Gigi Vorgan Movies

Marisa Silver helmed this tightly directed hospital drama reminiscent of David Swift's 1962 The Interns. Jimmy Smits plays Dr. David Redding, who guides seven student doctors through their third year of residency at Los Angeles Central's medical school. The cast includes Laura San Giacomo as Lauren Rose, a hard-working waitress putting her uncaring husband Kenny (Jack Gwaltney) through medical school; Kenny eventually breaks down the resistance of cool fellow student Gena Wyler (Diane Lane). Kenny is also competing with doctor's son Michael Chatham (Adrian Pasdar), who wants to become the best surgeon at L.A. Central; Michael, however, has to reconsider his goals when he realizes that he also needs Gena's love. Bobby Hayes (Tim Ransom) and Suzanne Maloney (Jane Adams) are also struggling with medical school, but they are a support team who study, work, and even sleep together. Through all the competitions and love affairs it eventually takes the wisdom of a dying cancer patient (Norma Aleandro) to make the medical students realize the important things in life. ~ Paul Brenner, Rovi

DJ (Candace Cameron) and Steph (Jodie Sweetin) think they're doing dad Danny (Bob Saget) a favor when they arrange a date between Danny and Steph's dance teacher Karen Penner (Debbie Greory). Little does neat-freak Danny realize that the lovely and charming Karen is a slob--until he takes a glance at the pig-sty that she calls her apartment. Meanwhile, Michelle (played by the Olsen twins) is accused of hiding the car keys just before Jesse (John Stamos) is to leave the house on very important business. ~ Hal Erickson, Rovi

On the eve of his Hawaiian vacation, irresponsible high school teacher Freddy Shoop (Mark Harmon) is forced into teaching a summer-school class. His students are all malcontents and layabouts with the standard repertoire of teenaged hang-ups and hostilities (two of the kids, who can't see enough slasher movies to suit them, are hilarious precursors to Beavis and Butt-Head). Harmon would rather spend his time with history teacher Robin Bishop (Kirstie Alley), but she doesn't think much of his laziness and lack of dedication. Shoop finally begins to take his job seriously when he realizes his students' problems are not all of their own making. ~ Hal Erickson, Rovi

Alfred Hitchcock Presents is the portmanteau pilot film for the subsequent TV revival of Hitchcock's celebrated anthology series of the 1950s and '60s. Four short tales are presented, each of them remakes of earlier Alfred Hitchcock programs. "Incident in a Small Jail," originally presented in 1961 with John Fiedler in the lead, stars Ned Beatty as a traveling salesman who finds himself sharing a jail cell with an accused rapist -- the target of an angry, indiscriminate lynch mob. "Man from the South," based on an oft-adapted Roald Dahl piece, stars John Huston as a cagey gambler who makes a grisly wager with novice Steven Bauer. The original 1959 Hitchcock version of this tale starred Peter Lorre and Steve McQueen; featured in the cast of the remake are former Hitchcock movie leading ladies Kim Novak and Tippi Hedren, as well as Hedren's daughter Melanie Griffith. "Bang, You're Dead" is a taut, tension-filled tale of a child who wanders around town with a loaded gun. The child is a little girl (Bianca Rose), but in the initial 1961 version the protagonist was a boy, played by Billy Mumy (who appears in this remake in a small role). The final playlet, "The Unlocked Window," is an abbreviated version of a story first shown on The Alfred Hitchcock Hour in 1965. Bruce Davidson is featured in a virtual reprise of that beloved old Hitchcock protagonist Norman Bates. Each of the four stories in Alfred Hitchcock Presents had its own director -- in order of appearance, they are Joel Oliansky, Steve De Jarnatt, Randa Haines, and Fred Walton -- and all were narrated by co-star John Huston. The late Alfred Hitchcock opens and closes each playlet via colorized footage from the original series -- a bizarre touch that "The Master" might have approved of. ~ Hal Erickson, Rovi

By the admission of its own producers, the made-for-TV Marian Rose White was "extremely loosely based" on a true story. The real Marian Rose White was a 1930s teenager who suffered from a congenital visual defect. This led to her being misdiagnosed as "feebleminded," and locked away in a Sonoma, California institution. Despite the entreaties of sympathetic staffers, Marian was forced to undergo a legally mandated sterilization--which her widowed, impoverished mother readily agreed to. Thirty years passed before this terrible wrong was addressed and Marian was allowed to re-enter society. For the purposes of this film, those three decades were telescoped into four years. The result is a sincere (if somewhat rushed) "injustice of the week" TV effort. Katherine Ross is top-billed as a compassionate nurse, while Valerie Perrine is cast as Marian's unfeeling mother. Marian Rose White is brilliantly essayed by Nancy Cartwright, who is best known today as the voice of cartoon character Bart Simpson. ~ Hal Erickson, Rovi

In this made-for-TV movie, a wedding photographer learns the secrets of marriage while working at several ceremonies. ~ John Bush, Rovi

Despite being a less well-regarded virtual remake of the original film, Jaws 2 earned a tidy sum at the box office by combining its predecessor's winning formula with the popular teen horror craze, helping to spawn the era of blockbuster sequels. Roy Scheider returns as Sheriff Martin Brody, whose small resort town of Amity is poised to bounce back from the economic hardship it encountered after becoming widely known as the site of vicious shark attacks. But at the same time that Mayor Vaughn (Murray Hamilton) is welcoming a real estate developer to Amity, two divers disappear and a party of waterskiers is consumed by a shark. The incidents are explained away as accidents, but Brody knows better, tipping his bullets with cyanide and forbidding his sons Mike (Mark Gruner) and Sean (Marc Gilpin) to participate in a teen sailing regatta. Everyone foolishly chalks up Brody's fears to trauma-induced paranoia, and the regatta goes forward, with a hungry great white trailing the youthful contestants and hungrily picking them off one by one. Director Jeannot Szwarc would later helm another sequel, Supergirl (1984). ~ Karl Williams, Rovi