James Villiers Movies

David Yates directed this $4 million fact-based British period drama, set in Victorian England and reminiscent of The Return of Martin Guerre and Sommersby. An elderly African-American man, Andrew Bogle (John Kani), dying in a London workhouse in 1895, reflects on the circumstances that led to this end. As a Tichborne family servant, Bogle was sent to Australia during the mid-1870s to locate the family's missing heir Sir Roger. Bogle selects someone (Robert Pugh) from several claimants, trains him in the proper behavior, and tutors him on the family background. Together, they will split the profits on the Tichborne estate. The family is convinced, but the sudden death of Sir Roger's mother (Paola Dionisotti) raises suspicions, leading to a rejection of the Claimant. With the support of Bogle, young lawyer John Holmes (Perry Fenwick), and entrepreneur Onslow (Dudley Sutton), the Claimant takes his case to the High Court, forum of the witty and clever barrister Hawkins (Stephen Fry). Until recently, this was the longest trial in British legal history. Shown at the 1998 Edinburgh Film Festival. ~ Bhob Stewart, All Movie Guide

This four-part, four-hour British miniseries was a sequel to Malcolm Bradbury's 1990 TV effort The Gravy Train. Christoph Waltz returned to the role of Dorfman, a terminally idealistic member of the European Economic Council. This time around, the teeny-tiny Balkan state of Slaka hoped to join the Council in hopes of supping from the same public-fund trough as the rest of the European nations. It was up to Dorfman to cast the deciding "yea" or "nay" vote. The Gravy Train Goes West was seen over Britain's Channel Four from October 28 to November 18, 1991. ~ Hal Erickson, All Movie Guide

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, All Movie Guide

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, All Movie Guide

In a story powered by the songs on an LP by Mick Jagger, this film is really one long video clip advertising Jagger's album. The plot takes the music from one number to the next, and begins with the rock star and his wife having an argument in Rio which leads to his being mugged and taken to the interior of Brazil to work on a plantation. Once there, the lady of the manor chases him around, but he manages to escape back to Rio only to find that someone else has been impersonating him and making off with the big bucks. ~ Eleanor Mannikka, All Movie Guide

A well-wrought tale only hampered by a miniscule budget, this story about George Frederick Handel (1685-1759), the German-born British composer, focuses on his life after he moved to England in the 1710s. Handel (played by Simon Callow) was a unique individual, a contemporary of Bach though the two composers never met. Some of his personality, and that of his close friend Quin (Alan Devlin) is brought forward in this docudrama, along with some fun staging of his operas and their enjoyable music. Sadly, director Anna Ambrose died soon after this film was completed.
~ Eleanor Mannikka, All Movie Guide

Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, All Movie Guide

Based on a Noel Coward comedy, this is a story set in 1735 at a chateau outside of Paris. The Compte de Vriac is celebrating with some family friends the newly announced betrothal of his son when an unexpected guest arrives--the Marquise de Kestournel. She has been a mistress to the Compte in the past and when she makes the announcement that she is going to stay with him at the chateau from now on, complications are inevitable. ~ Tana Hobart, All Movie Guide

Tony Richardson attempts to re-create the glory days of Tom Jones in this adaptation of the 1742 Henry Fielding novel. Peter Firth stars in this picaresque tale as Joseph Andrews, a young servant switched at birth who undergoes a series of romantic escapades. Joseph even has the fortune of becoming the personal footman to Lady Booby (Ann-Margaret). Joseph's romantic peccadilloes cause consternation among a collection of stuffy noblemen and women in 18th-century England. ~ Paul Brenner, All Movie Guide

Released several years after it was filmed, this standard Peter Sellers comedy focuses on Dick Scratcher (Sellers), a bumbling, roughly-hewn chief cook on a pirate ship trying to keep an unsteady control of things after he murders the captain. Once the captain is dead, Scratcher is the only one who knows where the pirate's stash lies hidden and that is the source of his control over everyone, even the second mate Pierre (Anthony Franciosa). Into this precariously balanced situation comes little Jeremiah (Richard Willis) who wants to learn all about sailing the high seas and becomes a third factor in the struggle for control of the ship and the hidden treasure. Meanwhile, Bill Bombay (Spike Milligan), another pirate captain, is also out for the same treasure, complicating everything. Both Sellers and Milligan launch into improvised routines -- but in general, the acting is frenetic and underpar while the story runs aground instead of pulling into port with a reasonable ending. ~ Eleanor Mannikka, All Movie Guide

An institutionalized schizophrenic with a Messiah complex inherits the position of an English Earl in this cutting satire of British society, based on a play by Peter Barnes. The film's irreverent tone is established with the disturbingly hilarious death of the thirteenth Earl of Gurney during a bizarre attempt at auto-erotic asphyxiation. To the dismay of the earl's family, the title passes to his son Jack (Peter O'Toole), who has been locked away for eight years after claiming to be the second coming of Jesus Christ. Mad but harmless, Jack is released to assume his seat. However, his embrace of Christianity proves incompatible with a position of power in "normal" society, where peace and love are considered serious weaknesses, and a somewhat unhinged psychiatrist is called to help him adjust. Meanwhile, Jack's scheming uncle, Sir Charles (William Mervyn), works on developing a complex scheme to trick Jack out of his position. Loaded with idiosyncratic touches from eccentric camera angles to unexpected outbursts of song, the film creates an experience nearly as inspired and mad as O'Toole's brilliantly hilarious central performance. The film's devilish invention may at times seem overloaded, but most drawbacks are redeemed by the sharpness of the satire, particularly during the memorably disturbing finale. ~ Judd Blaise, All Movie Guide

The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, All Movie Guide

This romantic comedy finds Candida (Barbara Ferris) going to live with her elderly spinster aunts after the death of her father. Finding things very unexciting there, she quickly leaves for Paris and enrolls in a university to study. She becomes pregnant after meeting a young student at a museum. When the baby is born, she manages to convince the nosey relatives she is just caring for the baby of a friend. A trip to Italy finds her in the arms of an American man and Candida is soon pregnant again. A woman gives her baby to Candida as she prepares to leave for home at the train station. She suddenly has two young babies and another on the way, getting far more education than she had bargained for. Her main confidant is Savage (Harry Andrews), her late father's caretaker, to whom she reveals the truth about her experiences. ~ Dan Pavlides, All Movie Guide