Peter J. Votrian Movies

F. Scott Fitzgerald's short story "Winter Dreams" is brought to life in this 1957 Playhouse 90 presentation. John Cassavetes stars as Dexter Green, who has spent most of his life trying to fulfill the ambitions and hopes of his socially ambitious mother and his conservative father. Thanks to his mom's aggressiveness, Dexter has achieved financial success and prestige in his community--and, as a bonus, he is poised to marry the girl carefully selected by his parents. But things change radically when wealthy but fickle Judy Holt (Dana Wynter) slinks into Dexter's life. Actor Joseph Sweeney was a last minute-replacement for Edmund Gwenn, who was slated to play the role of Mr. Gordon. ~ Hal Erickson, All Movie Guide

One of a group of captives rescued from the Cheyenne by the Cavalry is a 12-year-old white boy who has been raised as an Indian. Mary Cullen (Marian White) insists that the boy is her own son Dennis, kidnapped from her family in infancy. Despite the combined efforts of Mrs. Cullen and Marshal Matt Dillon (James Arness), there's a strong possibility that the boy will ultimately choose to continue living with the Cheyenne rather than accept is "proper" place in white society. This episode is based on the Gunsmoke radio broadcast of September 24, 1955. ~ Hal Erickson, All Movie Guide

Frankie Dane (John Cassavetes) is the leader of the hornets, a local street gang that has had its share of rumbles and other trouble with the police. When one of his members is fingered to the police by a neighbor (Malcolm Atterbury) for having a gun, Frankie vows revenge, and when the same man humiliates him in public, he decides it's got to be murder. But only two members of the Hornets, mentally unstable Lou Macklin (Mark Rydell) and would-be full-fledged member "Baby" (Sal Mineo), are willing to go along, and even one of them is shaky -- the rest of the gang draws a line at killing. Social worker Ben Wagner (James Whitmore), who runs the local youth center, has been trying to reach out to the members of the Hornets and sees that something is splitting Frankie and a couple of the others off from the main gang, and is concerned enough to find out what it might be -- especially when Frankie's younger brother, a really nice kid named Richie (Peter J. Votrian), tells him that he thinks Frankie's planning to kill someone. He tries getting help from Frankie's mother (Virginia Gregg), who's too tired from her job to do much more than keep Richie from becoming like his brother, and Mr. Gioia (Will Kuluva), "Baby"'s father, who doesn't understand what went wrong between him and his son. A three-way battle of wills ensues as Frankie tries to hold his plan together and resist Wagner's efforts to intercede -- in the end, several lives are at risk, as Frankie ends up with his knife at the throat of his own brother, fully ready to use it. ~ Bruce Eder, All Movie Guide

A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, All Movie Guide

In this violent, gripping drama, a ruthless criminal kidnaps a little boy and takes him into the Colorado wilderness where, unfortunately, the lad accidentally dies in a terrible fall. This doesn't stop the crook from collecting and hiding a substantial ransom. He is eventually captured and imprisoned. There he hooks up with four other bad apples and together they escape and go looking for the money. These criminals are desperate and will stop at nothing to reach their goal. One of them is a true psychopath and the cops and FBI agents must hurry before more blood is spilled. ~ Sandra Brennan, All Movie Guide

Assignment - Paris is based on a serialized Saturday Evening Post yarn by Paul and Pauline Gallico. The film stars Dana Andrews as reporter Jimmy Race, assigned to the Paris bureau of the New York Herald Tribune. Race makes the acquaintance of French journalist Jeanne Moray (Marta Toren), who is forced to suppress a white-hot news story about an impending Iron Curtain political conspiracy because she lacks proof. At great risk to himself, Race heads to Budapest to ferret out the facts, sometimes right under the noses of the communist "damage control" experts. George Sanders co-stars as editor Rick Strang, who dispatches Race on his fact-finding mission--partly because of his dedication to truth, and partly because he has designs on the gorgeous Jeanne himself. One of the more palatable anti-Red tracts of its era, Assignment - Paris makes excellent use of authentic Parisian and Hungarian locations. ~ Hal Erickson, All Movie Guide

Hans Christian Andersen was Sam Goldwyn's final production for RKO Radio release, and also the producer's last Danny Kaye vehicle. The Moss Hart-Myles Connolly screenplay largely disregards the facts concerning Denmark's great storyteller, opting for a fanciful blend of comedy, fantasy, romance and music. As played by Kaye, Hans Christian Andersen starts out as a small-town cobbler whose gift for spinning fairy tales is keeping the local kids from attending school. Asked to leave town, Hans heads to Copenhagen to seek his fortune as a writer. After having his heart broken by the beautiful ballerina Doro (Jeanmaire), Hans finds solace--and happiness--in the knowledge that hundreds of thousands of children the world over are devoted to his enchanting fantasy stories. The lilting Frank Loesser score includes such tunes as "No Two People," "The King's New Clothes," "Wonderful Copenhagen," "Inchworm," "The Ugly Duckling," "Thumbelina," and the title song. Though Hans Christian Andersen was a smashing box-office success, and as a bonus earned five Oscar nominations. Originally released at 112 minutes, the film is generally available in its 104-minute TV-release form. ~ Hal Erickson, All Movie Guide