Enrico Lo Verso Movies

Emilio Martinez-Lazaro's historical drama Las 13 Rosas (AKA 13 Roses) commences in 1939 Madrid. As the forces of nationalist general Francisco Franco sweep down into the city and bombs cascade onto Spanish buildings, two Republicans - Red Cross employee Virtudes (Marta Etura) and streetcar attendant Julia (Veronica Sanchez) - sit in a club watching a live set by two musicians: the Communist Canepa (Enrico Lo Verso), and Enrique (Asier Etxeandia), the husband of Blanca (Pilar Lopez de Ayala). Sensing obvious trouble given the country's circumstances, Canepa opts to flee for his life - receiving some fiscal support from Blanca - and a romance blossoms between Julia and Perico (Felix Gomez), a soldier from Franco's forces. Meanwhile, unrest and extreme distrust run rampant among the nationalists. Hungry for scapegoats - despite the lack of conclusive evidence - the troops respond to a rumor about a plot to rub out Franco by rounding up the 13 innocent young women of the title, including Julia, the socialist Adelina (Gabriella Pession) and 11 others - who are collectively imprisoned, given trial and slated for execution for treasonous activity. ~ Nathan Southern, All Movie Guide

A fierce soldier fighting for the Spanish cause in Flanders returns to a drastically different Spain to fulfill the dying wish of a fallen friend, only to find that life isn't what it once was in his decaying homeland in director Agustín Díaz Yanes' adaptation of Arturo Pérez-Reverte's popular series of best-selling books. Compelled to fulfill the final wish of his dying friend, noble warrior Alatriste (Viggo Mortensen) makes his way back to Spain to care for the man's young son, Iñigo (Nacho Perez and Unax Ugalde). Things have taken a sharp turn for the worst back home, however, and as Alatriste does his best to help the boy reach manhood while earning his keep as a hired swordsman, he sees his country crumbling at the feet of a feeble monarch who is failing to grasp the inner workings of his own corrupt court. The impulsive handling of the Spanish Inquisition, coupled with the corrosive influence of the Count-Duke of Olivares (Javier Cámara), has brought a once-powerful nation to its knees as the growing chasm between the deceitful upper class and the miserable life of the commoners has effectively served to polarize the populace. In a time when corruption reigns and honor has faded, Alatriste remains a lone figure who refuses to relinquish his noble spirit as he raises Iñigo and enters into a passionate love affair with actress Maria de Castro (Ariadna Gil). ~ Jason Buchanan, All Movie Guide

Eduardo Noriega dons the beret of beloved Cuban revolutionary Che Guevara in this biopic from director Josh Evans. The leader of the socialist revolt that would shake the entire world, Guevara gave birth to a legacy that would inspire idealists and revolutionaries for years to come. ~ Jason Buchanan, All Movie Guide

Based on the controversial sequel novel of the same name, Hannibal is the much-anticipated follow-up to the Oscar-winning The Silence of the Lambs (1991). Anthony Hopkins returns as Dr. Hannibal Lecter, one of the world's most cunning and feared serial killers, who resurfaces after a decade in hiding to toy with FBI agent Clarice Starling (Julianne Moore). As Starling's career flounders thanks to a drug bust gone wrong, Lecter attempts to elude a greedy Italian police detective (Giancarlo Giannini) who's willing to alert the authorities to his presence in Florence for a price. In the meantime, a maimed but wealthy former victim of Lecter's named Mason Verger (Gary Oldman) plots to get his revenge on the doctor in a most unusual and grisly fashion. The novel by Thomas Harris was adapted for director Ridley Scott by David Mamet and Steven Zaillian. ~ Karl Williams, All Movie Guide

Victor Hugo's classic story of one man's struggle to redeem himself -- and another man's efforts to bring him down -- is brought to the screen again (there have been at least 18 previous screen adaptations) in this epic-scale television production with a distinguished international cast. Jean Valjean (Gerard Depardieu) is a man forced by circumstance into a life of crime when he steals bread to ease his hunger, ending up behind bars for 19 years. Upon his release, the destitute Valjean attempts to rob the home of a bishop, but the bishop takes pity on him, and Valjean turns over a new leaf, becoming an honest and upright businessman and civic leader. But Javert (John Malkovich), a former guard at the prison where Valjean served time, is now the Chief of Police, and he's determined not to let Valjean live down his criminal past. Les Miserables also features Jeanne Moreau, Virginie Ledoyen, Christian Clavier, and Asia Argento; the miniseries was produced in two versions, a French-language version for European television that ran eight hours, and a four-hour English-language adaptation that was broadcast in a pair of two-hour installments on January 7 and 8, 2001, on the Fox Family Channel. ~ Mark Deming, All Movie Guide

Gianni Amelio directed this powerful drama that focuses on the relationship between two brothers as their goals and ideals drift apart over the course of seven years, each of which is represented by a single day. Giovanni (Enrico Lo Verso), an uneducated laborer from Southern Italy, arrives in Turin, where his younger brother Pietro (Francesco Guiffrida) is studying to be a teacher. Giovanni sees the bright Pietro as his family's best hope for making their way out of poverty, and he goes to work to support his brother so that Pietro can focus on his studies. But as time goes on, Giovanni's simple dream of a better life proves to be different than Pietro's personal ambitions, and as the corruption of the city begins to sink its hooks into Pietro, their fates take a tragic and dangerous turn. Cosi Ridevano won the Golden Lion award at the 1998 Venice Film Festival, but despite enthusiastic reviews in Europe, the film did not receive an American release until 2001. ~ Mark Deming, All Movie Guide

The English title of this complex Italian film is apt. Featuring 65 main characters and 130 speaking parts (famous faces abound and many of the actors appeared gratis), and ranging in tone from tartly humorous to darkly tragic, it presents 30 interwoven slices from the lives of modern day Romans during a single day. The lone, silent figure of a lone jogger provides a sort of continuity between the vignettes. Beginning at sunset of the previous day, the jogger is seen warming up on his apartment terrace, looking for all the world as if he would like to jump. The rest of the stories seem to be randomly presented. Stories include the robbery of a Chinese restaurant that causes a birthday celebrant to die of fright, two different newlyweds who find themselves attracted to each other, an opportunistic mechanic's plan to capitalize on the death of a rival, a sneaky, sadistic meter maid and others. One uniting feature of the stories is their underlying bitter assessment of modern humanity. People are seen as selfish and basically cruel, still the stories move quickly and the balance between humor and drama, affection and cynicism, and shallowness and complexity is carefully maintained. ~ Sandra Brennan, All Movie Guide

A childhood friendship becomes something much more in this Italian outing that begins as an off-beat comedy and ends up an exploration of a rocky romance. The story begins near the Baths of Carcalla in Rome where transvestite streetwalker Desideria hangs around begging for someone to love him/her and only ends up robbed and alone. The baths are a notorious hang-out for hookers and one night the police raid the joint causing Desideria to panic and flee with a cop in hot pursuit. Both end up hanging from a precipice and while waiting to be rescued, discover that they were best friends in school. Later Pasquale, the cop, returns to his provincial home village to consult a priest about what Desideria has become. The well-meaning father suggests that Pasquale help Desideria find redemption and resume life as a heterosexual. Unfortunately, things don't go as planned and Desideria ends up seducing Pasquale. They become lovers but trouble ensues when Pasquale's narrow-minded small-town lover Nellina finds out and tries to fight for his love. ~ Sandra Brennan, All Movie Guide

The performer known as Farinelli, born Carlo Broschi (and played in this film by Stefano Dionisi), was famous in the 18th century as the world's greatest castrato, a male singer whose testicles were removed in childhood so that he would retain the high, clear voice of a child while gaining the control and power of an adult vocalist. A strikingly gifted singer with a range of more than three octaves, Farinelli was given little choice but to sacrifice his manhood in exchange for his art, and as his career was founded on the surgery that would dramatically restrict his off-stage life, his art was in turn hemmed in by his family. Carlo's father declared early on that he should only sing the songs of his brother Riccardo (Enrico LoVerso), and while Farinelli's fame gives Riccardo's career a needed boost, the mediocrity of Riccardo's compositions holds Farinelli back. When the singer is given the opportunity to work with the great composer Handel (Jeroen Krabbe), his brother's jealously and Farinelli's own poorly chosen career alliances stand in his way. The brothers' often contentious partnership also extends to the bedroom; while Farinelli's performances set women on fire, he's physically incapable of satisfying them sexually, so he provides the foreplay in a bizarre game of seduction and then turns his conquests over to his brother. Farinelli il Castrato received a Golden Globe award as Best Foreign Language Film of 1994 and an Academy Award nomination in the same category. ~ Mark Deming, All Movie Guide

An opportunistic Italian swindler heads to Albania and finds himself involved with the life of an impoverished local in this somber political drama. Gino (Enrico Lo Verso) and his partner in crime Fiore (Michele Placido) come to Albania with a money-making scheme designed to capitalize on the surrounding political chaos. For the con to work, however, they need an easily exploitable native Albanian, and they recruit Spiro (Carmelo Di Mazzarelli). Easily confused and utterly impoverished, this elderly former political prisoner seems the perfect choice, until he unexpectedly disappears. Gino is assigned to find him, setting out on a journey that leads him to discover Spiro's tragic personal history and become intimately acquainted with the full extent of Albanian poverty. ~ Judd Blaise, All Movie Guide

Without any uncomfortably explicit scenes, this film clearly shows the toll that a fifteen-year-old girl's incestuous relationship with her outwardly serene father takes on her. When Sabrina goes on a date with a boy, she becomes violently ill when the unwary lad tries to kiss her. Her father is such a mild-acting man that no one would imagine what he's been up to. She has dropped out of high school, and progressing away from her claustrophobic relationship with her father seems nearly impossible, until she takes a job at a clothing store and genuinely falls in love with one of her co-workers. This seems to offer her a way beyond her current circumstances, until her jealous father gets wind of it. ~ Clarke Fountain, All Movie Guide

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide