Gian Maria Volontè Movies

The title character, played by Claudia Cardinale, is a young woman who heads out alone to the big city after being dumped by her lover. She is befriended and protected by her ex-suitor's younger brother Jacques Perrin, who eventually becomes her new romance, despite the difference in ages (Perrin is 16, while Cardinale is...somewhat older). When Cardinale begins a new relationship with a musician, she tries to let Perrin down easily, but the young man is too headstrong for that. When they finally do part, Perrin gives Cardinale a large sum of money as a farewell gift. Despite the fact that Claudia Cardinale subsists off the kindness of strangers in this film, Girl With a Suitcase (originally La Fille de La Valise in France and La Ragazza Con la Valigia in Italy) treats her character with warmth and sympathy. ~ Hal Erickson, All Movie Guide

Three mining engineers are marooned in the Sahara after their helicopter crashes and end up finding a secret doorway to the lost city of Atlantis where they capture the fancy of a ruthless Egyptian queen. She manages to seduce one of the men with her magic, but the other two meet grim fates after attempting to escape. Meanwhile, a beautiful slave falls for the mesmerized engineer and endeavors to help him escape. She must hurry for she knows that testing of an atom bomb at a neighboring test site above ground is about to commence. ~ Sandra Brennan, All Movie Guide

This gripping, Oscar-nominated war drama is set in the fall of 1943 during the Nazi occupation of Italy when all the Neapolitan males from five to sixty are forced to work in slave camps. Tired of the cruelty and oppression, the people rise up and launch such a violent melee that they frighten the German invaders out of their city. ~ Sandra Brennan, All Movie Guide

Three novice directors went in together to write and direct this routine drama about the Mafia in Sicily. Salvatore (Gian Maria Volonte) lives in a rural environment on the island, and when he becomes fed up with Mafia tactics, he swings into action. First he convinces the farmers and workers that they can band together, and then he convinces them to go on strike against their exploitative employers. The results bring tragedy in their wake, but the beginnings of a unified stance against the mobsters takes hold. ~ Eleanor Mannikka, All Movie Guide

By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western. ~ Yuri German, All Movie Guide

This uninhibited Italian comedy was originally titled Il Magnifico Cornuto. Ugo Tognazzi plays a philandering businessman, inordinately proud of his hyperactive libido. Claudia Cardinale is his sexy wife, which makes one wonder why Tognazzi would ever want to stray. Be that as it may, Cardinale decides to take revenge on her roving hubby by launching an affair of her own. The beauty part is that she's almost able to get away with her hanky-panky without her self-absorbed husband ever catching on. ~ Hal Erickson, All Movie Guide

Wessel Franken (Paolo Graziosi) is a writer who leaves his wife and work behind for a vacation in sunny Cote D'Azur. When he discovers his elderly host Max (Walter Kous) is having a homosexual affair with young Danny (Joop Van Hulzen), he flees to Rome for a brief fling with Karen (Kittie Courbois). Wessel soon is lonely for his wife Leonie (Asta Weyne) and longs to return to the home he previously couldn't wait to leave behind. ~ Dan Pavlides, All Movie Guide

Dashing Austrian actor Robert Hoffmann stars as Luciano Luthring, a small-time hood who rises quickly to to the ranks of ruthless professional criminal, only to be betrayed by his beautiful moll (Lisa Gastoni). This fact-based crime thriller, directed by veteran Carlo Lizzani, also contains a fine supporting performance by Gian Maria Volonte as the cunning inspector who psychologically manipulates Gastoni into turning on her lover by playing on her guilty conscience. ~ Robert Firsching, All Movie Guide

It is early in the 20th century, and an American traveler has come to Mexico at just the wrong time to continue living a peaceful life, for the Revolution has begun and he quickly finds himself in the thick of it. At first, he is right in the middle between government troops and the revolutionaries and bandidos as they attack a train. Later, he finds himself among the decidedly scruffy-looking revolutionaries and even finds some romantic interest in a hot-tempered girl who is among them. ~ Clarke Fountain, All Movie Guide

In this romantic horror movie, a family hires a genealogist to help them assemble the late patriarch's papers. While there, he falls in love with the daughter who is not nearly as angelic as she looks. ~ Sandra Brennan, All Movie Guide

This gripping crime thriller from director Carlo Lizzani was based on a true story. A daring gang of bandits pull off a series of risky heists in Milan, murdering several innocent bystanders in the film's exciting opening getaway scene. Lizzani then moves the story backwards in time, painting a portrait of Milan as a seething hotbed of vice. Gian Maria Volonte gives an increasingly flamboyant performance as the gang's egomaniacal leader, whose Nazi-like belief in his own superiority proves to be the flaw which foils his plans. Tomas Milian, in a rare nonvillainous turn, shines as the dedicated young police inspector who brings Volonte down, and gun moll Carla Gravina has an amusing (if stereotypical) scene in which Volonte teaches her to drive. The thrilling car chase is among the best in the Italian crime genre, and even Riz Ortolani's typically annoying musical score does not detract from the film's appeal. ~ Robert Firsching, All Movie Guide

This symbolic film underscores the struggles between a group of visionaries versus the Establishment while wondering about the survival of humankind. A group of young men manage to escape a volcano eruption on their small island. Seeking a new life, they stop at an island between their destroyed island and the mainland. This island is run by Renno, the community leader who offers the men help and a boat to continue their journey. The group conspires to panic the islanders with fear of another volcano eruption in order to take over the abandoned island. Renno has the men jailed for creating a disturbance, but after their terms are served, the men betray Renno by killing off the male population and escaping with the surviving women. The two apparently go off to pursue their utopian ideals where there is one woman for every two men. ~ Dan Pavlides, All Movie Guide