Joana Vicente Movies

The lives of a septic tank cleaner, an ambitious mob boss, and a deaf-mute deli worker converge in tragedy in this seriocomic crime drama from director/screenwriter James DeMonaco. Blue collar by birth, Sully Halverson (Ethan Hawke) has never amounted to much in life. When Sully finds out he's about to become a father, he schemes to rob Parmie Tarzo (Vincent D'Onifrio), a small-time kingpin who's looking for a way to leave his mark on the world. By saving Staten Island Forest, Parmie surmises, he can mold an upstanding public persona for himself while quietly eliminating the competition behind closed doors. That's where Jasper Sabiano (Seymour Cassel) comes in. Seymour may not be able to hear or speak, but he's a hard worker who knows where his bread is buttered. When he's not serving up bagels and coffee, Jasper is dispatching bodies for Tarzo -- frequently in Staten Island Forest. But lately Jasper has been growing tired of the game, and he's desperate to find a way out. When Sully sets his plan into motion, all three men find themselves thrust into a volatile situation that threatens to destroy their plans for the future as it quickly spirals out of control. ~ Jason Buchanan, Rovi

Filmmakers Mathew Kaufman and Jon Hart explore the last gasp of the sexual revolution with this profile of Plato's Retreat -- New York City's most notorious, 1970s-era sex club. The year was 1977: the city was in the suffocating grip of a heat wave, nerves were rattled due to the energy crisis, and the social unrest was growing. But when the sun went down over the city, the nightlife flourished. The discos were packed, cocaine was all the rage at Studio 54, and over at CBGB the punks were smashing it up. Inspired by the open sexuality in gay clubs all across town, Larry Levenson hatched the idea to open a club where people could have sex freely, without shame or threat of lawful consequences. On the surface Levenson appeared to be just your average family man, but by night he would leave his wife at home to live it up at local swingers clubs. It was with the help of some particularly shady investors, as well as his girlfriend Mary and a series of steamy public-access commercials, that Levenson made his dreams of opening an extravagant, heterosexual sex club a reality. There were no inhibitions at Plato's Retreat, as highlighted by the numerous vintage clips showing the swingers paradise in its heyday. But while the city ultimately failed in their efforts to pass ordinances that would close Plato's Retreat, the club flourished until the closing of its doors on New Year's Eve, 1985, an erotic casualty of the growing AIDS crisis. Interviews with Melvin Van Peebles, Ed Koch, as well as other journalists, celebrities, and actual club employees paint a vivid image of the carefree era before sexuality was a matter of life and death. ~ Jason Buchanan, Rovi

Director Brian De Palma turns his lens on the Iraq War with this "fictional documentary" about the experience of U.S. soldiers involved in the conflict. Based on a news item about the rape of an Iraqi schoolgirl by wayward grunts assigned to patrol a checkpoint, the film depicts a scenario not unlike the one De Palma covered in Casualties of War. Shot on high-definition video, Redacted also addresses the ever-evolving manner in which war is covered by the media by focusing on such journalistic innovations as blog coverage and web reporting. ~ Jason Buchanan, Rovi

As the political revolt, consciousness expansion, and calls for racial equality that dominated the late '60s gave way to the apathy, drug abuse, and materialism that would define much of the 1970s, Nicky Barnes was a man who seemed to symbolize this time all too well. Born and raised in a troubled household, Barnes grew up with few desires other than getting rich, and he did just that. Barnes was a drug dealer who promoted himself as the man with the best heroin and cocaine in New York City, and between 1970 and 1975 he became the wealthiest and most powerful illegal drug dealer in America. Heading an underground organization known as "The Council," Barnes had a handful of top drug peddlers working under him, and shrewdly aligned himself with Mafia-connected drug importers, cutting out middlemen and offering himself a measure of protection at the same time. The booming market for heroin and cocaine (drugs Barnes himself used with enthusiasm) made Barnes a multi-millionaire, but as pride comes before a fall, Barnes' certainty that the police could not catch up with him led to his downfall, as one of his underlings unwittingly gave him up to authorities. In time, Barnes went into the FBI's Witness Protection Program and obtained his freedom by informing on the associates who helped make him a success. Barnes co-authored an autobiography in 2007, and filmmaker Marc Levin persuaded Barnes to tell his story on camera (though without revealing his face); Levin's interviews formed the basis of Mr. Untouchable, a documentary on Barnes' rise, fall, and disappearance into Middle America. Barnes' story was also featured in another 2007 release, American Gangster, a fact-based drama which portrays both Barnes and another powerful drug kingpin, Frank Lucas. ~ Mark Deming, Rovi

As far as raw eccentricity is concerned, few American families could top the Paskowitzes. The patriarch, Dorian "Doc" Paskowitz, began life on a commendable, even enviable course, with an M.D. under his arm, rippling sandy-haired good looks, and experience almost single-handedly teaching the country of Israel how to surf. But in the years to follow, bitterness and inveterate disappointment ensued as Dr. Paskowitz tried to settle into a conventional existence. Two broken marriages and a medical career that Dorian would later describe as "miserable" left him clawing his way out, desperate for an "alternative" lifestyle. He soon met, courted, and married his third wife, a ravishing, sexy young woman named Juliette; these two free spirits jointly decided that they would live life, budding family in-tow, on the open road, in a series of low-budget trailers. As one child after another cropped up over the course of a decade, the family toured the country winning one surfing competition after another, and Dr. Paskowitz accepted low-rent medical jobs for the poor that reeled in little to no income.

In theory, this all seemed idealistic, even utopian; in reality, Dorian Paskowitz was reportedly a severe disciplinarian who denied his children the benefits of school and financial security, forced everyone to stick to an almost unbearable diet of a gruel-like substance, and -- even more alarmingly -- felt comfortable having open and noisy sex with his wife, with the children only a few feet away. In time, as one child after another grew up, left the clan, and attempted to survive, they found it difficult, if not impossible to function in the day-to-day world without the education, social skills, and monetary know-how that so many young adults take for granted. With his documentary Surfwise, filmmaker Doug Pray tells the Paskowitzes' strange, bewildering, and ultimately heartbreaking story via incisive interviews with family members, still photographs, and telling archival footage. ~ Nathan Southern, Rovi

Tonya Neely (Viola Davis) is a neighborhood activist on the south side of Chicago, trying to get her community to rally to tear down Eden Court, the dangerous housing project where she lives. After a family tragedy, she sent her youngest daughter, Cammie (Serena Reeder), off to live with friends in a middle-class neighborhood, where she could go to a better school. Leo Waters (Anthony LaPaglia), the architect who designed Eden Court many years ago, lives a seemingly idyllic life with his wife, Julia (Isabella Rossellini), his teenage daughter, Christina (Hayden Panettiere), and his son, Martin (Sebastian Stan), who has just returned home after dropping out of college. Leo's family is on the verge of a crisis. Julia's unhappiness with their marriage leads her to clean the house obsessively. Christina is only 15, but she is eager to explore her budding sexuality. Martin is understandably cynical about his home life, and confused about his own desires. When Tonya contacts Leo, hoping to convince him to sign the petition to tear down Eden Court, it sets a chain of events in motion that will force both families to confront the issues that they've tried so hard to avoid. The Architect, which also features performances by Paul James, Walton Goggins, Tijuana Ricks, Lauren Hodges, and Malcolm Goodwin, was directed by Matt Tauber, adapted from a play by Scottish playwright David Greig. The film had its world premiere at the 2006 Tribeca Film Festival. ~ Josh Ralske, Rovi

Ordinary music soars to extraordinary heights as gifted keyboardist Herbie Hancock joins forces with a variety of well-known music superstars to offer a completely original listening experience. As Hancock collaborates with such artists as Paul Simon, Annie Lennox, Sting, and John Mayer, the cameras are permitted into the studios and behind-the-scenes to show just what happens when some of the greatest music minds of a generation converge. ~ Jason Buchanan, Rovi

Steven Soderbergh followed up his slick, star-studded sequel, Ocean's Twelve, with Bubble, a small-town drama about workers in a doll factory, played by a cast of unknowns. Martha (Debbie Doebereiner) seems to have acclimated herself to a very simple life. She works at the factory, where she eats lunch with a younger co-worker, Kyle (Dustin Ashley), and goes home to take care of her elderly father. Her routine is disrupted when an attractive young woman, Rose (Misty Wilkins), is hired at the factory to help them with the holiday rush. Rose soon tells the others that she's eager to leave their town, where there is "nothing to do." She immediately attracts Kyle's attention. One night, Rose asks Martha to baby-sit for her two-year-old daughter while she goes out on a date. Martha is startled to learn that her date is with Kyle. When Rose returns home that night, she's greeted by her angry ex-boyfriend, Jake (K. Smith), who accuses her of stealing from him. Martha looks on while Rose and Jake have a heated confrontation. The next morning, one of the characters is found murdered, and a detective (played by Decker Moody) begins to investigate. Bubble was written by Coleman Hough, who also scripted Soderbergh's Full Frontal. It was shown at the 2005 New York Film Festival, presented by the Film Society of Lincoln Center. ~ Josh Ralske, Rovi

A teenage boy makes the sort of wish you'd expect a teenage boy to make, and he might just get to live it out in this dark comedy. Dylan Jamieson (Michael Angarano) is a 16-year-old boy living in Pennsylvania who is being raised by his mother, Karen (Cynthia Nixon), on her own after the death of his father (played by Ethan Hawke). Karen and Dylan have received the news that the boy has contracted a rare form of cancer and isn't likely to live to see seventeen. Dylan has taken the news surprisingly well, facing his treatment with pointed good humor and spending much of his free time with his best buddies Slap (Gideon Glick) and Ricky (Matt Bush). Aware that the end is on the horizon, Karen contacts United Wish Givers, a group that arranges for ailing youngsters to enjoy a final adventure before they pass, and they set up a fishing trip for Dylan with a professional football star. However, Dylan comes up with a better idea with the help of Slap and Ricky, and on television, tells the group's representatives that what he really wants is a weekend-long date with Nikki Slater (Sunny Mabrey), a supermodel and world-class sex symbol. While the United Wish Givers are appalled and Karen isn't sure this is a good idea, Arlene (Gina Gershon), Nikki's agent, sees possibilities in this news -- Nikki has been on a bender of bad publicity recently, and granting a kid's last wish might be just the thing to help folks forget that she's been pushing rival models off runways. One Last Thing... was directed by Alex Steyermark, who worked with Gina Gershon on his previous film, Prey for Rock & Roll. ~ Mark Deming, Rovi

Alex Gibney, who wrote and produced Eugene Jarecki's The Trials of Henry Kissinger, examines the rise and fall of an infamous corporate juggernaut in Enron: The Smartest Guys in the Room, which he wrote and directed. The film, based on the book by Fortune Magazine reporters Bethany McLean and Peter Elkind, opens with a reenactment of the suicide of Enron executive Cliff Baxter, then travels back in time, describing Enron chairman Kenneth Lay's humble beginnings as the son of a preacher, his ascent in the corporate world as an "apostle of deregulation," his fortuitous friendship with the Bush family, and the development of his business strategies in natural gas futures. The film points out that the culture of financial malfeasance at Enron was evident as far back as 1987, when Lay apparently encouraged the outrageous risk taking and profit skimming of two oil traders in Enron's Valhalla office because they were bringing a lot of money into the company. But it wasn't until eventual CEO Jeff Skilling arrived at Enron that the company's "aggressive accounting" philosophy truly took hold. The Smartest Guys in the Room explores the lengths to which the company went in order to appear incredibly profitable. Their win-at-all-costs strategy included suborning financial analysts with huge contracts for their firms, hiding debts by essentially having the company loan money to itself, and using California's deregulation of the electricity market to manipulate the state's energy supply. Gibney's film reveals how Lay, Skilling, and other execs managed to keep their riches, while thousands of lower-level employees saw their loyalty repaid with the loss of their jobs and their retirement funds. The filmmaker posits the Enron scandal not as an anomaly, but as a natural outgrowth of free-market capitalism. ~ Josh Ralske, Rovi

In the wake of the terrorist attacks on New York City and Washington D.C., of September 11, 2001, Jim Simpson, the creative director of New York City's Flea Theater Company, wanted to stage a theater piece which would deal with the human impact of this tragedy. When Simpson met journalist Anne Nelson, he discovered a true life story which dealt with the September 11 incidents in an intimate but affecting manner, and he encouraged her to adapt her story into a play; the drama quickly became a major critical success, and Simpson made his screen directorial debut with this film adaptation. Joan (Sigourney Weaver) is a veteran journalist who through a friend finds herself taking on an unusual assignment: Nick is a captain in the New York Fire Department who lost eight of the 12 men in his company while attempting to evacuate the World Trade Center towers following the terrorist attacks. Nick has been given the responsibility of delivering their eulogies at a series of memorial services, but Nick has no experience with such things and isn't sure of what to say. Joan volunteers to help, and over the course of several days she interviews Nick, finding out how much (or how little) he knew about the men under his command, and together they try to find the words to honor each man's memory, and pay tribute to their sacrifices in the larger picture of a national tragedy. Sigourney Weaver, who appeared in the initial Flea Theater Company production of The Guys, is also the wife of director Jim Simpson; Bill Murray, Tim Robbins, Susan Sarandon, and Amy Irving are among the actors who have also lent their talents to the show. ~ Mark Deming, Rovi

Executive produced by John Cusack, the dark independent comedy Never Get Outta the Boat is the sophomore effort from director Paul Quinn and features a script by first time screenwriter Nick Gillie. Gillie stars along with Sebastian Roche, Devon Gummersall, Harry J. Lennix, Dwain A. Perry, and Emilio Rivera as an eclectic group of drug addicts trying to stay clean together in a Los Angeles rehab center. Never Get Outta the Boat, whose title is a reference to a line from Apocolypse Now, had its premiere at the 2002 Toronto Film Festival. ~ Matthew Tobey, Rovi

A man goes on a pilgrimage in search of his heritage -- only this time it's an African coming to America in this offbeat drama. Alloune (Sotigui Kouyate) is an elderly man who works at a museum in his native Senegal that is devoted to documenting the history of the slave trade in Africa. Many people come to the museum hoping to learn about their past, and Alloune is equally curious about his own heritage, and his research into his family tree suggests that he had several relatives who were kidnapped and sold to slave traders working out of South Carolina. Alloune decides to visit America to learn more about his kin, and he uncovers documents suggesting his relatives were renamed Robinson by their masters in the U.S. Alloune's research dictates a trip to New York City, so he pays a visit to Hassan (Karim Koussein Traore), a nephew who lives in Harlem and drives a cab. Hassan and his girlfriend Biram (Adja Diarra) let Alloune stay with them in their tiny flat, and while in the neighborhood, Alloune makes the acquaintance of Ida Robinson (Sharon Hope), a sharp-tongued woman who owns a corner store. Alloune believes Ida may be one of his relatives, but he isn't certain, and while he tries to find out for certain, he convinces her to give him a job -- never explaining that he thinks their family trees may be linked. Little Senegal was shown in competition at the 2001 Berlin Film Festival. ~ Mark Deming, Rovi