to let the jokes and action rip by so quickly that viewers won't have time to realize there's practically nothing going on. Also excellent is Kristy Swanson as the bubble-headed cheerleader who learns from a Van Helsing-ish stranger (Donald Sutherland) that she's, like, the reincarnation of this pure female warrior and stuff, destined to rid the world -- or at least the Valley -- of vampires. No sooner is the Buffster being schooled in the ways of vampire butt-kicking (much to the consternation of meek pretty-boy beau Luke Perry) than the lead vampire (Rutger Hauer) and his leering cronies show up -- and leading up the pack is none other than Pee-Wee Herman himself, Paul Reubens. Fans of this film's popular TV offspring will appreciate the fang-sharp humor but may be surprised to find little evidence of the spooky atmosphere that permeates the series -- though there are some inspired moments, particularly the ridiculous death-by-ruler scene. ~ Cavett Binion, All Movie Guide