Erich Von Stroheim, Jr. Movies

Producer and director Otto Preminger reportedly experimented with LSD in the late 60's, which inspired him to make this notorious comedy in which Jackie Gleason plays Tony, a mid-level gangster and former hired killer not very happy with his life. He bickers a lot with his wife Flo (Carol Channing) and isn't sure what to make of his daughter Darlene (Alexandra Hay), especially since she started dating a hippie named Stash (John Phillip Law). Two of Tony's superiors, Angie (Frankie Avalon) and Hechy (Cesar Romero), order him to get arrested, go to prison and once behind bars whack "Blue Chips" Packard (Mickey Rooney). Though he's not pleased with the idea, Tony grudgingly goes along, but once inside, he's accidentally dosed with LSD by counterculture activist the Professor (Austin Pendleton). His consciousness expanded by his trip, Tony leaves his violent lifestyle behind him and with the Professor's help plans an escape after turning the entire prison population on to acid. Certainly your only opportunity to see Groucho Marx play a character named "God," not to mention a supporting cast that includes Slim Pickens, Peter Lawford, George Raft, Frank Gorshin and Arnold Stang, Skidoo is also remembered as the film in which Harry Nilsson sang all the credits. ~ Mark Deming, All Movie Guide

One of Hollywood's great directors, Vincente Minnelli, turns a jaundiced eye towards the film industry in this drama about the inner workings of the movie business. Jack Andrus (Kirk Douglas) is an actor whose career has gone into a tailspin along with his personal life; after a severe bout with alcoholism, a messy break-up with his wife, a life-threatening auto accident, and a nervous breakdown, Andrus has spent three years in a private mental hospital in Connecticut. Andrus is approached by Maurice Kruger (Edward G. Robinson), a noted filmmaker who worked many times with Andrus in the past, offering him a small role in his next picture, and with the blessings of his doctors, the actor flies to Rome to return to work. However, once he arrives, Andrus finds the project is in chaos -- his role has been recast, Kruger is constantly battling with producer Tucino (Mino Doro), leading man Davie Drew (George Hamilton) is squabbling with both %Kruger and his girlfriend Veronica (Daliah Lavi), and the female lead (Rosanna Schiaffino) can't recite her dialogue in English. With the shooting in shambles, Kruger asks Andrus to take over the dubbing work in hopes of bringing the film in on schedule, and against his better judgement Andrus agrees. As Andrus tries to rise to this new challenge -- made all the more trying by the arrival of his ex-wife Carlotta (Cyd Charisse) -- the production receives its biggest setback when Kruger suffers a heart attack after a bitter argument with his wife (Claire Trevor). Andrus takes over the direction of the picture, and proves a capable hand for the job, bringing in the project on time and on budget. However, Kruger expresses resentment rather than gratitude, claiming that Andrus is trying to put an end to his career. Two Weeks In Another Town was adapted from a novel by Irwin Shaw. ~ Mark Deming, All Movie Guide

Vicki Gaye (Cyd Charisse) is a dancer at a night club in early 1930's Chicago. A healthy cynic who still possesses some ideals, she entertains no illusions about the "invitation" (or the $100 that goes with it) that she gets to a party hosted by mob kingpin Rico Angelo (Lee J. Cobb) -- but she still won't let Angelo's head torpedo Louis Canetto (John Ireland) get near her. Angelo's attorney Thomas Farrell (Robert Taylor) is another story -- he's a more complicated than the men he defends, and still enough of an idealist so that when he and Vicki cross swords about who is the worse hypocrite, it actually affects him. Farrell, whose right leg has been crippled from birth and getting worse, took the easy way to success by pursuing a criminal practice, including getting Canetto off a murder rap -- but after meeting Vicki he starts to see another path to take, and also embarks on a year of surgical procedures to cure the worst of the pain in his leg. And he comes out a new man, with a new plan in life, including starting over in a practice that doesn't involve criminal law. But Angelo plans on having Farrell fight an old friend, prosecutor Jeffrey Stewart (Kent Smith), who is trying to indict Angelo's associate Cooky La Motte (Corey Allen). Farrell resists, until Angelo threatens to harm Vicki -- and when the case and the trail blow up in both sides' faces, he finds himself caught between the mob and the law, with Vicki urging him to do the right thing. ~ Bruce Eder, All Movie Guide

Child star Frank "Junior" Coghlan's final film on his DeMille-Pathe contract was the military-academy drama Square Shoulders. After the death of his mother, young Tad (Coghlan) is made a ward of a newsboy's home. Proud of the Distinguished Service Cross left to him by his reportedly dead war-hero father, Tad organizes his fellow "newsies" into an ersatz army. His authority is challenged by wealthy military-school cadet Eddie (Phillipe De Lacy), but after an initial scrap, Tad and Eddie become good pals. Later on, when Tad is left a hefty sum of money by an unknown benefactor, he signs up at the same academy attended by Eddie. Little does Tad suspect that the academy's seedy stablehand Slag (Louis Wolheim) is actually his own father, who did not die on the battlefield but instead spent several years in prison. Not even after Slag sacrifices his own life to save Tad's does the boy ever learn the truth. Conceived as a silent film, Square Shoulders was transformed into a "talkie" by the expedient of adding sound to the final reel (unfortunately, only the silent version survives). Also appearing in the film are two second-generation Hollywoodites, Erich Von Stroheim Jr. and Chuck Reisner Jr. (later known as Dean Reisner). ~ Hal Erickson, All Movie Guide