Frank Vincent Movies

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

In the early 1960s, two very different New Jersey high schoolers share their first love in this bittersweet romantic drama, an early feature by writer/director John Sayles. Jill Rosen (Rosanna Arquette) is a sweet, overachieving Jewish girl heading for college to become an actor; "Sheik" Capodilupo (Vincent Spano) is a mysterious, confident Italian guy who pushes his way into Jill's already busy life. Sheik successfully woos Jill, and the story follows their ups and downs as teenage romantics. While that introduction is lighter fare than most Sayles material, the film trails off into some unexpected plot developments, providing an original take on the "different sides of the track" genre. Sayles directs the high school scenes with a combination of reminiscence and reality, balancing the excitement of cars and the prom with the heartache, anxiety, and classwork that goes along with it. The movie is injected with a mostly 1960s soundtrack, yet the videocassette lists that "some music has been changed" for home video -- the note apparently refers to four Bruce Springsteen cuts. Matthew Modine and Tracy Pollan appear in small parts, and Robert Downey Jr. also has a tiny role. This was the fiercely independent Sayles' first film to be made with a major studio (Paramount), and he claims it will be his last, as he lost final editing control. ~ Norm Schrager, All Movie Guide

A moribund nightclub on the fringes of Liverpool's sprawl is the primary setting for this frenetic, dark, and confusing comedy done in a heavy regional "dialect" by director Peter Smith. Set on New Year's Eve, the film chronicles the rivalry between elderly Irish Catholic and Protestant attendees at a party held in a gritty pub in Liverpool. Mixed in with the warring oldsters are some shady types such as Billy the Beast, the killer of an Ulster terrorist. The club's new manager has a talent for dealing with mayhem and violence, but his first challenge lies in handling the punk rock band perversely scheduled to entertain the oldsters by the disgruntled former manager. After that challenge, he is faced with a magician on the verge of a nervous breakdown and other kinds of chaos that tear through the place. ~ Eleanor Mannikka, All Movie Guide

This 1986 film portrays a couple from Argentina who move to New York City for political reasons, but later wish to journey back to their home. ~ John Bush, All Movie Guide

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

Steve James stars in this martial-arts adventure. This time he plays former maverick NYC cop and Vietnam vet Logan Blade who currently works as a bounty hunter in pursuit of the potentially dangerous Angel, who is trying to get all of the Big Apple's gangs to unite and become a vicious death squad. To do so, he surreptitiously uses his connections with the NYPD to investigate Angel and find out the identity of the person who is really behind the scheme. ~ Sandra Brennan, All Movie Guide

A young aspiring actress is killed by a lethal drug overdose. At first glance, it seems the girl was driven to her death by her mother, the proverbial "stage mom from hell." But as the detectives and the D.A.'s office pursue the investigation, it becomes painfully clear that both mother and daughter are inextricably linked with the sleazy producer of porno films. This episode offers an interesting change-of-pace role for frequent Woody Allen co-star Tony Roberts. ~ Hal Erickson, All Movie Guide

In this crime drama, G-men team up with syndicate hit-men to capture the drug dealer who killed one of the best agents in the Drug Enforcement Agency. ~ Sandra Brennan, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

A group of friends from a rough, predominantly Italian-American neighborhood consider their future in surroundings dominated by petty crime in this drama. Nicky (Anthony DeSando) and his pals grew up together in the Federal Hill section of Providence, Rhode Island, where Nicky makes ends meet by dealing cocaine and stealing cars. His best friend Ralphie (Nicholas Turturro), who works in construction, is prone to wild mood swings and has a dangerous penchant for breaking into the homes of local wise guys, including mob boss Sal (Frank Vincent). He also has a barely sublimated sexual attraction to Nicky which he tries to camoflage with outbursts of anti-gay violence. Nicky falls for Wendy (Libby Langdon), an archeology student at nearby Brown University, when she buys some coke from him for a sorority party; while Wendy treats their affair casually, Nicky thinks that they have a future together, and he considers travelling with her to Italy for an upcoming archeological dig. Ralphie, however, resents Nicky for spending so much time with his new girlfriend, which makes his reckless streak even more pronounced. While Federal Hill was shot and released theatrically in black and white, a colorized version was distributed on home video over the objections of director Michael Corrente; the original monochrome version was later released on tape as well. ~ Mark Deming, All Movie Guide

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment. The film chronicles the lives and times of three characters: "Ace" Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece. ~ Jeremy Beday, All Movie Guide

This is the second film by actor/director Ed Burns, his first being The Brothers McMullen. The two Fitzpatrick brothers, Mickey (Ed Burns) and Francis (Mike McGlone), would appear to have little in common, as the older is a rather volatile cab driver, the younger is a very settled stockbroker. Just prior to the time of the film, Mickey, after a whirlwind romance, married Hope (Maxine Bahns), one of his passengers. Francis has been married to his lifelong sweetheart (Jennifer Aniston) for some time. However, they are both very competitive about Heather (Cameron Diaz), an old flame of Mickey's. Mickey, who was once her fiance, left her when he found out she was sleeping with someone else. At the time of the story, Heather just happens to become a passenger in Mickey's cab, and they decide to finish exchanging belongings left over from their break-up. When Heather gives Francis (her current lover) the watch Mickey just returned to her, complications multiply. ~ Clarke Fountain, All Movie Guide