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Astrid Villaume Movies

1990  
 
Lasse (Anders Schoubye) is an easygoing, somewhat raffish boy. However, when his mother leaves his not particularly ambitious father for a well-to-do dentist, she takes him along. For some reason, he decides to play along with the expectations of his new family, and becomes a clean-cut boy and a model student. Eventually, though, the siren song of his father's less rigorous ways draws him, and the two are soon back together, listening to Elvis records while Lasse's father plays the harmonica. ~ Clarke Fountain, Rovi

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Starring:
Tommy KentnerBirthe Neumann, (more)
 
1988  
PG13  
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Long but rewarding, the Danish-Swedish Pelle the Conqueror is based on the early passages of Martin Andersen Nexoe's four-volume novel. Pelle (Pelle Hvengaard) is the son of a 19th-century Swedish farmer (Max Von Sydow). Seeking escape from their poverty-stricken surroundings, father and son emigrate to Denmark. Upon arrival, however, they are treated like indentured servants, leading to a profound ideological turnaround for the impressionable Pelle. In the original novel, Pelle ended up embracing Communism. Nexo's political overtones are soft-pedalled in the film, which concentrates on the close, indestructable relationship between Pelle and his father. Adapted for the screen by Bille August, Pelle the Conqueror won the 1988 Oscar for Best Foreign Language Film. ~ Hal Erickson, Rovi

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Starring:
Max von SydowPelle Hvenegaard, (more)
 
1982  
 
When a doctor sets up his practice in a new town he is drawn to the case of a mentally disturbed daughter living with her mother in a mansion on a hillside above the town, a daughter who believes she has murdered her father, even though the father was said to have committed suicide. As the doctor works with his patient, he finds that a wealthy, powerful local man and the town's police are trying to keep him away from the issue of the father's death. Did the rich town magnate actually murder the father? Did the mother? Why is the daughter convinced that she killed her father? These questions get a little buried in the imagery that crawls to the finish line, evoking poetic symbols but skillfully evading the dramatic proposals raised at the beginning of the story. ~ Eleanor Mannikka, Rovi

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Starring:
Dick KaysoePia Vieth, (more)
 
1970  
 
This Scandinavian film features the escapades of four children and their faithful dog as they set off to go camping and end up trying to extricate themselves from a lowlife scam. This film has been dubbed in English. ~ Iotis Erlewine, Rovi

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1966  
 
A lovestruck 15-year-old teenage boy (Ole Busck) dreams of romantically rescuing his oldest sister's 22-year-old girlfriend from the clutches of the Nazis in this sentimental World War II drama. When he is confronted by real Nazi soldiers, he retaliates by sticking out his tongue and running away. Although the war is always on the minds of the characters, neither the boy nor his parents are unduly hampered by the conflict and live relatively normal lives. ~ Dan Pavlides, Rovi

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1966  
 
The sexual problems of a troubled family provide the basis of this drama. While the father has regular clandestine rendezvous with his secretary, his daughter boldy makes love to her boyfriend at home. Later the beau asks her mother if she will help them make pornographic films. ~ Sandra Brennan, Rovi

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Starring:
Poul Reichhardt
 
1954  
 
Produced to mark the tenth anniversary of Denmark's liberation from Nazi occupation, this taut thriller tells the harrowing story of two young resistance workers, trained in England and parachuted into blacked-out occupied Denmark. One of the boys (John Wittig) is wounded during a dangerous raid and seeks shelter at a vicarage. The vicar's lovely daughter (Astrid Villaume) nurses him back to health, but their burgeoning love is played out under the constant threat of disclosure and eventual punishment. A sober and, at times, surprisingly realistic melodrama, Der Kom En Dag features then-unknown director Gabriel Axel (Babette's Feast [1987]) in a small role as a vicious Danish Nazi. ~ Hans J. Wollstein, Rovi

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1953  
 
A nice family man and a pillar of a small Danish community (Per Buckhøj) creates quite a stir when he is caught smuggling a "dirty" book into the country after a trip to Paris. The book winds up circulating among the indignant citizenry, some of whom (and a few less secretly than others) suddenly obtain a new outlook on life in general and their sex-lives in particular. Tame by modern standards but hailed as a pungent satire on hypocrisy and Christian morality in it's day, Adam Og Eva marked the second film of Erik Balling who later reached legendary status as the creator of the Olsen Banden series of heist comedies. ~ Hans J. Wollstein, Rovi

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