Clement Von Franckenstein Movies

A single mother whose faith in love died with her former husband learns that Christmas miracles can still happen in director Harvey Frost's warmhearted tale of winter magic. Beth Andrews (Crystal Bernard) is a devoted single mother and advertising executive whose current campaign could put her on the fast track to the big time. The holiday season is here, and in order to sell the latest in video game technology, Beth's campaign needs the perfect Santa Claus. As Beth burns the midnight oil night after night and attempts to convince her young son Jake (Dominic Scott Kay) never to have faith in fantasies, the wistful young man pens a letter to Santa asking for a new dad for the holidays. It seems that up in the North Pole the time has come for Saint Nick to pass along the seasonal responsibilities to his son Nick (Steve Guttenberg), but in order to take the position, Nick must have a Mrs. Claus before Christmas Eve. Upon receiving the Christmas request from young Jake, Nick sets his sights on Los Angeles, and Beth Andrews in particular. Despite his best intentions, it's going to take more than a Christmas miracle to convince the dejected widow that love can still conquer all. ~ Jason Buchanan, All Movie Guide

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, All Movie Guide

Mel Brooks directed and co-wrote this satiric comedy which lampoons a number of cinematic treatments of the legend of Sherwood Forest, including Robin Hood: Prince of Thieves and The Adventures of Robin Hood. Robin Hood (Cary Elwes) comes home after fighting in the Crusades to learn that the noble King Richard (Patrick Stewart) is in exile and that the despotic King John (Richard Lewis) now rules England, with the help of the Sheriff of Rottingham (Roger Rees). Robin Hood assembles a band of fellow patriots to do battle with John and the Sheriff, including Asneeze (Isaac Hayes) and his son Ahchoo (Dave Chappelle), the blind watchman Blinkin (Mark Blankfield), Will Scarlet O'Hara (Matthew Porretta), and Rabbi Tuckman (Brooks). The Sheriff is eager to put Robin Hood out of business with the aid of criminal mastermind Don Giovanni (Dom DeLuise), but Robin soon has an ally in the royal palace when he falls for the lovely Maid Marian (Amy Yasbeck), whose minder Broomhilde (Megan Cavanagh) has uncooperatively outfitted Marian with a chastity belt. The cast also includes Tracy Ullman, Robert Ridgely, and Clive Revill. ~ Mark Deming, All Movie Guide

In this youthful martial arts adventure, a young ninja teams up with his master to save a scientist's daughters from kidnappers. ~ Sandra Brennan, All Movie Guide

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, All Movie Guide

Kewpie-doll voiced Melanie Griffith does a sexed-up Nancy Drew turn in David Seltzer's adaptation of Susan Issacs' novel Shining Through. Set during World war II, Griffith plays Linda Voss, a spunky New York girl who applies for a job with international lawyer Ed Leland (Michael Douglas). Ed hires her immediately when he finds out that she speaks German fluently. The reason Ed is so interested in Linda's language skills is because Ed is an undercover OSS officer who needs a German translator. Their business relationship translates into love, but when America enters the war, Ed abandons his law practice to become a full-time spy. Utilizing Linda's charms, she travels to Berlin and infiltrates the Nazis as a domestic to try to discover information about "a bomb that can fly by itself." But Linda has personal as well as patriotic motives for agreeing to go undercover, since she has Jewish relatives in Berlin and wants to find out their whereabouts. ~ Paul Brenner, All Movie Guide

This juvenile rehash of The Invisible Man -- done as a combination of T&A sex-comedy and gory horror film -- stars Noel Peters as a sex-crazed mad scientist (given to ridiculous cackling fits) who evades the law by masquerading as a physics teacher at a high school filled to overflow with curvaceous blond bimbos. When the lecherous prof invents a "molecular reorganization" formula that renders him invisible, he finds even more opportunity to ogle the girls' showers and cop the occasional feel. Murdering anyone he suspects may be wise to his shenanigans, the professor eventually begins killing just for the fun of it. Writer-director Riff Coogan may have conceived this mess as a campy, Troma-style sex-and-gore romp, hardly a worthwhile aspiration. ~ Cavett Binion, All Movie Guide

After his brother is badly beaten by a street gang, Jean-Claude Van Damme deserts the foreign legion in order to avenge his honor in this action film also known as A.W.O.L. and Wrong Bet. ~ Jason Ankeny, All Movie Guide