Tony Vogel Movies

In 1919 and 1920, a courageous young filmmaker named Robert Flaherty set out for the frozen north of Canada, Inuit (Eskimo) country, and filmed the first successfull documentary feature Nanook of the North. In doing so, he enormously increased awareness of the frozen wastes in the north of Canada, and produced a film of haunting beauty. This drama recreates his journey, and shows how Flaherty (Charles Dance) persuaded a young Inuit named Nanook (Adamie Quasiak Inupuk) to hunt for him in the old ways, foregoing the advantages of a rifle. The two men faced many amazing dangers along the way, and saw many extraordinary sights. One of the more striking images captured in this film is an encounter with a herd of walrus. This film, like the one which inspired it, casts Inuit people in all Inuit roles - not a common filmmaking practice even today. When the Inuit language is being spoken, the film provides English subtitles. ~ Clarke Fountain, Rovi

Based on the novel by Graham Swift, this drama follows the past and present crises of schoolteacher Tom Crick (Jeremy Irons), who attempts to resolve the problems in his own life and the apathy of his students by relating stories of his troubled childhood in the English Fens (a marshy region in Britain). ~ Iotis Erlewine, Rovi

Richard Attenborough directed this dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods (Kevin Kline) is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko (Denzel Washington), a courageous and outspoken black anti-apartheid activist. Woods and his wife Wendy (Penelope Wilton) get to know Biko, and they become friends, until Biko is brutally murdered at the hands of government troops in 1977 for his activities against the country's repression of the black majority population. Donald is shocked and appalled by Biko's murder and determined that the truth about Biko will become known to the world; eventually, Donald and Wendy Woods and their children must leave South Africa (and nearly everything they have) as they spread the word about Biko's life and death to ensure that he did not die in vain. Washington received an Academy Award nomination for his performance as Biko. ~ Mark Deming, Rovi

Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, Rovi

Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, Rovi

Indiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel." ~ Hal Erickson, Rovi

This routine espionage drama is based on a novel by Graham Greene about a low-level British informant who is caught in a trap. Castle (Nicol Williamson) has a desk job in British intelligence. Around him are heavyweights like Col. Daintry (Richard Attenborough), Sir John Hargreaves (Richard Vernon), and Percival (Robert Morley) who will cold-bloodedly stop at nothing to do their jobs as they see fit. And Castle certainly is a nobody compared to them. One day when a friend of his in Africa needs some help, Castle is conned into supplying the Eastern block countries with info on demand. No one suspects him because of his low position, but when his office partner is hauled off, Castle begins to rethink his situation. This was director Otto Preminger's last film. ~ Eleanor Mannikka, Rovi

The gimmick on this episode is a mind-transfer machine which drains all conscious thoughts from people, leaving them in a vegetative state. The villain of the piece steals the machine, hoping to harvest a secret code from the minds of three captured agents, each of whom knows only a portion of the code. Steed (Patrick MacNee), who devised this "selective memory" strategy, must go it alone to stop the villains. ~ Hal Erickson, Rovi

A Native American working for the government must investigate the Indian Commissioner's death. Soon he uncovers the schemes of a wealthy land owner and an assassination plot which will further victimize the local natives. ~ Kristie Hassen, Rovi