John Voldstad Movies

A German expressionism/film-noir hybrid from former special efffects photographer Les Bernstein (Contact (1997) and Fight Club (1999)), this visually driven film follows portly ex-con Joe Butcher (John Voldstad) as embarks on a wild and surreal journey south of the border while trying to solve the mystery of his brother's death. Entangled in a menacing web of corruption surrounding Tijuana's snuff film industry shortly after his arrival in Mexico, Butcher's alcohol enduced stupor finds him encountering a Mexican spitfire and a series of increasingly bizarre, and often threatening characters. ~ Jason Buchanan, Rovi

My Summer Story is the video title for It Runs in the Family. Based on the writings of humorist/raconteur Jean Shepherd, the film was the long-awaited sequel to the 1984 "sleeper" A Christmas Story. Set in the 1940s, the story is told from the point-of-view of Ralphie Parker (Kieran Culkin), who watches in bemusement as "The Old Man" (Charles Grodin) carries on a long-running feud with their hillbilly neighbors, the Bumpus family. Mary Steenburgen is cast as Ralphie's ditsy mom. Also appearing is yet another celebrity sibling, Christian Culkin. Jean Shepherd himself narrates, as he did in the earlier film, while the direction is in the hands of A Christmas Story's Bob Clark. ~ Hal Erickson, Rovi

In this road movie, the motorists are a pair of preteens--brothers Josh (Jacob Tierney) and Sam (Noah Fleiss)--who hit the highway after their parents announce their pending divorce. ~ Jason Ankeny, Rovi

If Elizabeth Montgomery must continue to play put-upon women in her TV movies, it cannot be denied that she possesses the superior talents to pull it off. In Second Sight: A Love Story, Ms. Montgomery portrays a woman who has been blind for 20 years. Worried that people will try to get close to her out of pity, she distances herself emotionally from everyone but her seeing-eye dog Emma. A romance with Barry Newman begins to pull Montgomery out of her shell. When the opportunity arises for a delicate operation that may restore her sight, Ms. Montgomery is alternately elated and perplexed: will the loss of her handicap also lose her the affections of Newman--not to mention Emma? Second Sight: A Love Story was inspired by Sheila Hocken's autobiographical novel Emma and I. ~ Hal Erickson, Rovi

In this loud teen movie, a motley crew of youths, ranging from the rainbow-haired King Vidiot (Jonathan Gries), to Eugene the king nerd (Leif Green) and a washed-up video freak descend to the usual level of tricks to keep their video arcade from being shut down by a businessman (Joe Don Baker) who believes the games are a threat to the mental health of today's youth. ~ Eleanor Mannikka, Rovi

Bill Murray decides to be all that he can be -- and it ain't pretty -- in this hit comedy. John Winger (Murray) is a quick-witted but unambitious loser who comes home after getting fired to discover that his car has been repossessed and his girlfriend is leaving him. With no idea of what to do next, John and his best friend Russell Ziskey (Harold Ramis) impulsively join the Army, more as a practical joke than a career goal. John and Russell find themselves in basic training under the hard-nosed and impatient Sgt. Hulka (Warren Oates), who is stuck with an outfit of goofballs, including overweight Ox (John Candy), naive Cruiser (John Deihl), perpetually stoned Elmo (Judge Reinhold), and the appropriately-nicknamed Psycho (Conrad Dunn). The platoon succeeds in impressing the generals spite of themselves, and John and Russell even find time to romance two pretty female MPs, Stella (P.J. Soles) and Louise (Sean Young). However, when John and Russell commandeer a high-tech military vehicle for a European weekend getaway with the girls, they happen into Soviet territory and stumble into an international incident. Remarkably, Stripes was made with the full cooperation of the U.S. Army, despite its less-than-rosy view of the all-volunteer armed forces. ~ Mark Deming, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

The terminally irritating Frank Burns (Larry Linville) is more obnoxious than ever now that Hot Lips (Loretta Swit) is on assignment in Tokyo. Deluged with complaints about Burns' behavior, Col. Potter (Harry Morgan) suggests a "counter-offensive": Maybe if everyone was nice to Frank, he'd calm down himself. The camp struggles valiantly to follow Potter's advice--with bizarre results. ~ Hal Erickson, Rovi