Olivera Vuco Movies

This critically well-received independent German film production was made and first seen in 1970, but did not receive general release until 1971. A group of five scientists have invented a machine which will unravel the whole fabric of time and space but have managed to blot the full memory of their achievement from their minds. They did this to prevent the complete destruction of space-time as we know it. However, they also programmed themselves to remember everything if someone uses the key words "a big grey-blue bird." Gangsters bent on world domination and a young documentary film-team track down these scientists, each attempting to learn their secrets for completely different reasons. ~ Clarke Fountain, Rovi

Released as Mark of the Devil to U.S. theaters (accompanied by complimentary barf-bags for squeamish patrons with urpy tendencies), this gory torture-fest was produced in Germany under the title of Hexen bis aufs Blut Gequält (Witches Tortured Till They Bleed). The story is comprised of equal parts Ken Russell's The Devils and Michael Reeves' sardonic Witchfinder General (aka The Conqueror Worm). It involves the demented Count Cumberland (Herbert Lom), an Austrian nobleman who implements the witch-hunting policies of the Inquisition as a means of obtaining land, riches, and nubile young wenches -- particularly the lovely Vanessa (Olivera Vuco), who has been accused of heresy and witchcraft. Cumberland's accomplice in the torture and terror, Baron Christian Von Mem (Udo Kier), realizes too late that his mentor is the true evil stalking the land, not the terrified innocents whose "trials" are a mockery of justice. Christian is sacrificed to the enraged villagers during the inevitable revolt at the film's climax, while the Count makes a hasty escape -- thus enabling the birth of a sequel, Mark of the Devil Part 2. Both films were repackaged in the mid-70's and released in time to join the ranks of the European demon-possession subgenre (American release ads proudly proclaimed "Damn The Exorcist!"). The barf-bags were not entirely unjustified for this graphically sadistic exercise which assaulted audiences with explicit scenes of torture, including the removal of one poor victim's tongue. ~ Cavett Binion, Rovi

Two German spies and a woman physician (Suzy Kendall) are taken by submarine to Scotland where they enter the country at nightfall. Their mission is to assassinate the British Field Marshall Lord Kitchener. The woman's male companions are captured, but she escapes with the knowledge of what boat the Marshall is on. Boarding the submarine, the Germans make plans to bomb the boat with a series of strategically placed land mines. She travels from Russia to Germany to Britain and Spain as she double-crosses double agents in a cat-and-mouse game of espionage. A gruesome scene shows a German gas attack that peels off the flesh of the Allied soldiers as they writhe in agony. James Booth, Capucine, and Kenneth More also star in this World War I drama. ~ Dan Pavlides, Rovi

Dream sequences and comedy are used in this World War II drama that alludes to the stress of the human condition under the confusion of battle. The theme of partisan resistance to the Nazis is a familiar one, but the feature serves as a political commentary about the state of affairs in Yugoslavia during the 1960s. ~ Dan Pavlides, Rovi