Leon Vitali Movies

Oscar-nominated filmmaker Todd Field teams with novelist Tom Perrotta to adapt Perrotta's acclaimed novel concerning the suburban malaise experienced by a handful of small-town individuals whose intersecting lives converge in a variety of surprising, and sometimes ominous, ways. Kate Winslet, Jennifer Connelly, and Patrick Wilson star in a cinematic adaptation that doesn't aim so much to simply reproduce the book for the screen as it does to re-imagine the written word by exploring new possibilities for the characters and situations originally presented in Perrotta's 2004 best-seller. Sarah (Winslet) is a suburban outsider who, unlike the other playground moms, isn't afraid to approach the dreamy but long-absent father whom smitten housewives have taken to calling the "Prom King." Long days at the local community pool with their respective children soon find Sarah becoming acquainted with local husband and father Brad (Patrick Wilson) -- who seems to share in her seething discontentment with life in their quaint commuter town. An English literature major who never envisioned a fate as a soccer mom, Sarah has a growing dissatisfaction with her successful husband (Gregg Edelman) that parallels Brad's increasing frustration with his inability to pass the bar and connect with his wife, Kathy (Jennifer Connelly), a successful documentary filmmaker. It's not long before the dejected pair is meeting for a series of illicit afternoon trysts as their unsuspecting spouses work and their children lie quietly napping. Meanwhile, after the community is riled by the return of a convicted sex offender (Jackie Earle Haley) who leaves the concerned parents scrambling to protect their young ones, an attempt made by Sarah and Brad to legitimize their clandestine relationship by dining together with their respective spouses begins to awaken Kathy's suspicions about the fidelity of her husband. ~ Jason Buchanan, Rovi

The final work of legendary director Stanley Kubrick, who died within a week of completing the edit, stars Tom Cruise and Nicole Kidman, at the time Hollywood's most bankable celebrity couple, and was shot on a open-ended schedule (finally totaling over 400 days), with closed sets in London standing in for New York City. Cruise and Kidman play William and Alice Harford, a physician and a gallery manager who are wealthy, successful, and travel in a sophisticated social circle; however, a certain amount of decadence crosses their paths on occasion, and a visit to a formal-dress party leads them into sexual temptation when William is drafted into helping a beautiful girl who has overdosed on drugs while Alice is charmed by a man bent on seduction. While neither William and Alice act on their adulterous impulses, once the issue has been brought into the open, it begins a dangerous season of erotic gamesmanship for the couple, with William in particular openly confronting his desire for new sexual experiences. What didn't make the final cut of Eyes Wide Shut may have been as fascinating as what finally appeared on screen: Harvey Keitel was replaced almost immediately by Sydney Pollack, while Jennifer Jason Leigh was replaced by Marie Richardson after she had shot all her scenes and left town. ~ Mark Deming, Rovi

Terror of Frankenstein, an Irish/Swedish coproduction, avoids the gimmickry and anachronisms which have distinguished previous versions of the Frankenstein story. This is done through the simple expedient of returning to the source, the original 19th century Mary Shelley novel. Terror is virtually a page-by-page retelling of the Shelley book, taking us from Dr. Frankenstein's earliest efforts to create synthetic life, progressing through the creation of his monster and the horrible consequences, and ending with the Doctor dead and his doleful monster exiled to an ice floe. This would remain the most faithful version of the classic horror novel until Kenneth Branagh's overproduced, underdeveloped version in 1994. Curiously, Terror of Frankenstein (also known as Victor Frankenstein) has been generally overlooked by film buffs, probably because it lacks star names or a "cult" director at the helm. ~ Hal Erickson, Rovi

In this drama, a conservative Catholic priest representing the Pope is sent to Ireland to settle down a few influential radical priests whose doctrine is contrary to standard church guidelines. AKA The Conflict. ~ Sandra Brennan, Rovi