Gustav von Seyffertitz Movies

Satanic-featured Austrian actor/director Gustav von Seyffertitz not only looked like a villain, but with that three-barrelled name he sounded like one -- even in silent pictures. After a lengthy stage career in both Germany and New York, Seyffertitz began appearing in World War One films as the very embodiment of the "Hideous Hun" -- America's notion of the merciless, atrocity-happy German military officer. Allegedly to avoid persecution from the anti-German organizations of the era, Seyffertitz changed his professional name to G. Butler Cloneblough -- a monicker so satiric in its timbre that one can't help that the "rechristening" was the concoction of a clever press agent. Returning to his own name after the war, Seyffertitz remained busy as a "villain of all nations:" He was British criminal mastermind Moriarty in John Barrymore's Sherlock Holmes (1922), a torturer for the Borgias in Barrymore's Don Juan (1926), and the evil American backwoods farmer Grimes in Mary Pickford's Sparrows (1926). Nearly always a supporting actor, Seyffertitz was given his full head with a mad-scientist leading role in the 1927 horror flick The Wizard. Offscreen, Seyffertitz was a kindly, temperate man, patient enough to direct Vitagraph star Alice Calhoun in three back-to-back vehicles in 1921: Princess Jones, Closed Doors and Peggy Puts It Over. In talking pictures, Seyffertitz' deep, warm voice somewhat mitigated his horrific demeanor. Though few of his talkie roles were billed, Gustav von Seyffertitz made the most of such parts as the High Priest in the 1935 version of She and the pontificating court psychiatrist in Capra's Mr. Deeds Goes to Town (1936). ~ Hal Erickson, All Movie Guide
1925  
 
Breezy Raymond Griffith became a full-fledged screen star with this highly entertaining comedy. Alexis (Griffith), the prince of a European principality, is run ragged by his many duties -- trivialities such as christening ships, kissing babies, reviewing troops, and the like. But when he meets a girl (Mary Brian) and falls in love, he wants nothing except to be with her. Unfortunately, neither his position nor his prime minister (Gustav Von Seyffertitz) will allow it. On top of that, every time he steals a moment to talk to her, he is surrounded by hundreds of people who recognize him. The situation becomes even more frustrating when the king (Tyrone Power Sr.) dies, and Alexis winds up on the throne. He solves this dilemma by helping a revolutionist (Nigel de Bruliere) overthrow the government. Unfortunately, Alexis is so popular that he is elected president, so his duties never end. Fortunately, he is now a commoner so he can marry the girl. ~ Janiss Garza, All Movie Guide

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Starring:
Raymond GriffithMary Brian, (more)
1932  
 
Eric Linden is a bellhop who has the extreme misfortune of being in the wrong place at the wrong time in gangster era of Chicago. After witnessing an assassination staged by gangsters, Linden becomes a pawn, being pushed back and forth by corrupt authorities and the mob. Tension mounts as the possibility that the blame for the crime may eventually rest on Linden. ~ All Movie Guide

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Starring:
Eric LindenSidney Fox, (more)
1921  
 
The most amazing aspect of Amazing Lovers is that director B.A. Rolfe actually coaxed a believable performance from star Diana Allen. A former Ziegfeld Follies girl, Allen was one of the screen's great beauties, but her acting was usually on a Thanksgiving Pageant level. Even so, Ms. Allen managed to be convincing herein, playing an undercover law enforcement agent on the trail of counterfeiters. Dignified Marc MacDermott exhibits an admirable sneer as the head of the crooks. Amazing Lovers was based on Robert W. Chambers' novel The Shining Band. ~ Hal Erickson, All Movie Guide

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1931  
 
Bill Harper (Will Rogers), a cattle baron turned diplomat, is assigned to the middle European country of Sylvania, which is in a nearly constant state of uproar ever since King Lothar (Ray Milland), who is convinced Queen Vania (Marguerite Churchill) was having an affair, left the country. Their young son Paul (Tad Alexander) is supposedly the leader, but it's really ruled by scheming Prince de Polikoff (Gustav Von Seyffertitz), who instantly dislikes the easygoing Bill, who makes friends with Paul and Vania. Lothar, who sneaked back into the country disguised as Bill's pilot, tries to reconcile with Vania, but to no avail. Thanks to de Polikoff's plans, Bill is arrested -- just as Lothar starts a revolution. ~ Bill Warren, All Movie Guide

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Starring:
Will RogersMarguerite Churchill, (more)
1930  
 
Are You There? is a characteristically lumpy but enjoyable early-talkie musical from Fox Studios. Broadway luminary Beatrice Lillie stars as a looney lady detective with a penchant for disguises. This plot device allows her to parade her astonishing versatility in a wide array of characterizations, including a dotty nurse in a hospital where a criminal gang is encamped. Are You There? came at the tail end of the first movie-musical cycle; Fox, fearing that musicals were on the way out, removed four of Ms. Lillie's seven musical numbers. This butchery resulted in the negative reputation Are You There? has earned among Bea Lillie's staunchest fans, though even in its truncated form the film is extremely entertaining. ~ Hal Erickson, All Movie Guide

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Starring:
Beatrice LillieOlga Baclanova, (more)
1924  
 
Director Tom Terriss took his cast and crew to Cuba and Spain to give this romantic drama authentic exteriors. Character actor Pedro de Cordoba stars as Dorando, an officer of the Spanish army. When his wife is killed as the result of an attack by the lascivious Marques de Bazan (Gustav Von Seyffertitz), Dorando becomes an outlaw and is soon known as the Bandolero. He kidnaps the Marques' young son, Ramon, and hands him over to be raised by one of his own men. When Ramon grows up he falls in love with Dorando's beautiful daughter, Petra (Renée Adorée). Dorando forbids the match, so Ramon leaves and becomes a bullfighter. When Ramon turns down the advances of Concha (Dorothy Rush), she vindictively asks the Marques to order him to kill a bull before it has been worn out. Only after Ramon is gored does the Marques discover that he is his own son. He rushes to Ramon's bedside and begs forgiveness from both his son and Dorando. Dorando, who has been made chief of the mountain police, accepts the apology. Ramon recovers and Dorando gives him and Petra his blessings. ~ Janiss Garza, All Movie Guide

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Starring:
Pedro de CordobaRenée Adorée, (more)
1927  
 
Barbed Wire was based on The Woman of Knockaloe, an antiwar novel by Sir Hall Caine. The original novel dealt with the deleterious WWI-era policy of shipping German-born British citizens back to their "homeland" at the outbreak of the war, no matter how long they'd lived in England. The hero, who'd been brought from Germany to the Isle of Man in his infancy, is forced to spend a lengthy internment at the Knockaloe Alien's Camp before his deportation. The story concerned his relationship with a Manx farm woman who is sympathetic to his plight. Screenwriter Jules Furthman rewrote Caine's story as a traditional POW drama, changing the locale to France. Polish actress Pola Negri stars as Maria, a French farm girl whose romance with German prisoner-of-war Oskar (British actor Clive Brook, who'd spent the war in his own country's service as an officer) forms the dramatic nucleus of the story. In the interests of authenticity, most of Oskar's fellow prisoners were played by genuine German war veterans who'd spent the duration in POW camps. Even so, the film was essentially a vehicle for Pola Negri, and as such falls just short of being a classic of its genre. ~ Hal Erickson, All Movie Guide

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Starring:
Pola NegriClive Brook, (more)
1927  
 
The popularity of Priscilla Dean had eclipsed by 1927, but she still proved an attractive and talented leading lady in Columbia's Birds of Prey. Dean plays a member of a clever criminal gang, headed by mastermind Gustav von Seyfertitz. The heroine would give anything to reform, but this won't happen so long as Von Seyfertitz has anything to say about it. The film's climax finds the bank-robbing crooks trapped in a sudden earthquake, though it's obvious from the get-go that the people the audience care about will survive. Most critics recognized Birds of Prey as a low-budget derivation of Lon Chaney Sr.'s The Unholy Three. ~ Hal Erickson, All Movie Guide

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Starring:
Priscilla DeanGustav von Seyffertitz, (more)
1929  
 
A lesser-known effort from director Josef Von Sternberg, The Case of Lena Smith has been unfairly chastised for all the wrong reasons. It has been branded a financial failure, but in fact its comparatively small box-office take was due to the decision by Paramount Pictures to withdraw several of its late silent releases from distribution and concentrate on talkies. And the casting of Paramount contractee Esther Ralston, who in 1928 was more closely associated with light comedies and romances, has been condemned as a concession to the actress' popularity, when in fact Von Sternberg chose Ralston over Paramount's strenuous objections. The story is set in turn-of-the-century Vienna, where simple peasant girl Lena Smith (Ralston) falls head-over-heels in love with young aristocrat Franz Hofrat (James Hall). The couple are married, despite intense pressure from Hoffrat's blue-blooded family. Ever so slowly and ever so surely, Lena's good nature and unbounded optimism are crushed and shattered by the merciless juggernaut of class consciousness and public opinion, leading unswervingly to a tragic ending. In the original script, Lena Smith was a prostitute, but this was carefully written out to avoid audience animosity against the character (one of the few concessions to popular taste made by Von Sternberg in this instance). Like all of the director's films, The Case of Lena Smith was exquisitely photographed; in fact, there were those who felt that the already gorgeous Esther Ralston never looked better on screen, despite all the suffering endured by her character. ~ Hal Erickson, All Movie Guide

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Starring:
Esther RalstonJames Hall, (more)
1934  
 
Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine's mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film's avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris. ~ Hal Erickson, All Movie Guide

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Starring:
Janet GaynorCharles Farrell, (more)
1929  
 
Chasing Through Europe was an entertaining sequel to David Butler's 1928 directorial effort The News Parade. Nick Stuart returns in the role of a brash newsreel cameraman who trods the globe in search of a "hot scoop." In the course of his travels, Stuart meets Sue Carol, engaged to marry a man she doesn't love. With our hero's help, Carol wriggles out of her nuptial commitment, only to be menaced by her guardian, a criminal mastermind who hopes to make a bundle of money by holding the girl for ransom. The story takes Stuart and Carol all through London and Paris, culminating in a cliff-hanging denouement at the Eiffel Tower, and winding up in Rome, with the bad guys in custody and the boy and girl in each other's arms. The film is enjoyably padded with newsreel snippets of the Prince of Wales, Mussolini, Venice and Mt. Vesuvius (many of these clips had previously shown up in the Our Gang comedy Seeing the World). ~ Hal Erickson, All Movie Guide

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Starring:
Gavin GordonE. Alyn Warren, (more)
1938  
 
This spy thriller is centered upon the actions of the Cipher Bureau, a part of a government agency devoted to intercepting and decoding secret messages. The protagonist must destroy a ring of thinly disguised German spies. The film contains a lot of interesting information about how codes are deciphered and other things such as the ways that broadcast music can contain secret codes. The spies on both sides get involved in a gun battle. The good guys save the day. ~ Sandra Brennan, All Movie Guide

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Starring:
Leon AmesCharlotte Wynters, (more)
1917  
 
The "heroine" of The Countess Charming was actually the hero, played by legendary female impersonator Julian Eltinge. The star plays a wealthy bachelor who manages to get himself booted from society when he insults one of the leaders of the "400." Seeking revenge against the insultee, who happens to be a "charity crook," Eltinge disguises himself as a beautiful countess and worms his way into the villain's confidence. Exerting his "feminine wiles," the bogus countess manages to expose the social arbiter as a thief and a reprobate. So convincing was Julian Eltinge's female masquerade that he frequently issued publicity photos of himself smoking cigars and palling around with the likes of Douglas Fairbanks Sr. and Tom Mix, just in case anyone might assume that he enjoyed being a "girl." ~ Hal Erickson, All Movie Guide

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1930  
 
Joseph Conrad's novel Victory inspired some of this South Sea drama. Alma (Nancy Carroll), a violinist hired to play at an island resort, is pressured to make herself available to its male visitors. She flees and hides in a skiff belonging to the reclusive Heyst (Richard Arlen), who is said to have hidden a stash of gold. The men in pursuit of Alma -- and of Heyst's gold -- force a confrontation with Heyst and they all wind up dead or arrested; Heyst, who actually has no gold, winds up with Alma. ~ Nicole Gagne, All Movie Guide

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Starring:
Nancy CarrollRichard Arlen, (more)
1926  
 
Adapted from a play by Victor Sardou, Diplomacy was another collaboration between actress Blanche Sweet and her then-husband Marshall Neisan. Most of the action takes place along the Riviera, where heroine Dora de Zares (Sweet) comports herself in a most mysterious fashion. The audience is encouraged to think that Dora is a spy of some sort or other, especially when a packet of important diplomatic papers is stolen from her husband Julian Wentworth (Neil Hamilton). But there's plenty of intrigue and surprises before the plot is explained and the truth is revealed. Viewers in 1926 were advised to keep their eyes on "silly ass" Englishman Robert Lowry (Matt Moore), who like Dora wasn't all that he seemed to be. ~ Hal Erickson, All Movie Guide

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Starring:
Blanche SweetNeil Hamilton, (more)
1931  
 
Contemporary viewers who go into Dishonored expecting a musty, dated espionage melodrama will be in for a surprise. Marlene Dietrich delivers a subtle and witty performance as a Viennese prostitute who offers her services as a spy during WWI. As "Agent X-27" our heroine proves invaluable to her superiors, seducing and betraying enemy officers with the greatest of ease. But when she falls in love with Russian spy Lt. Kranau (Victor McLaglen), she permits him to escape her clutches, and as a consequence is sentenced to be executed. Ever the mistress of her own fate, "X-27" stands proud and tall before the firing squad, even comforting the officer in charge (Barry Norton) who can't bring himself to shoot a woman. The scenes between Dietrich and bemedalled general Warner Oland are in themselves worthy of the admission price; equally as entertaining is the brief sequence in which the jaded heroine disguises herself as a zaftig peasant girl. ~ Hal Erickson, All Movie Guide

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Starring:
Marlene DietrichVictor McLaglen, (more)
1926  
 
Historically important as the first film to carry a Vitaphone sound track (consisting of music and sound effects, but no dialogue) Don Juan is a first-rate production by any standards, and would have been just as good with or without musical accompaniment. John Barrymore plays the legendary lover Don Juan, raised by his cynical father (also played by Barrymore) to "love 'em and leave 'em", and to never trust any woman. All of this changes when he meets the beautiful Adriana Della Varnese (Mary Astor). When it seems that Adriana has betrayed him in favor of a wealthy marriage to the lecherous Count Donati (Montague Love), Don Juan renounces her and returns to his rakish ways. What he doesn't know is that Adriana is a political pawn, who has been forced into an alliance with Donati by the calculating Borgias (Estelle Taylor and Noah Beery Sr.). By the time Don Juan finds out that his true love is still true, he has been tossed in prison for killing Donati in a spectacular duel. He breaks out, rescues Adriana from the Borgias' torture chamber, and escapes with his beloved to the safety of Spain. The plot is, of course, more complicated than that, but so fascinating is John Barrymore's performance that it's difficult to concentrate on anything else. The film's highlights include the out-sized duel between Barrymore and Montagu Love, capped by Barrymore's spectacular leap from the top of a huge staircase, and the torture chamber sequences, wherein Barrymore sneaks past the Borgia guards by assuming the facial characteristics of fiendish torturer Gustav von Seyfertitz--and this without makeup. "In the know" film historians may read a lot more into the Barrymore/Mary Astor love scenes than is readily apparent, forearmed as they are with the knowledge that John and Mary had once been passionate lovers offscreen. Scenarist Bess Meredyth used the Lord Byron poem Don Juan as a mere stepping stone for this imaginative, exquisitely filmed romantic adventure. ~ Hal Erickson, All Movie Guide

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Starring:
John BarrymoreMary Astor, (more)
1917  
 
Douglas Fairbanks recalls James M. Barrie's The Admirable Crichton in the 1917 silent Down to Earth. Billy Gaynor (Fairbanks) takes over an asylum where his girl, Ethel (Eileen Percy), is resting after a supposed nervous breakdown. "Doctor" Gaynor realizes that Ethel is perfectly healthy; all that's wrong with her is that she has become soft and spoiled thanks to modern living and too-rigid adherence to passing fads and foibles. He arranges for Ethel and the rest of the hypochondriac patients to take an ocean voyage, then stages a shipwreck, forcing these pampered creatures to fend for themselves on a "desert island" (actually a wooded glade just off a main California highway). Sunshine and hard work does more good for the patients than all the psychiatrists and so-called experts in the world. Having proven his point, Billy claims his girl and bids the other patients a jaunty farewell. ~ Hal Erickson, All Movie Guide

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1925  
 
According to the Paramount publicity mill, Joseph Hergesheimer wrote this unoriginal tale of California's early days especially for Pola Negri. Like all too many of Negri's Paramount vehicles, this drama was not worthy of her talents. Don Geraldo y Villalon (Joseph Dowling) hates Americans because he believes they robbed him of his mine. While he sequesters himself at his ranchero, his daughter Carlotta (Negri) yearns for excitement. When she insists on attending a ball that is being held at the mine, her father kills himself. Carlotta falls in love with John Basset (Youcca Troubetzkoy), the superintendent of the mine, but he has no use for her. So she goes to San Francisco where she becomes a dancehall girl and attracts the attention of vigilante leader Luke Rand (Warner Oland). He offers to get the mine back for her if she gives him what he wants. Carlotta agrees, but when she realizes that Rand's efforts will mean Basset's death, she helps defend the mine instead. Rand nevertheless comes to collect what he feels that Carlotta owes him, and Basset shoots him. After being exonerated of the villain's death, Basset is united with Carlotta. ~ Janiss Garza, All Movie Guide

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Starring:
Pola NegriJoseph J. Dowling, (more)
1926  
 
Going Crooked was based on the stage play by Winchell Smith, William Collier Sr. and Aaron Hoffman. An armored car driver has been killed in a robbery, and an innocent man (Leslie Fenton) has been charged with the murder. DA John Banning (Oscar Shaw) suspects a frame-up, but the only person he is able to haul into jail is Marie (Bessie Love), a minor member of the robbery gang. Realizing that Marie was forced into a life of crime, Banning promises to go easy on her if she'll help him trap the real murderer, gang leader Mordaunt (Gustav von Seyfertitz). Marie nearly loses her own life in the process, but the film comes to its anticipated conclusion as the innocent boy is saved from the Chair just as the switch is being pulled. ~ Hal Erickson, All Movie Guide

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Starring:
Bessie LoveOscar Shaw, (more)
1929  
 
Based on Olympia, a 1928 Ferenc Molnar stage soufflé, His Glorious Night has gone down in history as having more or less single-handedly caused the downfall of silent-screen matinee idol John Gilbert, whose ardent declarations of "I love you, I love you" to an overly inert Catherine Dale Owen were parodied twenty-odd years later in MGM's otherwise highly apocryphal Singing in the Rain (1952). Owen, from the Broadway stage, plays Princess Orsolini, who refuses an arranged marriage in favor of dallying with Kovacs (Gilbert), a dashing cavalry officer. But on the advice of her mother (stage luminary Nance O'Neil), the princess reluctantly informs Kovacs that she cannot love the offspring of a peasant. In revenge, the latter indulges in a bit of blackmail, but true love wins out in the end -- to the energetic strains of Franz Von Suppé's "Light Cavalry Overture". Rumors to the contrary, the problem was not with Gilbert's voice but with screenwriter Willard Mack's overly florid dialogue, which might have been fine as subtitles but sounded downright embarrassing to audiences when spoken by a cast suffering from the stilted direction of a microphone-conscious Lionel Barrymore. His Glorious Night was rather more successful in three foreign-language versions: Olimpia featuring Maria Alba and José Crespo, Olympia with Nora Gregor and Theo Schall, and Si L'empereur Savait Ça featuring Françoise Rosay and André Luguet. The story was remade by director Michael Curtiz in 1960 as A Breath of Scandal starring Sophia Loren and John Gavin. ~ Hans J. Wollstein, All Movie Guide

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Starring:
John GilbertCatherine Dale Owen, (more)
1939  
 
In this drama, a vengeful woman searches for the man she blames for her sister's suicide. To get at him, the woman masquerades as a mousy maid in the tiny hotel where he stays. The story is set in Gallacia during WW I and while she enacts her plan, the Russians and Austrians take over the town. This does not stop her from getting revenge. This is a remake of a 1927 film of the same title. In Hollywood it has the legend of being a cursed production in that it suffered endless production problems and major changes in cast and crew. Originally Marlene Dietrich was to play the title role, but she and director Henry Hathaway were constantly at loggerheads. With the help of Paramount head Arthur Lubitsch, she got Hathaway to rewrite the script with Grover Jones. The new story was called I Loved a Soldier and things resumed. Unfortunately, Lubitsch had been fired and Dietrich, still miserable, abruptly quit, costing Paramount, a fortune. All production ceased, but later they resurrected the original script and tried again to make the film with Margaret Sullavan. Unfortunately, Sullavan and a co-star were horsing around one day on the set and she ended up with a broken arm. The studio heads demanded she perform the role in a sling. This was too much for Hathaway who immediately quit. Soon after, Dietrich returned with her long-time director Josef von Sternberg and said she was now willing to make Hotel Imperial. The studio heads refused and eventually the lead was given to Italian actress Isa Mira. A major sex symbol in Italy, she made this her U.S. debut. Unfortunately, she spoke little English and was forced to recite her lines phonetically. Meanwhile her co-star Ray Milland nearly died during a scene in which he had to lead a cavalry charge. During the run, he was thrown off his horse and tossed head first into a brick pile. Fortunately he only suffered a concussion. Later Hotel Imperial was remade as Five Graves to Cairo Sometimes, as in this case, the history behind the film is more interesting than the film itself, no? ~ Sandra Brennan, All Movie Guide

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Starring:
Isa MirandaRay Milland, (more)
1938  
 
Add In Old Chicago to QueueAdd In Old Chicago to top of Queue
In Old Chicago was 20th Century-Fox's spin on MGM's San Francisco--a personal saga played out against the backdrop of a famous 19th Century disaster. Alice Brady plays Mrs. O'Leary, a widow who brings her two young boys to the sleepy village of Chicago. As the city grows in prominence and prestige, so do the boys: One son (Tyrone Power) becomes a rascal who dreams of creating his own entertainment empire, while the other son (Don Ameche) matures into an honest, straight-laced lawyer. Both boys woo a beautiful singer (Alice Faye), who favors the more reckless of the two. As the headstrong son gains control of the more disreputable forms of Chicago entertainment, the serious son becomes the city's Mayor. The requisite rivalry between the two reaches a fever pitch just before their mother's cow knocks over a lantern and sets off the Great Chicago Fire of 1871. The O'Leary boys unite in trying to fight the conflagration and rescue the populace; the mayor dies, and the wastrel son vows to mend his ways and help build a "new" Chicago. In Old Chicago is climaxed spectacularly by the famous fire, a masterwork of special effects courtesy of 20th Century-Fox's Fred Sersen. The film, which originally ran 115 minutes, is currently available only in its shorter (and better paced) reissue version. ~ Hal Erickson, All Movie Guide

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Starring:
Tyrone PowerAlice Faye, (more)
1938  
 
We never actually see J. Carroll Naish in Alcatraz, but there's no doubt he's the "king" of the title. Most of the action takes place aboard a passenger ship, which Naish has boarded incognito in hopes of escaping prosecution. Naish and his gunmen take over the ship, complicating the lives of passengers and crew alike (in one scene, nurse Gail Patrick is obliged to perform an operation while being guided by an on-shore surgeon via wireless). Seamen Lloyd Nolan and Robert Preston bide their time, then turn the tables on Naish and his henchmen. Packing more action into its 57 minutes than most "A" pictures, King of Alcatraz is a film buff's dream, with a cast filled to the brim with familiar faces, from up-and-coming Anthony Quinn to silent movie vets Monte Blue, Tom Tyler and Gustav von Seyfertitz. ~ Hal Erickson, All Movie Guide

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Starring:
Gail PatrickLloyd Nolan, (more)
1918  
 
The plot of Less Than Kin hinges upon the astonishing resemblance between its two protagonists (both of whom, for the sake of convenience and "box-office insurance, are played by the popular Wallace Reid.) The story opens in Central America, where Lewis Vickers (Reid) has fled to escape prosecution for killing a man in self-defence. Likewise in the vicinity is Robert Lee (Reid), who though not wanted by the Law is in all-around heel. When Lee dies, Vickers assumes his identity and returns to New York. Here he is welcomed by Lee's family, though not exactly with open arms. Upon learning about the various skeletons in Lee's closet, Vickers sets about to right the wrongs perpetrated by his alter ego. He also rescues Lee's stepsister Nellie (Ann Little) from a disastrous marriage, thereby winning the girl for himself. As for the spectre of arrest that hangs over Vickers' head -- well, even that is disposed of in the waning moments of the film. ~ Hal Erickson, All Movie Guide

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