Frank Vincent Movies

Two warring families are brought together by love and pizza in this romantic comedy. Vito Rossi (Vincent Pastore) and Frank Bianco (Frank Vincent) are two men who used to work together in the same pizza parlor in Yonkers, NY, but when their mentor Emilio (Louis Guss) retired, he decided to give his secret formula for perfect crust to Vito, and his recipe for the best sauce in town to Frank. Now the two men are bitter rivals, each running their own pizza place and constantly battling over who has the best pie in town. However, Vito's daughter Angela (Robin Paul) recently graduated from business school, and has big plans for shifting the family business into overdrive. Frank, meanwhile, has an idea of his own for getting ahead -- he'll persuade his handsome twenty-something son Tony (Conor Dubin), a budding cartoonist, to romance Angela, and hopefully persuade her to reveal her family's share of the famous pizza recipe. However, something unexpected happens -- Angela and Tony fall in love, despite the bad blood between their families, and have to figure out a way to break the unexpected news to their families. A Tale of Two Pizzas was the first feature film from writer and director Vincent Sassone. ~ Mark Deming, All Movie Guide

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment. The film chronicles the lives and times of three characters: "Ace" Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece. ~ Jeremy Beday, All Movie Guide

The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray "Superboy" Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon. ~ Jason Ankeny, All Movie Guide

A filmmaker tries to sort out the scattered emotional baggage of his love life in Entropy. Jake Walsh (Stephen Dorff) is a film director who attends a fashion show with some friends and meets a French model named Stella (Judith Godreche). The attraction between the two is immediate, and after a brief courtship they're living together. However, between his career in film and her career as a model, they don't spend as much time together as they'd like, and they begin to drift apart; when Stella one day announces she's pregnant, Jake displays no particular enthusiasm for the idea of raising a child, and Stella ends up having an abortion. Eventually, the two break up and Jake finds himself married to a woman he barely knows, not quite sure what happened. As he muddles through his romantic problems, Jake also has to deal with the often puzzling hierarchy and the bizarre office politics of Hollywood. A rare independent effort from Phil Joanou, who previously directed State of Grace, Final Analysis and a wealth of popular music videos, Entropy was the opening night attraction at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, All Movie Guide

A group of friends from a rough, predominantly Italian-American neighborhood consider their future in surroundings dominated by petty crime in this drama. Nicky (Anthony DeSando) and his pals grew up together in the Federal Hill section of Providence, Rhode Island, where Nicky makes ends meet by dealing cocaine and stealing cars. His best friend Ralphie (Nicholas Turturro), who works in construction, is prone to wild mood swings and has a dangerous penchant for breaking into the homes of local wise guys, including mob boss Sal (Frank Vincent). He also has a barely sublimated sexual attraction to Nicky which he tries to camoflage with outbursts of anti-gay violence. Nicky falls for Wendy (Libby Langdon), an archeology student at nearby Brown University, when she buys some coke from him for a sorority party; while Wendy treats their affair casually, Nicky thinks that they have a future together, and he considers travelling with her to Italy for an upcoming archeological dig. Ralphie, however, resents Nicky for spending so much time with his new girlfriend, which makes his reckless streak even more pronounced. While Federal Hill was shot and released theatrically in black and white, a colorized version was distributed on home video over the objections of director Michael Corrente; the original monochrome version was later released on tape as well. ~ Mark Deming, All Movie Guide

A young man trying to break out of his blue collar life in New Jersey finds himself snared by a web of crime and deceit in this independent drama. Just released after an 18-month stretch in prison, 20-year-old Eddie Dolan (Billy Crudup) has few prospects and nowhere to go, so he appears on the doorstep of his older brother Terry (Paul Schulze). Terry takes him in, giving him a place to stay and helping him get a job at the factory where their dad Nick (Frank Vincent) has worked nearly all his adult life. However, times are not happy around the Dolan household; money is tight, and Terry's relationship with his wife Janey (Adrienne Shelly) has been rocky since the birth of their first child six months before. Eddie starts earning some extra cash by joining up with a group of car thieves pulling insurance scams, and in time, he makes enough money to buy a muscle car, which he races in his spare time. On the night shift at the factory, Eddie spends his days working on his car, while Janey, bored with her new role as a stay-at-home mom, starts spending more and more time with him; eventually they move past friendship into an affair, which like Eddie's involvement with the carjackers becomes only more dangerous in the weeks to come. Grind marked the feature debut for writer/director Chris Kentis; Billy Crudup's appearance predated his breakthrough roles in Inventing the Abbotts and Everyone Says I Love You, though both of those films were released before Grind could find a distributor. ~ Mark Deming, All Movie Guide

Two estranged brothers discover that family secrets can have a high value on the wrong side of the law in this crime drama. Jack McCallister (Seymour Cassel) is an aging career criminal whose luck is about to give out; Jack and his henchmen are ambushed by police in the midst of a major robbery, which leaves Jack severely injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed, where he speaks with his two sons, George (Treat Williams) and Michael (Paul Schulze). George has followed Jack's example as a thief, though his violent recklessness suggests that his career will not be as long as his father's, while Michael makes ends meet as a con man, selling burial plots that don't exist to the elderly and gullible. George and Michael have never gotten along and don't trust each other, but before Jack dies, he gives each of his sons an important clue as to where his final windfall is hidden. If they are to find the money, George and Michael will have to put aside their differences and help each other, but of course they're not the only ones in town looking for the missing half-million. Handgun was the first theatrical feature for television director Whitney Ransick and also features Michael Rappaport, Frank Vincent, and Michael Imperioli. ~ Mark Deming, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

T.R. Knight, Danny Aiello, Vincent Pastore, and Gilbert Gottfried star in writer/director John DeBellis' bittersweet romantic comedy about a dying father who implores one of his sons to have a baby boy and carry on the family name. Pop (Aiello) is dying, but before he punches out he wants to make sure that his legacy will live on. In order to insure that this happens, he begs his sons Tom ($Knight) and Jeff (also Knight) to marry a woman and father a son. While Tom is more than up to the task, tragedy strikes when he dies trying. Now it's all up to Jeff, but how does a seminary student who's planning on becoming a priest maintain his vow of celibacy and fulfill his father's dying wish at the same time? When Pop confronts Jeff with a question that shakes the loyal son to the very core, he abandons the seminary in order to follow through on his dear old dad's final request. ~ Jason Buchanan, All Movie Guide

A newspaper columnist is murdered, thereby reopening a 20-year-old homicide case. Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) track down the central character in the original case, who was a juvenile at the time. This leads to a tricky dilemma for the D.A.'s office -- a dilemma eagerly pounced upon by the defense attorney. ~ Hal Erickson, All Movie Guide

This 1986 film portrays a couple from Argentina who move to New York City for political reasons, but later wish to journey back to their home. ~ John Bush, All Movie Guide