Sam Vlahos Movies

This landmark of Chicano cinema is an adaptation of Tomas Rivera's 1971 novel of the same title. Told from the perspective of Marcos, the 12-year-old son of migrant Mexican-American farm workers, the film follows their travels over the course of a year, each of its 12 sections linked to a month of the calendar. The family starts off in Texas at the beginning of harvest season. Their hardscrabble journey takes them across the length and breadth of the Midwest. Along the way, Marcos and his family encounter a rich, difficult, and, at times, pathetic cast of characters including other migrant workers, a shoe salesman, and, in the most startling part of the film, white Americans. Through these encounters, Marcos comes to understand his place in the order of things, namely, near the bottom, discovers the power of familial bonds to comfort and overcome hardship, and uncovers in himself a desire to learn and educate. ~ Brian Whitener, All Movie Guide

Martin (William Hurt) and Jack (Timothy Hutton) are World War II soldiers who go from being army buddies to bitter enemies during the war in this uneven melodrama. Not realizing they are brothers-in-law, Martin eventually learns that Jack is married to his sister Josie (Melissa Leo). On their wedding night, Josie's father Jorge (Francisco Rabal) had abducted her in an attempt to dominate her with his old-world ideals of marriage. When Jorge drowns in a lake after the car skids off the road, black-sheep Martin returns home to learn of his father's death, vowing to avenge his father after he learns his buddy is his sworn enemy. ~ Dan Pavlides, All Movie Guide

Ray (Tim Vahle) has just returned from college to run a Native-American ski lodge. A laid-back place where employees' children play in the lobby and the handyman has a habit of macking on guests, the lodge isn't exactly four-star travel guide material. So when Ray learns that a travel guide representative is coming to make an inspection, he makes an executive decision to make the lodge a professional place of business. In addition to keeping his father, who happens to be the hotel's former manager, out of his way, he also has to contend with his somewhat eccentric staff, which includes an emotional vegetarian chef (Graham Greene) who takes a certain pleasure in informing his diners of the names he has given the animals they're eating. Despite Ray's exhaustive preparations, something, of course, goes wrong: something that, in this case, turns out to be a case of mistaken identity: when Tina, a comely Mohawk woman, shows up at the lodge, Ray assumes her to be the representative, and sets about giving her the royal treatment while the actual representative (M. Emmet Walsh) is ignored and must contend with a hefty dose of hotel mismanagement. Christmas in the Clouds was an audience favorite at the 2002 Philadelphia Festival of World Cinema. ~ Rebecca Flint Marx, All Movie Guide

In the shattering conclusion of a two-part story, Carter (Noah Wyle) finds Lucy (Kellie Martin) lying in a pool of blood, stabbed and near death. No sooner has this sunk in than Carter is himself attacked and stabbed by Lucy's patient, delusional lawyer Paul Sobricki (David Krumholtz). Both victims are rushed to the operating room -- but only one will emerge alive. ~ Hal Erickson, All Movie Guide

When a blind homeless man abruptly regains his sight, Benton (Eriq La Salle) is hailed as a miracle worker -- and now dozens of other patients want to be anointed by "Saint Peter." Greene (Anthony Edwards) takes an important step toward getting his life back together during his treatment of 67-year-old rape victim. And Jeanie (Gloria Reuben) and Weaver (Laura Innes) temporarily bury the hatchet during a major crisis in one of their lives. ~ Hal Erickson, All Movie Guide

With Weaver on suspension, the prickly Romano (Paul McCrane) is in charge of the ER. Carter (Noah Wyle) goes ballistic when he suspects that his patient is faking an injury. Abby (Maura Tierney) treats a woman with five children, who doesn't want the sixth baby on the way. Finch (Michael Michele) and Corday (Alex Kingston) exchange heated words over the treatment of a 16-year-old accident victim (Matt Doherty). And while Greene (Anthony Edwards) struggles to cope with his father's terminal illness, a remembrance of the late Lucy Knight unexpectedly materializes at the ER. ~ Hal Erickson, All Movie Guide

Weaver (Laura Innes) again does a secret favor for "closeted" Chicago politician John Bright (Bruce Weitz) -- this time with disastrous results and calamitous consequences. Elsewhere, Kovac (Goran Visnjic) uses unorthodox methods to get a grip on his personal problems. And the romance between Carter (Noah Wyle) and Abby (Maura Tierney) may be on the rocks. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Hunter travels to the banana republic of Curaguay to exact vengeance against the "Devil Prince" Raoul Mariano (Richard Yniguez), who after committing murder and sexually assaulting McCall (Stepfanie Kramer) was able to escape prosecution by invoking his diplomatic immunity. Hoping to talk sense to the rapist's father General Mariano (Michael Ansara), Hunter is aghast to discover that the old man is even more depraved than his son. Clearly, extreme measures must be taken, and Hunter is the man to take them--and never mind that McCall herself has begged him to drop the case and return home! ~ Hal Erickson, All Movie Guide

Marcus De Leon directed this standard erotic thriller for Roger Corman's Concorde Pictures. Sexy Julie Carmen stars as Teresa Bozman, wife of Jake (Guy Boyd), a sadistic bar-owner in East Los Angeles. When a handsome singer named Tony Montero (Robert Beltran) is hired, his music boosts the club's business and steals Teresa's heart. Together, they plot to kill Jake and live happily ever after, but the usual complications ensue. A mostly Latino cast and authentic locations give this film more credibility than Dan Golden's tiresome redneck remake (also for Concorde), Saturday Night Special (1994). ~ Robert Firsching, All Movie Guide

Investigating the claims of a fellow cop who insists he was moonlighting when shot during a carjacking, Andy (Dennis Franz) and Danny (Rick Schroder) quickly learn that the victim was carrying on a high-maintenance double life. A holdup in a bodega run by a friend of Greg Medavoy (Gordon Clapp) leads to a potential crisis for Greg when he tries to cover up the existence of an unregistered gun. Later, Andy has his first serious run-in with new precinct skipper, Rodriguez (Esai Morales). And Diane (Kim Delaney) makes a date with the doctor who treated her late husband, Bobby Simone. ~ Hal Erickson, All Movie Guide

In the conclusion of Night Court's two-part Season Six opener (originally telecast as a single hour-long "special"), prosecutor Dan Fielding (John Larroquette) is still marooned in a remote Eskimo village after surviving a plane crash. Successfully--if nervously--performing an emergency appendectomy, Dan then manages to alert the authorities to his whereabouts. Returning to New York City in a barely recognizable condition (shaggy beard and all), Dan arrives just in time to attend his own funeral! ~ Hal Erickson, All Movie Guide

Much of the original cast from the popular television series Police Story reunited for this edgy drama, in which the detectives search for a killer loose on the roads. This entry was one of several TV-movies in the late 1980s to feature the familiar cast in the Police Story format. ~ Bernadette McCallion, All Movie Guide

The road movie gets a smart update with this seriocomic tale of two Cheyenne men traveling from their reservation in Montana to New Mexico. For one of them, Buddy Red Bow (A Martinez), a quick-tempered activist, the journey is a practical one; his sister has been arrested and he is the only family member who can help her out. Buddy has no transportation, so he's forced to ride with Philbert Bono (Gary Farmer), a phlegmatic hulk of a man who is using his 1964 Buick as a vehicle for a spiritual journey of his own. Philbert's easygoing ways and insistence on frequent stops to meditate prove irritating at first to Buddy, but the men reach an accommodation as the trip wears on. Buddy comes to see that blaming the white man and what he sees as system rigged against Native Americans is distracting him from his true mission: to better understand himself and his place in the world. ~ Tom Wiener, All Movie Guide