Karl Michael Vogler Movies

Peter R. Hunt directed this World War I action-adventure, based upon the novel by Wilbur Smith. Roger Moore and Lee Marvin team up as Sebastian, a witty and cosmopolitan Englishman, and Flynn O'Flynn, a boozy and ornery Irish American, who decide to blow up a German battleship that has been hidden away for repairs in Southeast Africa. Helping the two in their quest to sink the battleship is Sebastian's wife Rosa (Barbara Parkins), who has her own reasons for seeing the ship is destroyed -- the Germans took the life of her only child. ~ Paul Brenner, All Movie Guide

John Moulder-Brown plays a teen-aged London bathhouse attendant who forms a business alliance with female attendant Jane Asher. The object is to obtain better tips from their clients, but soon the impressionable Moulder-Brown falls in love with the older Asher. Brushed off by the girl in favor of a handsome swimming instructor, Moulder-Brown makes several halfhearted attempts at revenge. When the boy and girl finally do get together sexually, the event is motivated by lust and has tragic results. Deep End observes how adolescent obsession can mushroom into disaster if one doesn't have the emotional equipment to cope. ~ Hal Erickson, All Movie Guide

The German Seventeen and Anxious was also released as O Happy Day. The film's alternate title is a reference to a popular gospel song, which is performed often and con brio in the course of the action. The film's official title alludes to the coming of age experienced by its youthful protagonists. The younger actors are green but eager to please, while the veterans in the supporting cast-including Nadja Tiller and Karl Michael Vogler-help make the film palatable for those among us not politely inclined to nervous teenagers. The film's R rating is admittedly necessary, but should not suggest that the film is overtly offensive. Unfortunately, Seventeen and Anxious represents the next-to-last film effort for its talented director, Zbynek Brynych. ~ Hal Erickson, All Movie Guide

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, All Movie Guide

Based on a novel by Jack D. Hunter, The Blue Max is a World War I aviation drama, told from the German point of view. Low-born infantryman George Peppard becomes a pilot, almost deliberately stepping on the sensibilities of his aristocratic comrades in the process. A national hero, Peppard wins the Blue Max, the highest award that can be bestowed upon an aviator. His fame is exploited by general James Mason, who tolerates Peppard's affair with Mason's wife Ursula Andress. The canny Mason knows that, eventually, Peppard will be expendable, and a "heroic" death can be arranged. ~ Hal Erickson, All Movie Guide

Nicholaus (Karl Michael Volger) enjoys his career as a successful divorce lawyer and the many opportunities he has to meet women. He has no intention of settling down until he meets the beautiful Martine (Heidelinde Weis). Martine has heard of the attorney's amorous reputation and pretends she is married to try and discourage him. Nicholaus sets out to prove to Martine that he can be faithful to one woman in this light romantic drama. ~ Dan Pavlides, All Movie Guide

A charming, sophisticated, off-beat, and unlikely comedy, Ein Mann Geht durch die Wand has a title that describes the crux of the humor: an unprepossessing underling in the revenue offices discovers he can walk through walls. Herr Buchsbaum (Heinz Ruehmann) is naturally quite surprised at this development, but he soon finds some very understandable ways to use his newfound ability. His exploits lead both to laughter and to a tug at the heartstrings. Also figuring in the tale are his attractive next-door neighbor, two colleagues at work, and his boss. ~ Eleanor Mannikka, All Movie Guide